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Ockeghem's Missa Cuiusvis Toni Original Notation (Soprano Bass, Alto, Tenor)
US $23,99
Ca.EUR 20,48
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Artikelzustand:
“Former library items with permanent identifiers. Clean, well-preserved music pages. A few notations ”... Mehr erfahrenÜber den Artikelzustand
Sehr gut
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Versand:
Kostenlos USPS Media MailTM.
Standort: Hollywood, Florida, USA
Lieferung:
Lieferung zwischen Mi, 8. Okt und Mi, 15. Okt nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:373038851970
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Country/Region of Manufacture
- United States
- Topic
- Music / Opera
- Features
- Set of five books (as shown)
- ISBN
- 9780253328540
Über dieses Produkt
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253328543
ISBN-13
9780253328540
eBay Product ID (ePID)
104073
Product Key Features
Number of Pages
272 Pages
Language
English
Publication Name
Ockeghem's Missa Cuiusvis Toni : in Its Original Notation and Edited in All the Modes
Publication Year
1992
Subject
Genres & Styles / Classical, Genres & Styles / General
Type
Textbook
Subject Area
Music
Series
Publications of the Early Music Institute Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
23.6 Oz
Item Length
11 in
Item Width
8.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-753671
Grade From
College Graduate Student
Table Of Content
Introduction Structure of the Missa cuiusvis toni Emotional Connotations of the Modes Performance of the Missa cuiusvis toni In the Phrygian Mode In the Mixolydian Mode In the Lydian Mode In the Dorian Mode The Missa cuiusvis toni in the Phyrgian Mode Kyrie Gloria Credo Sanctus Agnus dei The Missa cuiusvis toni in the Mixolydian Mode Kyrie Gloria Credo Sanctus Agnus dei The Missa cuiusvis toni in the Lydian Mode Kyrie Gloria Credo Sanctus Agnus dei The Missa cuiusvis toni in the Dorian Mode Kyrie Gloria Credo Sanctus Agnus dei
Synopsis
The singers' parts appear in mensural notation, but Houle provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes., " . . . one of those rare publications which succeeds equally as a scholarly edition for study and as a practical edition for performance." ?Musick " . . . a clear, easily grasped transcription of this work, suitable for performance or study." ?Notes " . . . a clear rendition of the original notation into its modern counterpart. . . . Houle has produced an edition that is a model of scholarship and performance clarity and is of value to any musician, scholar or performer, who wishes to acquire familiarity and experience with 15th-century contrapuntal style." ?American Recorder This is the first comprehensive edition of Ockeghem's "mass in any mode," which has fascinated musicians, historians, and theorists since the fifteenth century. Missa cuiusvis toni offers singers brilliant counterpoint, a masterful exercise in solmization, and experience in musica ficta. The singers' parts appear in mensural notation, but Houle also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes., " . . . one of those rare publications which succeeds equally as a scholarly edition for study and as a practical edition for performance." --Musick " . . . a clear, easily grasped transcription of this work, suitable for performance or study." --Notes " . . . a clear rendition of the original notation into its modern counterpart. . . . Houle has produced an edition that is a model of scholarship and performance clarity and is of value to any musician, scholar or performer, who wishes to acquire familiarity and experience with 15th-century contrapuntal style." --American Recorder This is the first comprehensive edition of Ockeghem's "mass in any mode," which has fascinated musicians, historians, and theorists since the fifteenth century. Missa cuiusvis toni offers singers brilliant counterpoint, a masterful exercise in solmization, and experience in musica ficta. The singers' parts appear in mensural notation, but Houle also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes., "... one of those rare publications which succeeds equally as a scholarly edition for study and as a practical edition for performance." --Musick "... a clear, easily grasped transcription of this work, suitable for performance or study." --Notes "... a clear rendition of the original notation into its modern counterpart.... Houle has produced an edition that is a model of scholarship and performance clarity and is of value to any musician, scholar or performer, who wishes to acquire familiarity and experience with 15th-century contrapuntal style." --American Recorder This is the first comprehensive edition of Ockeghem's "mass in any mode," which has fascinated musicians, historians, and theorists since the fifteenth century. Missa cuiusvis toni offers singers brilliant counterpoint, a masterful exercise in solmization, and experience in musica ficta. The singers' parts appear in mensural notation, but Houle also provides full scores and parts in modern notation for the Phrygian, Mixolydian, Lydian, and Dorian modes.
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