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Magritte: Farbbibliothek von Calvococressi, Richard-
by Calvocoressi, Richard | PB | Good
US $7,41
Ca.EUR 6,39
Artikelzustand:
“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... Mehr erfahrenÜber den Artikelzustand
Gut
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eBay-Artikelnr.:376221468131
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780714827605
Über dieses Produkt
Product Identifiers
Publisher
Phaidon Press, Incorporated
ISBN-10
0714827606
ISBN-13
9780714827605
eBay Product ID (ePID)
179986
Product Key Features
Book Title
Magritte : Colour Library
Number of Pages
128 Pages
Language
English
Topic
Individual Artists / General
Publication Year
1998
Illustrator
Yes
Genre
Art
Book Series
Colour Library
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
18 Oz
Item Length
12 in
Item Width
8.8 in
Additional Product Features
Intended Audience
Trade
Reviews
On the Colour Library Series "Ideal introductions for students and museum-goers."-- Independent "Phaidon's excellent Colour Library series: [...] a good introduction to nearly 50 key artists and movements in art history."-- Antiques Trade Gazette "The Phaidon Colour Library Series provides an invaluable introduction to key artists and movements in art history."-- Art & Craft, On the Colour LibrarySeries "Ideal introductions for students and museum-goers."--Independent "Phaidon's excellent Colour Libraryseries: [...] a good introduction to nearly 50 key artists and movements in art history."--Antiques Trade Gazette "The Phaidon Colour Library Series provides an invaluable introduction to key artists and movements in art history."--Art & Craft
Grade From
Eighth Grade
Grade To
College Graduate Student
Edition Description
Reprint,Revised edition
Synopsis
This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology., The paintings of the Belgian Surrealist Rene Magritte (1898 1967) have exerted an extraordinary fascination, particularly since the enormous increase in awareness and popularity of his work during the 1960s. Magritte shows us a world of silence and isolation in which familiar objects are altered or juxtaposed in impossible combinations in order to create a sense of disorientation and the absurd. Many of his most memorable paintings date from his three prolific years 1927 30, when he lived near Paris and was in close touch with the writer Andre Breton and other French Surrealists.In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, style-less style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own impressionist and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico.Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations., The paintings of the Belgian Surrealist René Magritte (1898-1967) have exerted an extraordinary fascination, particularly since the enormous increase in awareness and popularity of his work during the 1960s. Magritte shows us a world of silence and isolation in which familiar objects are altered or juxtaposed in 'impossible' combinations in order to create a sense of disorientation and the absurd. Many of his most memorable paintings date from his three prolific years 1927-30, when he lived near Paris and was in close touch with the writer André Breton and other French Surrealists. In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, 'style-less' style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own 'impressionist' and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico. Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations.
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