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Theater und Bewusstsein: Erklärungsumfang und Zukunftspotenzial: Gebraucht-
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eBay-Artikelnr.:365570483706
Artikelmerkmale
- Artikelzustand
- Book Title
- Theatre and Consciousness: Explanatory Scope and Future Potential
- Publication Date
- 2005-05-01
- Pages
- 256
- ISBN
- 9781841501307
Über dieses Produkt
Product Identifiers
Publisher
Intellect, The Limited
ISBN-10
1841501301
ISBN-13
9781841501307
eBay Product ID (ePID)
46904575
Product Key Features
Number of Pages
256 Pages
Publication Name
Theatre and Consciousness : Explanatory Scope and Future Potential
Language
English
Subject
Mind & Body, Theater / History & Criticism
Publication Year
2005
Type
Textbook
Subject Area
Philosophy, Performing Arts
Series
Theatre and Consciousness Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-296566
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
792.019
Table Of Content
1 Introduction 1: Consciousness, Inspiration and the Creative Process Examples of Inspiration among Playwrights Examples of Inspiration among other Artists Common Characteristics of Reported Inspiration Explanations of Creative Inspiration Critique of Inspiration Altered States of Consciousness First-Person Approaches and Vedic Science Inspiration and Vedic Science The qualities of the experience Apparent adverse implications of inspiration and the creative process The relation of inspiration and quality of inspired work of art The artist's inspiration and the creative process Everyone an artist? 2: Human Consciousness Reflected in Drama States of Consciousness SleepDreams Waking Altered States of Consciousness (ASC) Development of Consciousness Prospero's enlightenment Hamlet's procrastination 3: Consciousness and Acting The Actor's Emotional Involvement Diderot Stanislavsky Reactions to Stanislavsky: Meyerhold, Brecht, and Strasberg Bloch's Alba Emoting Presence (Barba) Extra-daily behaviour Three levels of the body State (Mnouchkine) Translumination (Grotowski) Physical Presence and Neutrality (Artaud) The Actor and the Marionette 4: Indian Theatre Aesthetics Date and Origin of the Natyashastra Scope Rasa Issues for Further Debate The Perspectives of Vedic Science Gandharvaveda, consciousness and the primordial sound A reassessment of rasa Stanislavsky: general points of contact Artaud: The Balinese inspiration Grotowski's retreat from Indian material Barba: Theatre Anthropology Brook's Mahabharata 5: Reception and Audiences The Sense of Sight: Scenography Space Simultaneity of space and time The Sense of Hearing: Sound, Meaning and the Levels of Language The Sense of Smell: Smell in the Indian Tradition and its Application to Performance Practice The Sixth Sense: New Forms of Matter Examples of Performance Practice Ariadne's Thread Reverie II 6: Concepts of Theatre Studies Language of Nature (Artaud) Theatre of cruelty Language of nature Universal Language of Theatre (Brook) Total and holy theatre The Quest for a universal language of the theatre Theatre and Ritual Postmodernism Utopian Performatives 7: Vedic Science and Materialism: Comments on Demastes' Staging Consciousness Conclusion Bibliography Appendix I: Maharishi Mahesh Yogi and Vedic Science Appendix II: Vedic Science and Creation
Synopsis
For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: - What inspires the dramatist to write a play? This question addresses the nature of the creative process. - How do different plays reflect human consciousness? - What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? - Should actors be personally involved with the emotions they have to portray? - Are puppets or marionettes superior to actors? - How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? - How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'? An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousness studies, should inspire new developments in theatre practice., For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. Those questions include: * What inspires the dramatist to write a play? This question addresses the nature of the creative process. * How do different plays reflect human consciousness? * What kinds of new ideas did major directors or theatre makers, such as Artaud, Grotowski, Barba, and Brook introduce? * Should actors be personally involved with the emotions they have to portray? * Are puppets or marionettes superior to actors? * How to account for the designer's combination of creativity and practical skill? What part does mental imagination play in the design process? How do designers get their own spatial awareness across to their spectators? * How does theatre affect the spectator? Why do spectators react as they do? How do distance and suspension of disbelief 'work'? An improved and expanded understanding of theatre, resulting from answering the questions above in the context of consciousness studies, should inspire new developments in theatre practice.
LC Classification Number
PN2051.M49 2005
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AlibrisBooks
98,6% positive Bewertungen•1,9 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (514.381)
- m***m (2303)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (45)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (95)- Bewertung vom Käufer.Letzte 6 MonateBestätigter Kaufseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.