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Filmtheorie-

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Film Theory
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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Release Year
2015
Book Title
Film Theory
ISBN
9781138824300

Über dieses Produkt

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
1138824305
ISBN-13
9781138824300
eBay Product ID (ePID)
204365973

Product Key Features

Number of Pages
238 Pages
Language
English
Publication Name
Film Theory : an Introduction Through the Senses
Publication Year
2015
Subject
Film / General, Media Studies, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Thomas Elsaesser, Malte Hagener
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
31.8 Oz
Item Length
9 in
Item Width
5.9 in

Additional Product Features

Edition Number
2
Intended Audience
College Audience
LCCN
2014-037890
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43
Edition Description
Revised edition,New Edition
Table Of Content
Introduction: Film Theory, Cinema, the Body and the Senses 1. Cinema as Window and Frame 2. Cinema as Door - Screen and Threshold 3. Cinema as Mirror - Face and Close-Up 4. Cinema as Eye - Look and Gaze 5. Cinema as Skin - Body and Touch 6. Cinema as Ear - Acoustic and Space 7. Cinema as Brain - Mind and Body 8. Digital Cinema and Film Theory - Challenge or Confirmation?
Synopsis
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator's mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from 'exterior' to 'interior' relationships, the authors retrace the most important stages of film theory from its beginnings to the present--from neo-realist and modernist theories to psychoanalytic, 'apparatus, ' phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity , and including a greatly expanded final chapter, which brings film theory fully into the digital age., What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator's mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from 'exterior' to 'interior' relationships, the authors retrace the most important stages of film theory from its beginnings to the present--from neo-realist and modernist theories to psychoanalytic, 'apparatus,' phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity , and including a greatly expanded final chapter, which brings film theory fully into the digital age.
LC Classification Number
PN1994.E53 2015

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