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2000 B. C. Pt. II : The Bruce Conner Story by Bruce Jenkins (1999, Hardcover)
US $30,00
Ca.EUR 26,06
Artikelzustand:
“Large Hardcover profusely illustrated. In very good condition, light wear.”
- Sofort-Kaufen2000 B. C. Pt. II : The Bruce Conner Story by Bruce Jenkins (1999, Hardcover)
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US $8,97 (ca. EUR 7,79) USPS Media MailTM.
Standort: Buffalo, New York, USA
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eBay-Artikelnr.:365223699764
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Large Hardcover profusely illustrated. In very good condition, light wear.”
- ISBN
- 9780935640618
Über dieses Produkt
Product Identifiers
Publisher
Walker Art Center
ISBN-10
0935640614
ISBN-13
9780935640618
eBay Product ID (ePID)
588582
Product Key Features
Book Title
Bruce Conner: 2000 BC Pt. II
Number of Pages
272 Pages
Language
English
Topic
Individual Artists / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Publication Year
1999
Illustrator
Yes
Genre
Art, Performing Arts
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
75.8 Oz
Item Length
13.2 in
Item Width
10.1 in
Additional Product Features
Intended Audience
Trade
LCCN
99-033602
Dewey Edition
21
Number of Volumes
1 vol.
Dewey Decimal
709/.2
Synopsis
Bruce Conner (1933-2008) first came to prominence in the late 1950s as a leader of the assemblage movement in California. Conner had close ties with poets of the San Francisco Renaissance (particularly Michael McClure) as well as with artists such as Wallace Berman, George Herms, Jess and Jay DeFeo. Conner's use of nylon stockings in his assemblages quickly won him notoriety, and saw his work included in Peter Selz's classic 1961 Art of Assemblage show at MoMA. Around this time, Conner also turned to film-making, and produced in swift succession a number of short films that helped to pioneer the rapid edit and the use of pop music among independent film-makers. Conner's innovative editing techniques and decidedly dark vision of American culture laid the foundation for later Hollywood directors such as Dennis Hopper (a friend and collaborator of Conner's, who frequently acknowledged his influence) and David Lynch. A long overdue and significant addition to the understanding of twentieth-century American art and cinema, 2000 BC: The Bruce Conner Story Part II represents the most comprehensive book to date on Conner's work from the 1950s to the present. The authors elucidate Conner's work in film, assemblage, drawing, printmaking, collage, and photograms, as well as his more ephemeral gestures, actions, protests and "escapes" from the art world. This beautifully designed clothbound monograph is a landmark publication for anyone interested in contemporary art, film, culture and the Beat era., Bruce Conner (1933-2008) first came to prominence in the late 1950s as a leader of the assemblage movement in California. Conner had close ties with poets of the San Francisco Renaissance (particularly Michael McClure) as well as with artists such as Wallace Berman, George Herms, Jess and Jay DeFeo. Conner's use of nylon stockings in his assemblages quickly won him notoriety, and saw his work included in Peter Selz's classic 1961 Art of Assemblage show at MoMA. Around this time, Conner also turned to film-making, and produced in swift succession a number of short films that helped to pioneer the rapid edit and the use of pop music among independent film-makers. Conner's innovative editing techniques and decidedly dark vision of American culture laid the foundation for later Hollywood directors such as Dennis Hopper (a friend and collaborator of Conner's, who frequently acknowledged his influence) and David Lynch. A long overdue and significant addition to the understanding of twentieth-century American art and cinema, 2000 BC: The Bruce Conner Story Part II represents the most comprehensive book to date on Conner's work from the 1950s to the present. The authors elucidate Conner's work in film, assemblage, drawing, printmaking, collage,and photograms, as well as his more ephemeral gestures, actions, protests and "escapes" from the art world. This beautifully designed clothbound monograph is a landmark publication for anyone interested in contemporary art, film, culture and the Beat era.
LC Classification Number
N6537.C65A4 1999
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