MOMENTAN AUSVERKAUFT

Plague, the Fall, Exile and the Kingdom, and Selected Essays : Introduction by David Bellos by Albert Camus (2004, Hardcover)

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Product Identifiers

PublisherKnopf Doubleday Publishing Group
ISBN-101400042550
ISBN-139781400042555
eBay Product ID (ePID)30218008

Product Key Features

Original LanguageFrench
Book TitlePlague, the Fall, Exile and the Kingdom, and Selected Essays : Introduction by David Bellos
Number of Pages696 Pages
LanguageEnglish
TopicClassics, Short Stories (Single Author), General, Literary
Publication Year2004
GenreFiction
AuthorAlbert Camus
Book SeriesEveryman's Library Contemporary Classics Ser.
FormatHardcover

Dimensions

Item Height1.4 in
Item Weight25.3 Oz
Item Length8.3 in
Item Width5.3 in

Additional Product Features

Intended AudienceTrade
LCCN2004-050616
Reviews"Today The Plague takes on fresh significance...Looking back on the grim record of the twentieth century, we can see more clearly now that Albert Camus had identified the central moral dilemmas of the age." The Guardian "[ The Plague is] of such importance to our time that to dismiss it would be to blaspheme against the human spirit." New York Times Book Review "Extraordinary . . . There are things in [ The Plague ] which no reader will ever forget." The Spectator "[ The Fall is] an irresistibly brilliant examination of modern conscience." New York Times "[ The Fall is] uniquely Camus. Beneath its wit, elegance, and irony there is no lack of intelligence, troubled earnestness, and perhaps even the moral anguish of the true religieux." San Francisco Chronicle "[ The Fall ], so spare and lucid (like the best of Gide), burning with wit (like pages from Voltaire), is a...monologue on the human condition." The Nation With a new Introduction by David Bellos, "TodayThe Plaguetakes on fresh significance…Looking back on the grim record of the twentieth century, we can see more clearly now that Albert Camus had identified the central moral dilemmas of the age." The Guardian "[The Plagueis] of such importance to our time that to dismiss it would be to blaspheme against the human spirit." New York Times Book Review "Extraordinary . . . There are things in [The Plague] which no reader will ever forget." The Spectator "[The Fallis] an irresistibly brilliant examination of modern conscience." New York Times "[The Fallis] uniquely Camus. Beneath its wit, elegance, and irony there is no lack of intelligence, troubled earnestness, and perhaps even the moral anguish of the true religieux." San Francisco Chronicle "[The Fall], so spare and lucid (like the best of Gide), burning with wit (like pages from Voltaire), is a…monologue on the human condition." The Nation With a new Introduction by David Bellos, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." --The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." --People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . unforgettable vividness." -- The Independent (London) "Superb . . . the most addictive of writers . . . a unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . marvellously readable--lucid, simple, absolutely in tune with the work he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banvill, Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, "Today The Plague takes on fresh significance…Looking back on the grim record of the twentieth century, we can see more clearly now that Albert Camus had identified the central moral dilemmas of the age." The Guardian "[ The Plague is] of such importance to our time that to dismiss it would be to blaspheme against the human spirit." New York Times Book Review "Extraordinary . . . There are things in [ The Plague ] which no reader will ever forget." The Spectator "[ The Fall is] an irresistibly brilliant examination of modern conscience." New York Times "[ The Fall is] uniquely Camus. Beneath its wit, elegance, and irony there is no lack of intelligence, troubled earnestness, and perhaps even the moral anguish of the true religieux." San Francisco Chronicle "[ The Fall ], so spare and lucid (like the best of Gide), burning with wit (like pages from Voltaire), is a…monologue on the human condition." The Nation With a new Introduction by David Bellos, "Today The Plague takes on fresh significance…Looking back on the grim record of the twentieth century, we can see more clearly now that Albert Camus had identified the central moral dilemmas of the age." The Guardian "[The Plague is] of such importance to our time that to dismiss it would be to blaspheme against the human spirit." New York Times Book Review "Extraordinary . . . There are things in [The Plague] which no reader will ever forget." The Spectator "[The Fall is] an irresistibly brilliant examination of modern conscience." New York Times "[The Fall is] uniquely Camus. Beneath its wit, elegance, and irony there is no lack of intelligence, troubled earnestness, and perhaps even the moral anguish of the true religieux." San Francisco Chronicle "[The Fall], so spare and lucid (like the best of Gide), burning with wit (like pages from Voltaire), is a…monologue on the human condition." The Nation With a new Introduction by David Bellos, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
TitleLeadingThe
Dewey Edition22
Dewey Decimal843/.914
Table Of ContentIntroduction Select Bibliography Chronology THE PLAGUE THE FALL EXILE AND THE KINGDOM THE MYTH OF SISYPHUS REFLECTIONS ON THE GUILLOTINE
SynopsisFrom one of the most brilliant and influential thinkers of the twentieth century-two novels, six short stories, and a pair of essays in a single volume. In both his essays and his fiction, Albert Camus (1913--1960) de-ployed his lyric eloquence in defense against despair, providing an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning. The Plague -written in 1947 and still profoundly relevant-is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters-from a renegade missionary to an adulterous wife -at decisive moments of revelation. Set beside their fictional counterparts, Camus's famous essays "The Myth of Sisyphus" and "Reflections on the Guillotine" are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought., From one of the most brilliant and influential thinkers of the twentieth century and a Nobel Prize-winning author: two novels, six short stories, and a pair of essays in a single hardcover volume that deploy his lyric eloquence in defense against despair. In both his essays and his fiction, Albert Camus (1913-1960) provides an affirmation of the brave assertion of humanity in the face of a universe devoid of order or meaning. The Plague-- written in 1947 and still profoundly relevant--is a riveting tale of horror, survival, and resilience in the face of a devastating epidemic. The Fall (1956), which takes the form of an astonishing confession by a French lawyer in a seedy Amsterdam bar, is a haunting parable of modern conscience in the face of evil. The six stories of Exile and the Kingdom (1957) represent Camus at the height of his narrative powers, masterfully depicting his characters--from a renegade missionary to an adulterous wife--at decisive moments of revelation. Set beside their fictional counterparts, Camus's famous essays "The Myth of Sisyphus" and "Reflections on the Guillotine" are all the more powerful and philosophically daring, confirming his towering place in twentieth-century thought. With an introduction by David Bellos. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
LC Classification NumberPQ2605.A3734A23 2004

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  • Very nice used hardcover edition.

    Very nice hardcover edition of the The Plauge,The Fall, Exile and the Kingdom. Cover and pages are clean and readable.

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  • not for everyone but..

    not for everyone unless you're of a philosophical inclination but if you understand his use of metaphor his writing is gorgeous and content is profound.

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  • Great read

    Great book - enuff said .

    Bestätigter Kauf: JaArtikelzustand: Neu