MOMENTAN AUSVERKAUFT
Über dieses Produkt
Product Identifiers
PublisherSalon 94
ISBN-100692397612
ISBN-139780692397619
eBay Product ID (ePID)215412653
Product Key Features
Book TitleTakeshi Murata
Number of Pages112 Pages
LanguageEnglish
Publication Year2016
TopicIndividual Artists / Monographs, Digital
IllustratorYes
GenreArt
AuthorTakeshi Murata
FormatHardcover
Dimensions
Item Height0.7 in
Item Weight40.9 Oz
Item Length12.7 in
Item Width9.1 in
Additional Product Features
Intended AudienceTrade
SynopsisTakeshi Murata (born 1975) first became known as an early innovator of "datamoshing," a form of "glitch art" that requires compressing two videos together until their respective pixels merge into one mashed-up picture. Since then, inspired by Giorgio de Chirico and traditional 17th-century Dutch and Flemish painting, Murata's work has ventured into the realm of hyper-realism in a series of uncanny prints and videos that explore our inner and exterior lives via everything from B-grade horror film imagery to relics of a 1980s childhood. Part monograph and part artist's book, "Takeshi Murata" includes an essay by New Museum curator Lauren Cornell, an interview with the artist conducted by Alex Gartenfeld, Curator at the Institute of Contemporary Art, Miami, and an essay by Dan Nadel., Takeshi Murata (born 1975) first became known as an early innovator of "datamoshing," a form of "glitch art" that requires compressing two videos together until their respective pixels merge into one mashed-up picture. Since then, inspired by Giorgio de Chirico and traditional 17th-century Dutch and Flemish painting, Murata's work has ventured into the realm of hyper-realism in a series of uncanny prints and videos that explore our inner and exterior lives via everything from B-grade horror film imagery to relics of a 1980s childhood. Part monograph and part artist's book, Takeshi Murata includes an essay by New Museum curator Lauren Cornell, an interview with the artist conducted by Alex Gartenfeld, Curator at the Institute of Contemporary Art, Miami, and an essay by Dan Nadel.
Text byCornell, Lauren
