Junge sowjetische Filmemacher von Jeanne Wronskaja Hardcover Buch-

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Young Soviet Film Makers by Jeanne Vronskaya Hardcover Book
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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
ISBN-13
9781032877792
Type
Does not apply
ISBN
9781032877792
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Routledge, Chapman & Hall, Incorporated
ISBN-10
1032877790
ISBN-13
9781032877792
eBay Product ID (ePID)
15070485439

Product Key Features

Book Title
Young Soviet Film Makers
Number of Pages
124 Pages
Language
English
Publication Year
2024
Topic
Film / History & Criticism
Genre
Performing Arts
Author
Jeanne Vronskaya
Book Series
Routledge Library Editions: Soviet Society Ser.
Format
Hardcover

Dimensions

Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
Reviews
' Theatre as a Weapon matches the best analytical work in other languages, and is unique in the scope of its coverage. Both theatrically and politically, it is authoritative in its information and trenchant in its analysis.' - Dr Edward Braun, University of Bristol
Dewey Edition
18
Dewey Decimal
791.43/0947
Synopsis
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre. Drawing largely on unpublished sources, it provides lively case studies of workers' theatre in the USSR, Germany and the United Kingdom., Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre. Drawing largely on unpublished sources, it provides lively case studies of workers' theatre in the USSR, Germany and the United Kingdom. They range from the Russian mass spectacles in front of the Winter Palace, through the thousands of factory and courtyard performances in Germany, to the May Day activities of the Workers' Theatre Movement all over Britain. The authors worked for many years in political theatre in Britain, Austria and Germany, and they draw on their wide experience to focus on both major theoretical controversies and their practical ramifications. They show how workers' theatre became an instrument, a weapon, for political change, helping to raise the consciousness of thousands of workers and encouraging them to take action. They describe how worker-actors, musicians, writers and directors formed small, flexible troupes which contributed locally to the day-to-day struggles of their class, while at the same time participating in national and international political campaigns. Developments in dramatic structure are analysed, from the simple review form to the more complex scene-and-song montage. Placing the work of Meyerhold, Eisenstein, Piscator, Brecht and Eisler in this context, the authors demonstrate how the montage principle became the significant factor in the political theatre of this period. The book is illustrated with rare photographs which reflect the atmosphere of those mass movements. Unique in its coverage, Theatre as a Weapon is above all an analysis of how the mirror of realistic theatre was transformed into a dynamic weapon for social change. It fills an important gap in the history of working-class culture.

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