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Oxford World's Classics Ser. Rubáiyát of Omar Khayyám by Daniel Karlin 2009
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Standort: Louisville, Kentucky, USA
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eBay-Artikelnr.:376466075669
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Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019954297X
ISBN-13
9780199542970
eBay Product ID (ePID)
5038270432
Product Key Features
Book Title
Rubáiyát of Omar Khayyám
Number of Pages
240 Pages
Language
English
Topic
General
Publication Year
2009
Genre
Poetry
Book Series
Oxford World's Classics Ser.
Format
Hardcover
Dimensions
Item Height
0 in
Item Weight
12 Oz
Item Length
7.7 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2008-036653
Dewey Edition
22
Dewey Decimal
891.5511
Table Of Content
PrefaceIntroductionNote on the TextNotre on the Pronunciation and Transcription of Persian WordsSelect BibliographyA Chronology of Edward FitzGeraldRUBÁIYÁT OF OMAR KHAYYÁMTables of Corresponding StanzasAppendix 1: Contemporary responsesAppendix 2: Tennyson, 'To E. FitzGerald'VariantsExplanatory Notes
Synopsis
Edward FitzGerald's version of the Rubáiyát of the medieval Persian poet and philosopher Omar Khayyám contains some of the most frequently quoted - and beautiful - lines in English poetry. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'., In 1859, Edward FitzGerald translated into English the short, epigrammatic poems (or "rubá(c) á [) of medieval Persian poet Omar Khayyá-(R) If not a true translation--his Omar seems to have read Shakespeare and the King James Bible--the poem nevertheless conveyed some of the most beautiful and haunting images in English poetry, and some of the sharpest-edged. By the end of the century, it was one of the best-known poems in the English language, admired by Swinburne and Ruskin. Daniel Karlin's richly annotated edition focuses on the poem as a work of Victorian literary art, doing justice to the scope and complexity of FitzGerald's lyrical meditation on "human death and fate." Karlin provides a fascinating critical introduction which documents the poem's treatment of its Persian sources, along with its multiple affiliations with English and Classical literature and to the Bible. A selection of contemporary reviews offers an insight into the poem's early reception, including the first attack on its status as a translation. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more., 'The Moving Finger writes; and, having writ,Moves on: nor all thy Piety nor WitShall lure it back to cancel half a Line,Nor all thy Tears wash out a Word of it.' In the 'rubáiyát' (short epigrammatic poems) of the medieval Persian poet, mathematician, and philosopher Omar Khayyám, Edward FitzGerald saw an unflinching challenge to the illusions and consolations of mankind in every age. His version of Omar is neither a translation nor an independent poem; sceptical of divine providence and insistent on the pleasure of the passing moment, its 'Orientalism' offers FitzGerald a powerful and distinctive voice, in whose accents a whole Victorian generation comes to life. Although the poem's vision is bleak, it is conveyed in some of the most beautiful and haunting images in English poetry - and some of the sharpest-edged. The poem sold no copies at all on its appearance in 1859, yet when it was 'discovered' two years later its first readers and admirers included Dante Gabriel Rossetti, Swinburne, and Ruskin. By the end of the century it was one of the best-known poems in the English language. Daniel Karlin's richly annotated edition does justice to the scope and complexity of FitzGerald's lyrical meditation on 'human death and fate'., In 1859, Edward FitzGerald translated into English the short, epigrammatic poems (or "rubaiyat") of medieval Persian poet Omar Khayyam. If not a true translation--his Omar seems to have read Shakespeare and the King James Bible--the poem nevertheless conveyed some of the most beautiful and haunting images in English poetry, and some of the sharpest-edged. By the end of the century, it was one of the best-known poems in the English language, admired by Swinburne and Ruskin. Daniel Karlin's richly annotated edition focuses on the poem as a work of Victorian literary art, doing justice to the scope and complexity of FitzGerald's lyrical meditation on "human death and fate." Karlin provides a fascinating critical introduction which documents the poem's treatment of its Persian sources, along with its multiple affiliations with English and Classical literature and to the Bible. A selection of contemporary reviews offers an insight into the poem's early reception, including the first attack on its status as a translation. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more."
LC Classification Number
PK6513.A1 2009
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