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Triumph of Modernism: India's Artists ... by Mitter, Partha Paperback / softback

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ISBN
1861893183
EAN
9781861893185
Date of Publication
2007-04-01
Release Title
Triumph of Modernism: India's Artists and the Avant-garde 1922...
Artist
Mitter, Partha
Brand
N/A
Colour
N/A
Book Title
Triumph of Modernism: India's Artists and the Avant-garde 1922...

Über dieses Produkt

Product Identifiers

Publisher
Reaktion Books, The Limited
ISBN-10
1861893183
ISBN-13
9781861893185
eBay Product ID (ePID)
57152214

Product Key Features

Number of Pages
256 Pages
Publication Name
Triumph of Modernism : India's Artists and the Avantgarde, 1922-47
Language
English
Publication Year
2007
Subject
Asian / General, Aesthetics, Asian / Indian & South Asian, History / General
Type
Textbook
Subject Area
Art, Philosophy
Author
Partha Mitter
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
30.3 Oz
Item Length
9.8 in
Item Width
7.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
Partha Mitter's lucid and well-illustrated The Triumph of Modernism explores Indian artists' encounter with the avant-garde from 1922 to 1947. It gives due prominence to pioneers: above all, Amrita Sher-Gil, the Sikh-Hungarian prodigy and firebrand..., With this book Partha Mitter adds further to his already monumental contribution to the study of Indian art. A comprehensive survey of ideas, institutions and schools, it is rich in details that leap out of obscurity to illuminate the significance of the whole. What emerges is a fascinating pattern of contradictions and coalescences that make up the stuff called modernism. There's nothing simple about this tissue of paradoxes which constitutes the originality of the phenomenon in its subcontinental habitat. By undertaking to describe and analyze its complexities, this book earns its place in the corpus of distinguished critical literature that warns us against an overtly Eurocentric view of modernity, an alarm already sounded in the author's celebrated work, Much Maligned Monsters (1977). Furthermore, it alerts all concerned to the indifference that allows South Asian historiography to remain blissfully unaware of what it can and must learn from contemporary writings on the history of art. There is a great deal here for all narratives of colonialism and modernism to feed on., Mitter proceeds chronologically . . . filling the immensely readable pages with personality, place and incident--and with a remarkably low incident of art-speak and theory--giving the reader a sense of living through the 25 years as a member of this remarkable community., A sumptuously illustrated exploratory guide to India's artists and the avant garde movement of 1922-1947
TitleLeading
The
Illustrated
Yes
Table Of Content
Prologue One The Formalist Prelude Two The Indian Discourse of Primitivism I Two Pioneering Women Artists II Rabindranath Tagore's Vision of Art and the Community III Jamini Roy and Art for the Community Three Naturalists in the Age of Modernism I The Regional Expressions of Academic Naturalism II From Orientalism to a New Naturalism: K. Venkatappa and Deviprosad Roy Chowdhury Four Contested Nationalism: The New Delhi and India House Murals Epilogue References Bibliography Acknowledgements Photo Acknowledgements Index
Synopsis
Explores the contested history of art and nationalism in the tumultuous last decades of British rule in India. With a fascinating array of art works, this book throws much light on a previously neglected strand of modern art and introduces the work of artists who are little known in Europe or America., The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of "oriental art," and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, The Triumph of Modernism will be essential reading for scholars of art, British studies, and Indian history., The tumultuous last decades of British colonialism in India were catalyzed by more than the work of Mahatma Gandhi and violent conflicts. The concurrent upheavals in Western art driven by the advent of modernism provided Indian artists in post-1920 India a powerful tool of colonial resistance. Distinguished art historian Partha Mitter now explores in this brilliantly illustrated study this lesser known facet of Indian art and history. Taking the 1922 Bauhaus exhibition in Calcutta as the debut of European modernism in India, "The Triumph of Modernism" probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art. Mitter casts his gaze across a myriad of issues, including the emergence of a feminine voice in Indian art, the decline of "oriental art," and the rise of naturalism and modernism in the 1920s. Nationalist politics also played a large role, from the struggle of artists in reconciling Indian nationalism with imperial patronage of the arts to the relationship between primitivism and modernism in Indian art. An engagingly written study anchored by 150 lush reproductions, "The Triumph of Modernism" will be essential reading for scholars of art, British studies, and Indian history., This richly illustrated book explores the contested history of art and nationalism in the tumultuous last decades of British rule in India. Western avant-garde art inspired a powerful weapon of resistance among India's artists in their struggle against colonial repression, and it is this complex interplay of Western modernism and Indian nationalism that is the core of this book. "The Triumph of Modernism" takes the surprisingly unremarked Bauhaus exhibition in Calcutta in 1922 as marking the arrival of European modernism in India. In four broad sections Partha Mitter examines the decline of oriental art and the rise of naturalism as well as that of modernism in the 1920s, and the relationship between primitivism and modernism in Indian art: with Mahatma Gandhi inspiring the Indian elite to discover the peasant, the people of the soil became portrayed by artists as noble savages. A distinct feminine voice also evolved through the rise of female artists. Finally, the author probes the ambivalent relationship between Indian nationalism and imperial patronage of the arts.With a fascinating array of art works, few of which have either been seen or published in the West, "The Triumph of Modernism" throws much light on a previously neglected strand of modern art and introduces the work of artists who are little known in Europe or America. A book that challenges the dominance of Western modernism, it will be illuminating not just to students and scholars of modernism and Indian art, but to a wide international audience that admires India's culture and history.
LC Classification Number
N7304.5

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