MOMENTAN AUSVERKAUFT

Soundscapes of the Early Modern Hispanophone and Lusophone Worlds by Víctor Sierra Matute (2024, Hardcover)

Über dieses Produkt

Product Identifiers

PublisherRoutledge, Chapman & Hall, Incorporated
ISBN-10103211326X
ISBN-139781032113265
eBay Product ID (ePID)3074797414

Product Key Features

Book TitleSoundscapes of the Early Modern Hispanophone and Lusophone Worlds
Number of Pages326 Pages
LanguageEnglish
Publication Year2024
TopicSocial History, Europe / Spain & Portugal, Latin America / General
IllustratorYes
GenreHistory
AuthorVíctor Sierra Matute
Book SeriesRoutledge Critical Junctures in Global Early Modernities Ser.
FormatHardcover

Dimensions

Item Height0.8 in
Item Weight22 Oz
Item Length9 in
Item Width6 in

Additional Product Features

Intended AudienceTrade
Dewey Edition23
Dewey Decimal306.4
SynopsisThis book is an interdisciplinary edited collection that seeks to recognize the radical importance of sound, and center it in discussions in the field of early modern studies. Bringing together a collection of case studies related spatially and temporally to specific places or events, the volume explores a gallery of soundscapes mapping the early modern Iberian empires. This transnational and comparative style takes a twofold approach: on the one hand, each study works as a snapshot of the soundscape of a given place and time; on the other, the different entries offer a series of paradigms to systematically approach the tensions and developments related to sound in the early modern period. Ultimately, this volume collects soundscapes from multiple territories and geographies: from the kingdoms of the Iberian Peninsula and their expansion throughout the Mediterranean, the Atlantic, and the Pacific. Soundscapes of the Early Modern Hispanophone and Lusophone Worlds will be of great value to students and scholars interested in the history of senses, emotions and theatre, social and cultural history, and early modern history., This book is an interdisciplinary edited collection that seeks to recognize the radical importance of sound, and centre it in discussions in the field of early modern studies.

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