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Eine Geschichte der Filmmusik von Mervyn Cooke: gebraucht-

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A History of Film Music by Mervyn Cooke: Used
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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Book Title
A History of Film Music
Publication Date
2008-10-27
Pages
586
ISBN
9780521010481
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
0521010489
ISBN-13
9780521010481
eBay Product ID (ePID)
65912000

Product Key Features

Number of Pages
586 Pages
Language
English
Publication Name
History of Film Music
Publication Year
2008
Subject
History & Criticism, General
Type
Textbook
Author
Mervyn Cooke
Subject Area
Music
Format
Trade Paperback

Dimensions

Item Height
1.4 in
Item Weight
39.9 Oz
Item Length
9.7 in
Item Width
6.9 in

Additional Product Features

Intended Audience
College Audience
LCCN
2008-019383
TitleLeading
A
Dewey Edition
22
Reviews
"'Cooke hasn't written merely "a" history of film music... this will surely be "the" history of film music. ...An authoritative read, written with the cracking pace of a Bond thriller." --Classic FM Magazine, 'Mervyn Cooke hasn't written merely 'a' history of film music - when all the reckoning is done, this will surely be 'the' history of film music written for cinema, from 1920s silent films to the latest Hollywood blockbusters. Writing about a medium that, as Aaron Copland once cogently put it, is designed to be felt rather than explicitly heard is an exacting task, and one that leaves many floundering. But Cooke's background writing about opera and jazz puts his brain in the right place for considering an art form that aims to balance artifice and spontaneity. … An authoritative read, written with the cracking pace of a Bond thriller.' Classic FM, "As cinema's second century gathers place and the film soundtrack acquires ever greater critical respectability, the need for a good, compact, one-volume survey of its evolution from solo piano afterthought to a meticulously planned, fully integrated element as crucial to the success of a film as cinematography,lighting or direction, has become increasingly necessary. Mervyn Cooke's A History of Film Music gets magnificently close to being just such a book. ...Written in a clean, clear prose shot through with a lightly-worn, concisely-argued scholarship, this is a considerable achievement and an essential read for anyone interested in this vital and still developing genre." --Classical Music Magazine, 'If you can only buy one film music book, make it this one … This is perhaps one of the most clear and cogently conceived overviews of music that one is likely to see … one is struck by the fine choices Cooke makes to illustrate his point, whether he is discussing a Virgil Thomson score, or why a Scott Bradley animated short score works best. … With no room for subsequent updates or supplements, this may very well be 'the' film music book for some time to come. … this is a book that every lover of film music should have on their shelves. It is a book not so much to be read but to be savoured and enjoyed.' Film Music Review, "Cooke writes accessibly yet with as much intellectual rigor on the propagandistic songs of Shostakovich as on MTV's impact on Flashdance. ....Crammed with source acknowledgement for further reading, this is nothing short of essential reading for anyone with an interest in film." --BBC Music Magazine, 'The real charm of Mervyn Cooke's A History of Film Music … is the sheer breadth of coverage and the passion with which this coverage is conveyed. Never before has a work attempted such a wide-ranging, vivid, and well-documented sweep of film music and, for this reason among many others, it is a work thoroughly to be recommended.' Music and Letters, 'Mervyn Cooke hasn't written merely 'a' history of film music - when all the reckoning is done, this will surely be 'the' history of film music written for cinema, from 1920s silent films to the latest Hollywood blockbusters. Writing about a medium that, as Aaron Copland once cogently put it, is designed to be felt rather than explicitly heard is an exacting task, and one that leaves many floundering. But Cooke's background writing about opera and jazz puts his brain in the right place for considering an art form that aims to balance artifice and spontaneity. ... An authoritative read, written with the cracking pace of a Bond thriller.' Classic FM, 'If you can only buy one film music book, make it this one ... This is perhaps one of the most clear and cogently conceived overviews of music that one is likely to see ... one is struck by the fine choices Cooke makes to illustrate his point, whether he is discussing a Virgil Thomson score, or why a Scott Bradley animated short score works best. ... With no room for subsequent updates or supplements, this may very well be 'the' film music book for some time to come. ... this is a book that every lover of film music should have on their shelves. It is a book not so much to be read but to be savoured and enjoyed.' Film Music Review, 'Written in a clean, clear prose shot through with a lightly-worn, concisely-argued scholarship, this is a considerable achievement and an essential read for anyone interested in this vital and still developing genre.' Classical Music Magazine, 'The world of film music will rejoice at being the subject of Mervyn Cooke's new book. It is both scholarly and highly accessible - a must have for anyone interested in this increasingly popular topic.' George Fenton, film composer, 'The real charm of Mervyn Cooke's A History of Film Music ... is the sheer breadth of coverage and the passion with which this coverage is conveyed. Never before has a work attempted such a wide-ranging, vivid, and well-documented sweep of film music and, for this reason among many others, it is a work thoroughly to be recommended.' Music and Letters, "Cooke has written a book useful to readers with or without musical background...they [readers] will appreciate a historical study that incorporates music and film studies and keeps the film music, not the films, its focus." --Choice, "The real charm of Mervyn Cooke's A History of Film Music, however, and one with which the reader is abundantly left, is the sheer breadth of coverage and the passion with which this coverage is conveyed. Never before has a work attempted such a wide-ranging, vivid, and well-documented sweep of film music and, for this reason among many others, it is a work thoroughly to be recommended." --Music & Letters, 'The world of film music will rejoice at being the subject of Mervyn Cooke's new book. It is both scholarly and highly accessible - a must have for anyone interested in this increasingly popular topic.' George Fenton, Film Composer
Illustrated
Yes
Dewey Decimal
781.54209
Table Of Content
List of illustrations; Preface and acknowledgements; 1. The 'silent' cinema; 2. Sound on track; 3. Hollywood's Golden Age: narrative cinema and the classical film score; 4. Stage and screen; 5. The mainstream divides: postwar horizons in Hollywood; 6. 'Never let it be mediocre': film music in the United Kingdom; 7. Defectors to television; 8. Film music in France; 9. Global highlights; 10. Popular music in the cinema; 11. Classical music in the cinema; 12. State of the art: film music since the New Hollywood; Bibliography; Index of film titles; General index.
Synopsis
This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices., From silent cinema to the modern Hollywood blockbuster, this volume provides a comprehensive and engaging overview of the major trends in the history of film music. The first study of film scoring to present a genuinely international perspective, it is ideal for both students and film enthusiasts alike.
LC Classification Number
ML2075.C68 2008

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