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Montastrojs emanzipatorische Leistungspolitik: Egal die Partitur von Leo Rafol-
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eBay-Artikelnr.:388283639308
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781666921175
- Book Title
- Montastrojs Emancipatory Performance Politics
- ISBN
- 9781666921175
Über dieses Produkt
Product Identifiers
Publisher
Lexington Books/Fortress Academic
ISBN-10
1666921173
ISBN-13
9781666921175
eBay Product ID (ePID)
17057268616
Product Key Features
Number of Pages
316 Pages
Language
English
Publication Name
MontažStroj's Emancipatory Performance Politics : Never Mind the Score
Publication Year
2022
Subject
Theater / General, Europe / Eastern, Theater / History & Criticism
Type
Textbook
Subject Area
Performing Arts, History
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
22.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2022-028125
Reviews
This book captures those elusive folds of performance-with-resistance, reading them against the backscreen of Eastern European and Pan-European political and intellectual histories. It uses a long-standing project to showcase an intricate and fascinating theoretical analysis of performing practices as they play with, within, and against violent capitalist modernities. Students and scholars across the overlapping fields of performance studies, dance studies, post-communist studies, queer studies, European studies, and those familiar with various left-wing traditions of critical theory and intellectual history will find this book to be an elucidating and inspiring contribution to their respective fields., Rafolt's latest book has every reason to become an academic classic, in theater and performance studies, cultural studies, as well as Slavic studies. It is a well-written, heavily documented, and theoretically grounded analysis of the contemporary world performatively structured on two dogmas: the free market and liberal democracy. Rafolt weaves a critical tale based on an analysis of the performative production of the internationally renowned group Montazstroj., Rafolt's inspired, theoretically grounded, and detailed analyses represent a significant contribution to performance studies, as well as to the analysis of interconnections between emancipatory regimes in arts and society as such and will be therefore read both for their depth of insights and for the wealth of information they provide., Leo Rafolt's book confronts us with the necessity of writing and performing theory in a time of permanent global crisis, pandemics, war conflicts, terrorism, economic fractures, and public broken narratives. The starting points are in performance studies and applications to real life forms. The author constantly provokes his reader, and interprets, transgresses, and reveals potential traps, gives answers, and turns answers into challenges of performativity. -- Miodrag Suvakovic, Singidunum University Rafolt's book is an excellent insight in cultural theory and performance relations, open to anyone interested in performance studies, and interdisciplinary research in art, since the author, in the manner of Hal Foster, seeks to give the ethnographic method a kind of licentia hermeneutica, the right to interpret the performing art. -- Suzana Marjanic, Institute of Ethnology and Folklore Research Rafolt's inspired, theoretically grounded, and detailed analyses represent a significant contribution to performance studies, as well as to the analysis of interconnections between emancipatory regimes in arts and society as such and will be therefore read both for their depth of insights and for the wealth of information they provide. -- Zoran Milutinovic, University College London Rafolt's latest book has every reason to become an academic classic, in theatre and performance studies, cultural studies, as well as Slavic studies. It is a well-written, heavily documented, and theoretically grounded analysis of the contemporary world performatively structured on two dogmas-the free market and liberal democracy. Rafolt weaves a critical tale based on an analysis of the performative production of the internationally renowned group Montazstroj. -- Maciej Falski, University of Warsaw This monograph captures those elusive folds of performance-with-resistance, reading them against the backscreen of Eastern European and Pan-European political and intellectual histories. It uses a long-standing project to showcase an intricate and fascinating theoretical analysis of performing practices as they play with, within, and against, violent capitalist modernities. Students and scholars across the overlapping fields of performance studies, dance studies, post-communist studies, queer studies, European studies, and those familiar with various left-wing traditions of critical theory and intellectual history, will find this book to be an elucidating and inspiring contribution to their respective fields. -- Aljosa Puzar, University of Ljubljana, Rafolt's book is an excellent insight in cultural theory and performance relations, open to anyone interested in performance studies and interdisciplinary research in art, since the author, in the manner of Hal Foster, seeks to give the ethnographic method a kind of licentia hermeneutica, the right to interpret the performing art., "Montazstroj's Emancipatory Performance Politics confronts us with the necessity of writing and performing theory in a time of permanent global crisis, pandemics, war conflicts, terrorism, economic fractures, and public broken narratives. The starting points are in performance studies and applications to real life forms. Leo Rafolt constantly provokes his reader and interprets, transgresses, reveals potential traps, gives answers, and turns answers into challenges of performativity." --Miodrag Suvakovic, Singidunum University "Rafolt's book is an excellent insight in cultural theory and performance relations, open to anyone interested in performance studies and interdisciplinary research in art, since the author, in the manner of Hal Foster, seeks to give the ethnographic method a kind of licentia hermeneutica, the right to interpret the performing art." --Suzana Marjanic, Institute of Ethnology and Folklore Research "Rafolt's inspired, theoretically grounded, and detailed analyses represent a significant contribution to performance studies, as well as to the analysis of interconnections between emancipatory regimes in arts and society as such and will be therefore read both for their depth of insights and for the wealth of information they provide." --Zoran Milutinovic, University College London "Rafolt's latest book has every reason to become an academic classic, in theater and performance studies, cultural studies, as well as Slavic studies. It is a well-written, heavily documented, and theoretically grounded analysis of the contemporary world performatively structured on two dogmas: the free market and liberal democracy. Rafolt weaves a critical tale based on an analysis of the performative production of the internationally renowned group Montazstroj." --Maciej Falski, University of Warsaw "This book captures those elusive folds of performance-with-resistance, reading them against the backscreen of Eastern European and Pan-European political and intellectual histories. It uses a long-standing project to showcase an intricate and fascinating theoretical analysis of performing practices as they play with, within, and against violent capitalist modernities. Students and scholars across the overlapping fields of performance studies, dance studies, post-communist studies, queer studies, European studies, and those familiar with various left-wing traditions of critical theory and intellectual history will find this book to be an elucidating and inspiring contribution to their respective fields." --Aljosa Puzar, University of Ljubljana, Montazstroj's Emancipatory Performance Politics confronts us with the necessity of writing and performing theory in a time of permanent global crisis, pandemics, war conflicts, terrorism, economic fractures, and public broken narratives. The starting points are in performance studies and applications to real life forms. Leo Rafolt constantly provokes his reader and interprets, transgresses, reveals potential traps, gives answers, and turns answers into challenges of performativity.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
700.9497
Table Of Content
List of Figures Acknowledgments 1. Preamble: Performance as Revolt, and the Scums of History 2. Perpetual Dynamism of Labored Bodies: From the Intrusion into the Institution 3. Meyerhold Bound, and the Barbaric Discipline of the Machine 4. Topography of Excess, or the Profanation of Performative Risk 5. Messianic Time, and Decay of the Post-Yugoslav Idea 6. Queer Immanence, and Technocentric Utopia of the Master and the Slave 7. On Emancipation Politics: Public Sphere between Irruption and Institution 8. Emancipate, Participate, or Else: Not Every Performance is a Democratic Regime 9. On Obstinacy, Minoritarianism, and the Performance Gaze 10. Performance of/or Debt: The Economy's Frank Face 11. Terror of Acceptance: Mass-Murders and Political Dystopia Performance References References Index About the Author
Synopsis
This book deals with the broader theoretical and philosophical context of performance art in former Yugoslavia. It focuses on the politically engaged performance activity of the Montazstroj group, putting it in the context of terrorism, globalism, radical democratic regimes, and identity politics., This book deals with the broader theoretical and philosophical context of performance art in former Yugoslavia, focusing on more than three decades of politically engaged performance activity of the Montazstroj group. Their activity is only a starting point for a deeper analysis of some of the key notions of contemporary "art-ivism" in a much broader post-political and globalized context before, during, and after Yugoslavia and its Socialist paradigm collapsed. The author analyzes and sets notions of agonism, engagement, terrorism, post-war trauma, political populism, social Darwinism, participation and publicness, and the public sphere into different theoretical matrixes., This book deals with the broader theoretical and philosophical context of the performance art in former Yugoslavia, focusing on more than three decades of politically engaged performance activity of the Montazstroj group. Their activity is only a starting point for a deeper analysis of some of the key-notions of contemporary "art-ivism" in a much broader post-political and globalized context before, during, and after Yugoslavia and its Socialist paradigm collapsed. The author analyzes and sets notions of agonism, engagement, terrorism, post-war trauma, political populism, social Darwinism, participation and publicness, and the public sphere into different theoretical matrixes.
LC Classification Number
N7255.C76R34 2022
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grandeagleretail
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- w***i (874)- Bewertung vom Käufer.Letzter MonatBestätigter KaufAbsolutely Wonderful Seller!! Terrific Item As Described!!! Great Service and Communication!! Shipped In Waterproof Packaging!! I Received Item In About One Week!! Very Pleased With Seller! I Will Buy From This Seller Again!!
- e***_ (17)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufSeller handles a massive inventory so I give them grace on the slow processing and shipping. They were very communicative and prompt with their response when I messaged in asking about it. Book was in good condition as described. Small ding on the page edges which wasn't mentioned, but that's fairly common even at your typical book store. Still a good value and I'd buy from them again.
- 0***i (5)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe first item arrived with some damage to the inside back cover, but the seller responded immediately, assuring me they’d provide a replacement, and even told me I could keep the original. They were upfront about a short delay, and gave a clear estimated ship date, and followed up right on time once it shipped. The replacement arrived in perfect condition and exactly as described. I really appreciated their transparency and professionalism. Would definitely buy from them again!
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grandeagleretail
98,2% positive Bewertungen•2,8 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (1.055.236)
- w***i (874)- Bewertung vom Käufer.Letzter MonatBestätigter KaufAbsolutely Wonderful Seller!! Terrific Item As Described!!! Great Service and Communication!! Shipped In Waterproof Packaging!! I Received Item In About One Week!! Very Pleased With Seller! I Will Buy From This Seller Again!!
- e***_ (17)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufSeller handles a massive inventory so I give them grace on the slow processing and shipping. They were very communicative and prompt with their response when I messaged in asking about it. Book was in good condition as described. Small ding on the page edges which wasn't mentioned, but that's fairly common even at your typical book store. Still a good value and I'd buy from them again.
- 0***i (5)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe first item arrived with some damage to the inside back cover, but the seller responded immediately, assuring me they’d provide a replacement, and even told me I could keep the original. They were upfront about a short delay, and gave a clear estimated ship date, and followed up right on time once it shipped. The replacement arrived in perfect condition and exactly as described. I really appreciated their transparency and professionalism. Would definitely buy from them again!