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Ert'S Fashion Designs: 218 Illustrationen aus "Harper's Bazar" 1918-1932 von Ert?-
US $19,57
Ca.EUR 16,80
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Standort: Fairfield, Ohio, USA
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eBay-Artikelnr.:365750371195
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780486242033
- Type
- Does not apply
- ISBN
- 9780486242033
Über dieses Produkt
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
048624203X
ISBN-13
9780486242033
eBay Product ID (ePID)
27038306069
Product Key Features
Book Title
Erte's Fashion Designs : 218 Illustrations from Harper's Bazaar, 1918-1932
Number of Pages
88 Pages
Language
English
Topic
Individual Artists / Artists' Books, Individual Artists / General, Middle Eastern, Fashion & Accessories, Textiles & Costume, Journalism
Publication Year
1981
Illustrator
Yes
Genre
Design, Art, Poetry, Language Arts & Disciplines, Antiques & Collectibles
Book Series
Dover Fine Art, History of Art Ser.
Format
Trade Paperback
Dimensions
Item Weight
14.3 Oz
Item Length
12 in
Item Width
9 in
Additional Product Features
Intended Audience
Trade
LCCN
81-067396
Dewey Edition
19
Dewey Decimal
746.9/2
Synopsis
Splendid selection of 218 black-and-white inventions from legendary designer's productions for Harper's Bazar, 1918--32. Also 8 pages of full-color covers, originals now prized collector's items. Captions. Publisher's Note., Splendid selection of 218 black-and-white inventions from legendary designer's productions for Harper's Bazar, 1918-32. Also 8 pages of full-color covers, originals now prized collector's items. Captions. Publisher's Note., Erté once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Erté's enormous contributions to that magazine; this is another collection of original designs from Erté's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Erté created reveal a sound construction that really works." Erté loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Erté has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself., Ert once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Ert 's enormous contributions to that magazine; this is another collection of original designs from Ert 's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Ert created reveal a sound construction that really works." Ert loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Ert has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself., Erté once designed a costume for Mata Hari. Sixty-seven years later, still creating, he designed costumes and sets for the 1980 Glyndebourne Festival's Der Rosenkavalier. In between (mostly in the '20s) he was the only top Paris designer illustrating his own haute couture, most of the illustrations appearing in Harper's Bazar. An earlier volume ( Fashion Drawings and Illustrations from "Harper's Bazar" 0-486-23397-9) sampled some of Erté's enormous contributions to that magazi≠this is another collection of original designs from Erté's triumphant Harper's Bazar period. "He envisioned women," wrote Stella Blum, Metropolitan Museum of Art Costume Institute Curator, "not only as ultra-chic creatures for whom money was no object, but also as . . . music hall stars, Assyrian princesses, Egyptian queens. . . . Yet under this veil of fantasy the clothes and accessories Erté created reveal a sound construction that really works." Erté loves elaborate decoration, but hates meaningless ornament; these 218 illustrations show how he integrates all his pockets, pearls, cuffs, fur linings, jeweled tassels, and seamless dresses into thematic unity, and maintains a consistent ideal of fashion, by constant improvisation and inventive wielding of pure line. His firework color sense finds spectacular realization in 8 full-color reproductions of Harper's Bazar covers, all of which are now prized collector's items. In both black-and-white and color work, his sinuous, undulating line and decorative flair never fail, and show why his fashion design has not only returned to popular favor, but is being seen in museums and galleries along with his paintings and prints. Over a career spanning the century, Erté has expressed his versatility in many forms; in these exquisite, delicate, theatrical miniatures (which will delight any lover of fashion history and graphics) he gives the very best of himself.
LC Classification Number
TT505.E78
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Produktbewertungen & Rezensionen
Relevanteste Rezensionen
- 23. Dez. 2024
If you love fashion design Erte and his ...
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: thrift.books
- 08. Sep. 2021
Erté
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