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Geopoetrie: Geologie, Materialität, Ökopoetik von Dale Enggass Taschenbuch-
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eBay-Artikelnr.:388762607185
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780826368034
- Book Title
- Geopoetry
- ISBN
- 9780826368034
Über dieses Produkt
Product Identifiers
Publisher
University of New Mexico Press
ISBN-10
0826368034
ISBN-13
9780826368034
eBay Product ID (ePID)
24072584335
Product Key Features
Number of Pages
200 Pages
Publication Name
Geopoetry : Geology, Materiality, Ecopoetics
Language
English
Subject
Poetry, American / General
Publication Year
2025
Type
Textbook
Subject Area
Literary Criticism
Series
Recencies Series: Research and Recovery in Twentieth-Century American Poetics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
0 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
Dale Enggass unearths as-yet unstoried relations and kinships among postwar and contemporary artists and writers through the language of geology. His Geopoetry: Geology, Materiality, Ecopoetics is essential reading for anyone interested in the new materialism and the post-humanities., "Dale Enggass unearths as-yet unstoried relations and kinships among postwar and contemporary artists and writers through the language of geology. His Geopoetry: Geology, Materiality, Ecopoetics is essential reading for anyone interested in the new materialism and the post-humanities."--Miriam Nichols, author of Radical Affections: Essays on the Poetics of Outside
Table Of Content
Acknowledgments Introduction. The Language of Geology and the Geology of Language Chapter One. Printed Matter: Robert Smithson?s Depositions Chapter Two. ?The World Soul / Slumbers in Matter?: Gunslinger and The Magic Door Chapter Three. Bedrock and Drift: Earth, Language, and Bodies in J. H. Prynne and Maggie O?Sullivan Chapter Four. ?Clastic Mates?: Sedimentary Language in Clark Coolidge and Steve McCaffery Chapter Five. Cropping The Desert: Erasure, Erosion, and Reclamation in Jen Bervin and John C. Van DykeChapter Six. Crystal Gazing Notes Works Cited Index
Synopsis
At its core, geopoetics proposes that a connection between language and geology has become a significant development in post?World War II poetics. In Geopoetry, Dale Enggass argues that certain literary works enact geologic processes, such as erosion and deposition, and thereby suggest that language itself is a geologic??and not a solely human-based??process. Elements of language extend past human control and open onto an inhuman dimension, which raises the question of how literary works approach the representation of nonhuman realms. Enggass examines the work of Clark Coolidge, Robert Smithson, Ed Dorn, Maggie O?Sullivan, Jeremy Prynne, Jen Bervin, Christian Bök, and Steve McCaffery, and he finds that while many of these authors are not traditionally connected to ecocritical writing, their innovations are central to ecocritical concerns. In treating language as a geological material, these authors interrogate the boundary between human and nonhuman realms and offer a model for a complex literary engagement with the Anthropocene., At its core, geopoetics proposes that a connection between language and geology has become a significant development in post-World War II poetics. In Geopoetry , Dale Enggass argues that certain literary works enact geologic processes, such as erosion and deposition, and thereby suggest that language itself is a geologic--and not a solely human-based--process. Elements of language extend past human control and open onto an inhuman dimension, which raises the question of how literary works approach the representation of nonhuman realms. Enggass examines the work of Clark Coolidge, Robert Smithson, Ed Dorn, Maggie O'Sullivan, Jeremy Prynne, Jen Bervin, Christian Bök, and Steve McCaffery, and he finds that while many of these authors are not traditionally connected to ecocritical writing, their innovations are central to ecocritical concerns. In treating language as a geological material, these authors interrogate the boundary between human and nonhuman realms and offer a model for a complex literary engagement with the Anthropocene.
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