
Let Me Tell You What I Mean (Paperback or Softback)
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Let Me Tell You What I Mean (Paperback or Softback)
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Standort: Grand Rapids, Michigan, USA
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eBay-Artikelnr.:365894163062
Artikelmerkmale
- Artikelzustand
- ISBN
- 0593312198
- EAN
- 9780593312193
- Manufacturer
- Vintage
- Brand
- Vintage
- Binding
- TP
Über dieses Produkt
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0593312198
ISBN-13
9780593312193
eBay Product ID (ePID)
7050076233
Product Key Features
Book Title
Let Me Tell You What I Mean : an Essay Collection
Number of Pages
192 Pages
Language
English
Topic
Personal Memoirs, Literary, Essays
Publication Year
2022
Genre
Biography & Autobiography, Literary Collections
Book Series
Vintage International Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
6.8 Oz
Item Length
8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2020-016867
Dewey Edition
23
Dewey Decimal
814.6
Synopsis
From one of our most iconic and influential writers: twelve pieces that offer an illuminating glimpse into the mind and process of a legendary figure. These essays from 1968 to 2000, which have not been gathered together until now, showcase Joan Didion's incisive reporting, her empathetic gaze, and her insights on writing. From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these pieces are acutely and brilliantly observed. This timeless collection of Didion's mostly early writing reveals what would become her subjects, including the press, politics, California robber barons, women, the act of writing, and her own self-doubt. Each piece is classic Didion: sharp, bemused, and stunningly prescient. Book jacket., NEW YORK TIMES BESTSELLER * From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking : a timeless collection that reveals what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. "Didion's remarkable, five decades-long career as a journalist, essayist, novelist, and screen writer has earned her a prominent place in the American literary canon, and the twelve early pieces collected here underscore her singularity."-- O Magazine With a forward by Hilton Als, these pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" ( The New York Times Book Review ). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient., NEW YORK TIMES BESTSELLER - From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking a timeless collection that reveals what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt. "Didion's remarkable, five decades-long career as a journalist, essayist, novelist, and screen writer has earned her a prominent place in the American literary canon, and the twelve early pieces collected here underscore her singularity."-- O Magazine With a forward by Hilton Als, these pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" ( The New York Times Book Review ). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means." From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.
LC Classification Number
PS3554.I33A6 2021
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