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Verdi: Komplette Oper "La Traviata"-

Ursprünglicher Text
Verdi: Complete opera “La Traviata”
shuraku
(193)
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Standort: Hokkaido, Japan
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eBay-Artikelnr.:376443302314
Zuletzt aktualisiert am 05. Aug. 2025 21:34:29 MESZAlle Änderungen ansehenAlle Änderungen ansehen

Artikelmerkmale

Artikelzustand
Neu: Artikel, dessen Originalverpackung (sofern zutreffend) nicht geöffnet oder entfernt wurde. Der ...
performer
Turin RAI Symphony Orchestra
Composer
verdi
binding
audioCD
runtime
122
MPN
43190-292855
batteries_required
false
manufacturer
Warner Music Japan
Brand
warner music japan
number_of_items
2
part_number
43190-292855
publication_date
2014-12-23T15:00:00.000Z
unspsc_code
55111512
number_of_discs
2
UPC
N/A

Über dieses Produkt

Product Identifiers

Record Label
Warner, IMT
UPC
4943674197804
eBay Product ID (ePID)
4046032461

Product Key Features

Format
Super Audio CD (SACD)
Release Year
2015
Genre
Classical Artists
Artist
Maria Callas
Release Title
Verdi: La Traviata

Dimensions

Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Tracks
43
Country/Region of Manufacture
Japan
Tracks
By the Time of the First Act Was Invited I Have Too (Chorus Violetta Flora Marquis Baron Doctor Gasutone Alfredo) (Mono), In the Fun Cup Decorated in the First Act Beauty (Chorus Violetta Flora Marquis Baron Doctor Gasutone Alfredo) (Mono), What Is There First Act (Chorus Violetta Flora Marquis Baron Doctor Gasutone Alfredo) (Mono), First Act a Certain Day You Can Lightly As Air (Alfredo Violetta) (Mono), Do I Doing That Was What the First Act to (Gasutone Violetta Alfredo) (Mono), Is the First Act Akatsuki Will Not Smile in the Sky (Flora Gasutone Baron Doctor Marquis Chorus) (Mono), Save Up to! I's Funny That the First Act I's Funny That (Violetta) (Mono), First Act Oh Maybe Gonna Such That People (Violetta) (Mono), Are Assimilated First Act Is Somehow (Violetta) (Mono), And a First Act Always Free from Pleasure to Pleasure (Violetta Alfredo) (Mono), There Is No Joy for Me to Be Away from the Second Act First Field Who or What (Alfredo) (Mono), Opera "La Traviata" (The Songs) Youthful Passion of the Second Act First Field My Tagiri Stand Mind (Alfredo) (Mono), Second Act First Field An'nina Did You Come From?... Alfredo Is... It Was Just Made to Go Out in Paris (Alfredo An'nina Violetta Jerumon) (Mono), Is the Second Act First Field Likely. God to Me (Jerumon Violetta) (Mono), Second Act First Field You Are No Matter How Large in My Chest (Jerumon Violetta) (Mono), Second Act First Field Someday Love of Joy (Jerumon Violetta) (Mono), Second Act First Field Oh Beautiful and Pure Contact (Jerumon Violetta) (Mono), Kindly There Good or Elevation After the Second Act First Field If You (Jerumon Violetta) (Mono), Second Act First Field I Would Die (Jerumon Violetta) (Mono), Second Act First Field God Kindly Give Us the Force (Violetta An'nina) (Mono), Did You If the Second Act the First Field (Alfredo Violetta) (Mono), Second Act First Field Oh That Mind Is He Alive Only By My Love (Alfredo Use of Persons Jerumon) (Mono), Second Act First Field Provence of the Sea and Land (Jerumon Alfredo) (Mono), Spend Fun the Night of the Second Act the Second Field Masquerade (Flora Marquis Doctor) (Mono), The Second Act the Second Field We Were Coming from a Distant Place (Chorus Flora Marquis Doctor) (Mono), The Second Act the Second Field We Matta Doll Came from Madrid (Chorus Gasutone Flora Doctor Marquis) (Mono), The Second Act the Second Field Alfredo or Kimi (Flora Gasutone Doctor Marquis Chorus Alfredo Violetta Baron) (Mono), But I Asked As Kudasaru Coming the Second Act the Second Field (Alfredo Gasutone Baron Doctor Marquis Chorus) (Mono), The Second Act the Second Field This Woman for Love of Me (Alfredo Gasutone Baron Doctor Marquis Chorus) (Mono), To Those Who Were Hurt Lady Is Left to the Second Act the Second Field Anger (Jerumon Alfredo Flora Gasutone Baron Doctor Marquis Chorus) (Mono), The Second Act the Second Field Alfredo Alfredo You (Violetta Flora Jerumon Gasutone Baron Doctor Marquis Chorus Alfredo) (Mono), Act 3 Prelude (Orchestra) (Mono), Act 3 An'nina... Do You Have a Misuse (Violetta An'nina Doctor) (Mono), Third Act You Were Me Observe the Promise (Violetta) (Mono), Act 3 Goodbye By a Dream of Beautiful Joy of Days and Times Gone By (Violetta) (Mono), In the Leaves of the Third Act Flowers and Grapes (Chorus) (Mono), Act 3 Wife... How Did You (An'nina Violetta Alfredo) (Mono), From the Act 3 Paris Oh Dear People I Will Move Away (An'nina Violetta Alfredo) (Mono), Act 3 Oh No Good the Church (Violetta Alfredo) (Mono), Act 3 Oh God (Violetta Alfredo) (Mono), Act 3 Oh Violetta (Jerumon Violetta Alfredo) (Mono), Opera Become "La Traviata" (Songs) in the Third Act Takes You This This Is My Portrait of the Day That Has Passed (Jerumon Violetta Alfredo) (Mono), Act 3 Put Up Humble Daughter Is (Violetta Jerumon Alfredo An'nina Doctor) (Mono)
Number of Discs
2
Notes
Japanese remastered 2 x Hybrid SACD pressing. Warner. 2014. When people mention the opera La Traviata, this recording usually comes up first in the opera connoisseur's's list of Traviatas for sound, quality, and cast. Violetta, being Maria Callas' favorite role after Norma, allows her to explore the intricacies of her voice along with her dramatic prowess on stage. Although you can listen to the great La Scala Traviata of 1955 (inarguably the year of her prime), this Traviata has a lot to offer which that Traviata won't. First of all, this recording boasts excellent sound, something which you can't get from the recordings of that period. Second, the cast here is stronger than that of the first recording. While Giuseppe di Stefano and Ettore Bastianini were great partners, and Giulini was a great Verdian conductor, Ghione was great it in his own respect. Plus, the sound is infinitely better. You can hear every detail of Maria's Violetta in this recording. Alfredo Kraus is a more graceful Alfredo, and I believe Mario Sereni as Giorgio Germont is amazing as well. Alfredo's voice is more ideal for the role of... Alfredo! Callas' feel for the role has also developed, and I think she gives a much better performance here than she did in La Scala, the lighter quality of her voice favored for Violetta's condition as a moribundo. And, Maria follows everything in the score while giving this a lot of dramatic truth. Maria can do a triple piano, something only VERY VERY FEW sopranos can do. She truly is the Violetta of this century. Maria Callas Primary Artist, Vocals Piero Campolonghi Vocals Gilberto Cerda Vocals Giuseppe di Stefano Vocals Umberto Mugnai Conductor Bill Parker Liner Notes Edna Patoni Vocals Ignacio Ruffino Vocals Francesco Tortolero Vocals Cristina Trevi Vocals.

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