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Schön/hässlich: Afrikanische und Diaspora-Ästhetik, sehr gutes Buch-
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Standort: Harrisburg, Pennsylvania, USA
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eBay-Artikelnr.:364594641085
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN
- 9780822339182
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822339188
ISBN-13
9780822339182
eBay Product ID (ePID)
53569328
Product Key Features
Book Title
Beautiful/Ugly : African and Diaspora Aesthetics
Number of Pages
416 Pages
Language
English
Publication Year
2007
Topic
Aesthetics
Illustrator
Yes
Genre
Philosophy
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
39 Oz
Item Length
8.8 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-011647
Dewey Edition
22
Reviews
"Finally, a book that explores African and African diasporic concepts of aesthetics with depth and theoretical sophistication. A marvelous collection of well thought-out and finely crafted essays by a diverse group of scholars, artists, and other practitioners on concepts of beauty and ugliness as they relate to artistic and aesthetic practices in Africa and its diaspora. An important reference book and a must read for the specialist and the general public alike."-Salah M. Hassan, Director, Africana Studies and Research Center, Cornell University, ""Beautiful/Ugly" is another fine book on contemporary African art from Duke University Press. . . ." --Michael R. Mosher, "Leonardo", "Finally, a book that explores African and African diasporic concepts of aesthetics with depth and theoretical sophistication. A marvelous collection of well thought-out and finely crafted essays by a diverse group of scholars, artists, and other practitioners on concepts of beauty and ugliness as they relate to artistic and aesthetic practices in Africa and its diaspora. An important reference book and a must read for the specialist and the general public alike."--Salah M. Hassan, Director, Africana Studies and Research Center, Cornell University, "The visual and narrative elements of the book would appeal to wider audiences, especially artists, writers, and college students seeking a broader global perspective and information on contemporary African artists." --Megan Macken, "ARLIS/NA", “ Beautiful/Ugly is a theoretically sophisticated, enormously insightful, and refreshing read of the politics of aesthetics and the aesthetics of politics, terrifically well illustrated and beautifully arranged and designed.�-David Theo Goldberg, author of The Racial State, The visual and narrative elements of the book would appeal to wider audiences, especially artists, writers, and college students seeking a broader global perspective and information on contemporary African artists., " Beautiful/Ugly is a theoretically sophisticated, enormously insightful, and refreshing read of the politics of aesthetics and the aesthetics of politics, terrifically well illustrated and beautifully arranged and designed."--David Theo Goldberg, author of The Racial State, " Beautiful/Ugly is a theoretically sophisticated, enormously insightful, and refreshing read of the politics of aesthetics and the aesthetics of politics, terrifically well illustrated and beautifully arranged and designed."-David Theo Goldberg, author of The Racial State, [ Beautiful/Ugly] is stunningly laid out, and its chapters are color-coded, with more than one hundred color images. The essays, which by and large make for interesting reading, suggest parallels to the work of the 'new wave' of academic and nonfiction creative writing of the journalist and writer Binyavanga Wainaina, the cultural scholar Joyce Nyairo, and others., Beautiful/Ugly is another fine book on contemporary African art from Duke University Press. . . .
Dewey Decimal
111/.8508996
Table Of Content
Introduction: Rethinking Beauty / Sarah Nuttall 6 Picasso, Africa and the Schemata of Difference / Simon Gikanki 30 Variations on the Beautiful in Congolese Worlds of Sound / Achille Mbembe 94 Two Thoughts of Drawing Beauty / William Kentridge 94 The Place of Beauty: Reflections on Elaine Scarry and Zakes Mda / Rita Barnard 102 Quille Liberté: Art, Beauty and the Grammars of Resistance in Doula / Dominique Malaquais 122 Fresh Stories / Pippa Stein 164 The Love of the Body: Ousmane Sow and Beauty / Els van der Plas 188 Inheritance / Mark Gevisser 204 Let's Eat: Banquet Aesthetics and Social Epicurism / Célestin Monga 224 Let's Cook / François Vergès 240 On the Slipperiness of Food / Cheryl-Ann Michael 256 Afro-Aesthetics in Brazil / Patricia Pinho 266 Yorùbá Aesthetics and Trans-Atlantic Imaginaries / Kamari Maxine Clarke 290 Urban Imaging: The Friche Waiting to Happen / Rodney Place 316 Things Ugly: Ghanaian Popular Painting / Michelle Gilbert 340 Two Stories: Old Man with Garden at the Rear End of Time and The Fat Indian Girl / Mia Couto 372 Seeing the Familiar: Notes on Mia Couto / Isabel Hofmeyr 384 Notes 392 Index 409
Synopsis
In Cameroon, a monumental "statue of liberty" is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santer a movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on R union; and the shockingly graphic images on painted plywood boards advertising "morality" plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly "African" aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Fran oise Verg s, A lavishly illustrated collection that explores ideas of beauty in Africa and its diasporas, asking by and for whom concepts of beauty and aesthetics have developed., In Cameroon, a monumental "statue of liberty" is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising "morality" plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly "African" aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès
LC Classification Number
BH221.A353B43 2006
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