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PublishedOn
2018-02-28
Title
Yau Hong Kong Neo Noir
Artist
Not Specified
ISBN
9781474431989
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
1474431984
ISBN-13
9781474431989
eBay Product ID (ePID)
242884534

Product Key Features

Number of Pages
280 Pages
Language
English
Publication Name
Hong Kong Neo-Noir
Publication Year
2018
Subject
Film / Reference, Film / Genres / Crime, Film / Direction & Production, Film / History & Criticism
Type
Textbook
Author
Tony Williams
Subject Area
Performing Arts
Series
Edinburgh Studies in East Asian Film Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
15.2 Oz
Item Length
6.1 in
Item Width
9.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
An indispensable study of a neglected genre, this anthology traces the cultural history of Hong Kong's noir cinema, identifies key figures in the genre's development, and furnishes incisive analyses of essential neo-noir films. Collectively, the book's chapters capture the artfulness, ingenuity, and exuberance of this remarkable cinematic tradition., "An indispensable study of a neglected genre, this anthology traces the cultural history of Hong Kong's noir cinema, identifies key figures in the genre's development, and furnishes incisive analyses of essential neo-noir films. Collectively, the book's chapters capture the artfulness, ingenuity and exuberance of this remarkable cinematic tradition." -- Gary Bettinson, University of Lancaster
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43/655095125
Table Of Content
Acknowledgements Notes on Contributors Introduction: Hong Kong Neo-Noir, Esther C. M. Yau and Tony WilliamsSECTION A: SEEDS OF NOIR IN HONG KONG CINEMAChapter 1: 'A Rose by Any Other Name': Wong Tin-lam's The Wild, Wild Rose as Melodrama Musical Noir Hybrid, Lisa Odham Stokes Chapter 2: Black & Red: Post-war Hong Kong Noir and Its Interrelation with Progressive Cinema, 1947-1957, Law Kar Chapter 3: Sword, Fist, or Gun? The 1970s Origins of Contemporary Hong Kong Noir, Kristof Van den Troost SECTION B: NEO-NOIR FILMS IN CLOSE-UP Chapter 4: Doubled Indemnity: Fruit Chan and the Meta-Fictions of Hong Kong Neo-Noir, Adam Bingham Chapter 5: Running on Karma: Hong Kong Noir and the Political Unconscious, Gina Marchetti Chapter 6: Beyond Hypothermia: Cool Women Killers in Hong Kong Cinema, David Desser Chapter 7: Tech-Noir: A Subgenre may not exist in Hong Kong Science Fiction Films, Kwai-Cheung Lo SECTION C: COSMOPOLITAN CITYSPACE AND NEO-NOIR Chapter 8: Location Filmmaking and the Hong Kong Crime Film: Anatomy of a Scene, Julian Stringer Chapter 9: Running out of Time, Hard-Boiled, and 24-Hour Cityspace, Kenneth E. HallChapter 10: Exiled in Macau: Hong Kong Neo-Noir and Paradoxical Lyricism, Jinhee ChoiChapter 11: The Tentacles of History: Shinjuku Incident's Return of the Repressed, Tony WilliamsBibliographyFilmography
Synopsis
The first comprehensive collection on Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and enriching global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China before and after the 1997 Handover. Case studies include classics such as The Wild, Wild Rose (1960) and more recent films like Full Alert (1997), Exiled (2007) and Shinjuku Incident (2008). It provides a fresh look at the careers of iconic figures Johnnie To, Jackie Chan and Fruit Chan. By examining the films of migr Shanghai directors, the cool women killers, the hybrids and noir cityscapes, Hong Kong Neo-Noir explores the complex connections between a vibrant cinema and global noir., The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development., The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas.
LC Classification Number
PN1995.9.F54

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