The Projectionist Hardcover Kendall, Anderson, Brooke Messick-

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The Projectionist Hardcover Kendall, Anderson, Brooke Messick
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Publication Name
Princeton Architectural Press
ISBN
9781568989334
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Princeton Architectural Press
ISBN-10
1568989334
ISBN-13
9781568989334
eBay Product ID (ePID)
84541868

Product Key Features

Book Title
Projectionist
Number of Pages
160 Pages
Language
English
Topic
Film / General, Theater / Stagecraft & Scenography, Entertainment & Performing Arts, Subjects & Themes / General
Publication Year
2010
Illustrator
Yes
Genre
Art, Performing Arts, Biography & Autobiography
Author
Brooke Anderson, Kendall Messick
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
30.7 Oz
Item Length
10.4 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-008864
Reviews
"The ideal artist is unwilling to sacrifice his or her individuality to anything or anyone, particularly commercialism or outside control. Such artists often work in seclusion and their creations are uniquely pure. Gordon Brinckle is such an artist. [Messick's] photographs are both tender and authentic in the greatest sense, and I found myself as close to his subject as I ever could have hoped to be." Albert Maysles, documentary filmmaker (Gimme Shelter, Grey Gardens), "The ideal artist is unwilling to sacrifice his or her individuality to anything or anyone, particularly commercialism or outside control. Such artists often work in seclusion and their creations are uniquely pure. Gordon Brinckle is such an artist. [Messick's] photographs are both tender and authentic in the greatest sense, and I found myself as close to his subject as I ever could have hoped to be." Albert Maysles, documentary filmmaker ( Gimme Shelter , Grey Gardens )
Dewey Edition
22
TitleLeading
The
Grade From
College Freshman
Dewey Decimal
778.5/5092 B
Grade To
College Graduate Student
Synopsis
Gordon Brinckle (1915-2007) seemed like an ordinary mana modest and reserved husband and father living in an ordinary 1950s-era home in Middletown, Delaware. Known around town as the night projectionist at the local movie theater, it was the unusual way he spent his days that eventually brought him attention. In his free time, Brinckle meticulously constructed a miniature version of a grand movie palace in his basement. The Shalimar, as he called it, was not only fully functional (with nine authentic movie seats, a projection booth with a 16-mm projector, numerous speakers, and a working organ) but was also lushly designed and decorated with an obsessive attention todetail. Brinckle's "picture palace of renown," as he referred to it, adapted various theater styles of the twentieth century, boasting a marquee that distinctly recalls the 1960s; an auditorium decorated in the "semi-atmospheric" style of the 1930s, bringing the outdoors in through the use of fake foliage and wildlife; and three opulent working curtains. When filmmaker and photographer Kendall Messick, who used to live across the street from the Brinckle family as a boy, became reacquaintedwith his former neighbor during a visit home in 2001, he knew he had to document the theater and its one-of-a-kind creator. In The Projectionist , Messick captures every detail of Brinckle's colorful fantasy world, including Brinckle's original artwork, architectural plans, drawings, and linoleum prints of imaginary movie theaters, ticket stubs, and usher uniform designs. An essay by curator Brooke Davis Anderson of the American Folk ArtMuseum looks at Gordon's work in the context of outsider art, and a foreword by artist, curator, and author Mark Sloandiscusses Messick's photographic work., Gordon Brinckle (1915-2007) seemed like an ordinary mana modest and reserved husband and father living in an ordinary 1950s-era home in Middletown, Delaware. Known around town as the night projectionist at the local movie theater, it was the unusual way he spent his days that eventually brought him attention. In his free time, Brinckle meticulously constructed a miniature version of a grand movie palace in his basement. The Shalimar, as he called it, was not only fully functional (withnine authentic movie seats, a projection booth with a 16-mm projector, numerous speakers, and a working organ) but was also lushly designed and decorated with an obsessive attention todetail. Brinckle's "picture palace of renown," as he referred to it, adapted various theater styles of the twentieth century, boasting a marquee that distinctly recalls the 1960s; an auditorium decorated in the "semi-atmospheric" style of the 1930s, bringing the outdoors in through the use of fake foliage and wildlife; and three opulent working curtains. When filmmaker and photographer Kendall Messick, who used to live across the street from the Brinckle family as a boy, became reacquaintedwith his former neighbor during a visit home in 2001, he knew he had to document the theater and its one-of-a-kind creator. InThe Projectionist, Messick captures every detail of Brinckle's colorful fantasy world, including Brinckle's original artwork, architectural plans, drawings, and linoleum prints of imaginary movie theaters, ticket stubs, and usher uniform designs. An essay by curator Brooke Davis Anderson of the American Folk ArtMuseum looks at Gordon's work in the context of outsider art, and a foreword by artist, curator, and author Mark Sloandiscusses Messick's photographic work.
LC Classification Number
TR849.B75M47 2010

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