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Planet Beethoven: Klassische Musik zur Jahrtausendwende von Yang, Mina-
by Yang, Mina | PB | VeryGood
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eBay-Artikelnr.:376514761673
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Book Title
- Planet Beethoven
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780819574862
Über dieses Produkt
Product Identifiers
Publisher
Wesleyan University Press
ISBN-10
0819574864
ISBN-13
9780819574862
eBay Product ID (ePID)
202812380
Product Key Features
Number of Pages
240 Pages
Publication Name
Planet Beethoven : Classical Music at the Turn of the Millennium
Language
English
Subject
History & Criticism, Composers & Musicians, General
Publication Year
2014
Type
Textbook
Subject Area
Music, Biography & Autobiography
Series
Music / Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
12.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2014-004705
Reviews
"This book raises the level of discourse on the state of classical music today. It helps us move beyond anecdotes and knee-jerk reactions and get at understanding what is actually happening."-Eric Hung, Westminster Choir College of Rider University, "In her brilliant account of classical music in the twenty-first century, Yang avoids the too common pronouncements of its demise or defensive sermons mounted on its behalf. She offers instead a series of case studies demonstrating how this music in fact permeates contemporary culture, though often in ways that would seem alien to its traditional advocates. This is an exceedingly timely book."--Susan McClary, Case Western Reserve University "Yang argues that the demise of western art music is largely exaggerated. Her insightful study of contemporary reception examines the subject from many angles--specific works, institutions, composers, performers, and collaborators--in the contexts of gender, class, nationalities, and cultural hierarchies."--Patricia Stroh, The Beethoven Journal "Yang's view is that music today is vibrant and relevant, although its face is different from that of the past--a provocative stance that should provide fodder for interesting discussions by performers and 'passive participants' alike. Recommended [for] all readers."--J. P. Ambrose, Choice "In her brilliant account of classical music in the twenty-first century, Yang avoids the too common pronouncements of its demise or defensive sermons mounted on its behalf. She offers instead a series of case studies demonstrating how this music in fact permeates contemporary culture, though often in ways that would seem alien to its traditional advocates. This is an exceedingly timely book."--Susan McClary, Case Western Reserve University "This book raises the level of discourse on the state of classical music today. It helps us move beyond anecdotes and knee-jerk reactions and get at understanding what is actually happening."--Eric Hung, Westminster Choir College of Rider University, In her brilliant account of classical music in the twenty-first century, Yang avoids the too-common pronouncements of its demise or defensive sermons mounted on its behalf. She offers instead a series of case studies demonstrating how this music in fact permeates contemporary culture, though often in ways that would seem alien to its traditional advocates. This is an exceedingly timely book., "In her brilliant account of classical music in the twenty-first century, Yang avoids the too-common pronouncements of its demise or defensive sermons mounted on its behalf. She offers instead a series of case studies demonstrating how this music in fact permeates contemporary culture, though often in ways that would seem alien to its traditional advocates. This is an exceedingly timely book."-Susan McClary, Case Western Reserve University, "In her brilliant account of classical music in the twenty-first century, Yang avoids the too common pronouncements of its demise or defensive sermons mounted on its behalf. She offers instead a series of case studies demonstrating how this music in fact permeates contemporary culture, though often in ways that would seem alien to its traditional advocates. This is an exceedingly timely book."--Susan McClary, Case Western Reserve University "This book raises the level of discourse on the state of classical music today. It helps us move beyond anecdotes and knee-jerk reactions and get at understanding what is actually happening."--Eric Hung, Westminster Choir College of Rider University "Yang's view is that music today is vibrant and relevant, although its face is different from that of the past--a provocative stance that should provide fodder for interesting discussions by performers and 'passive participants' alike. Recommended [for] all readers."--J. P. Ambrose, Choice "Yang argues that the demise of western art music is largely exaggerated. Her insightful study of contemporary reception examines the subject from many angles--specific works, institutions, composers, performers, and collaborators--in the contexts of gender, class, nationalities, and cultural hierarchies."--Patricia Stroh, The Beethoven Journal, "Yang's view is that music today is vibrant and relevant, although its face is different from that of the past-a provocative stance that should provide fodder for interesting discussions by performers and 'passive participants' alike. Recommended (for) all readers."-J. P. Ambrose, Choice, "This book raises the level of discourse on the state of classical music today. It helps us move beyond anecdotes and knee-jerk reactions and get at understanding what is actually happening."-Eric Hung, Westminster Choir College of Rider University,, Yang's view is that music today is vibrant and relevant, although its face is different from that of the past-a provocative stance that should provide fodder for interesting discussions by performers and 'passive participants' alike. Recommended (for) all readers., This book raises the level of discourse on the state of classical music today. It helps us move beyond anecdotes and knee-jerk reactions and get at understanding what is actually happening.
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
781.6809/051
Table Of Content
Prelude "Für Elise" Circa 2000 Interlude One: Baby Einstein and Classical Music for Little People From Hagiography to Pathography Interlude Two: Glenn Gould, the Last of the Musical Geniuses East Meets West in the Concert Hall Millennial Passions Interlude Three: The Little Orange Dress Moulin Rouge! and the Undoing of Opera Interlude Four: The Digital Concert Hall El Sistema L.A. Postlude Appendix 1: Filmography Appendix 2: Discography Notes Bibliography Index
Synopsis
Exploring the complexities and significance of classical music today In Planet Beethoven, Mina Yang makes the compelling case that classical music in the twenty-first century is just as vibrant and relevant as ever--but with significant changes that give us insight into the major cultural shifts of our day. Perusing events, projects, programs, writings, musicians, and compositions, Yang shines a spotlight on the Western art music tradition. The book covers an array of topics, from the use of Beethoven's "Für Elise" in YouTube clips and hip-hop, to the marketing claims of Baby Einstein products, and the new forms of music education introduced by Gustavo Dudamel, conductor of the Los Angeles Philharmonic. While the book is global in its outlook, each chapter investigates the unique attributes of a specific performer, performance, or event. One chapter reflects on Chinese pianist Yuja Wang's controversial performance at the Hollywood Bowl, another explores the highly symbolic Passion 2000 Project in Stuttgart, Germany. Sure to be of interest to students, professionals, and aficionados, Planet Beethoven traces the tensions that arise from the "classical" nature of this tradition and our rapidly changing world., Exploring the complexities and significance of classical music today In Planet Beethoven, Mina Yang makes the compelling case that classical music in the twenty-first century is just as vibrant and relevant as ever?but with significant changes that give us insight into the major cultural shifts of our day. Perusing events, projects, programs, writings, musicians, and compositions, Yang shines a spotlight on the Western art music tradition. The book covers an array of topics, from the use of Beethoven's "Für Elise" in YouTube clips and hip-hop, to the marketing claims of Baby Einstein products, and the new forms of music education introduced by Gustavo Dudamel, conductor of the Los Angeles Philharmonic. While the book is global in its outlook, each chapter investigates the unique attributes of a specific performer, performance, or event. One chapter reflects on Chinese pianist Yuja Wang's controversial performance at the Hollywood Bowl, another explores the highly symbolic Passion 2000 Project in Stuttgart, Germany. Sure to be of interest to students, professionals, and aficionados, Planet Beethoven traces the tensions that arise from the "classical" nature of this tradition and our rapidly changing world., In Planet Beethoven, Mina Yang makes the compelling case that classical music in the twenty-first century is just as vibrant and relevant as ever--but with significant changes that give us insight into the major cultural shifts of our day. Perusing events, projects, programs, writings, musicians, and compositions, Yang shines a spotlight on the Western art music tradition. The book covers an array of topics, from the use of Beethoven's "F r Elise" in YouTube clips and hip-hop, to the marketing claims of Baby Einstein products, and the new forms of music education introduced by Gustavo Dudamel, conductor of the Los Angeles Philharmonic. While the book is global in its outlook, each chapter investigates the unique attributes of a specific performer, performance, or event. One chapter reflects on Chinese pianist Yuja Wang's controversial performance at the Hollywood Bowl, another explores the highly symbolic Passion 2000 Project in Stuttgart, Germany. Sure to be of interest to students, professionals, and aficionados, Planet Beethoven traces the tensions that arise from the "classical" nature of this tradition and our rapidly changing world.
LC Classification Number
ML197.2.Y36 2014
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- v***v (2098)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.How to chalk talk, by Harlan Tarbell (Nr. 197064259889)
- 7***j (847)- Bewertung vom Käufer.Letzter MonatBestätigter KaufI recently purchased an item from this eBay seller, and I couldn't be happier with the experience. From the prompt communication to the fast shipping, everything was handled with utmost professionalism. The item arrived exactly as described and was well-packaged to ensure its safety during transit. The seller was courteous and responsive, making the entire transaction smooth and hassle-free. I highly recommend this seller to anyone looking for quality products and excellent service.
- c***m (441)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!The Internment of Japanese Americans During World War II (Nr. 146005407795)