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Fictions of State by Patrick Brantlinger: New
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eBay-Artikelnr.:363744101356
Artikelmerkmale
- Artikelzustand
- Publication Date
- 1996-05-02
- Pages
- 304
- ISBN
- 9780801431906
Über dieses Produkt
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801431905
ISBN-13
9780801431906
eBay Product ID (ePID)
536810
Product Key Features
Book Title
Fictions of State : Culture and Credit in Britain, 1694-1994
Number of Pages
304 Pages
Language
English
Topic
Economic History, Finance / General, Economic Conditions, General, Popular Culture, Europe / Great Britain / General, Subjects & Themes / General, European / English, Irish, Scottish, Welsh
Publication Year
1996
Illustrator
Yes
Genre
Literary Criticism, Social Science, Business & Economics, History
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
32.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
95-043125
Dewey Edition
20
Reviews
Brantlinger's immensely learned third book carries on the current fashion in literary criticism of culture critique, employing both Marxist and postmodern categories.
Grade From
College Graduate Student
Dewey Decimal
823.009/355
Synopsis
In this ambitious book, Patrick Brantlinger offers a cultural history of Great Britain focused on the concept of "public credit," from the 1694 founding of the Bank of England to the present., In this ambitious book, Patrick Brantlinger offers a cultural history of Great Britain focused on the concept of "public credit," from the 1694 founding of the Bank of England to the present. He draws on literary texts ranging from Augustan satire such as Gulliver's Travels to postmodern satire such as Martin Amis's Money: A Suicide Note . All critique the misrecognition of public credit as wealth. The economic foundations of modern nation-states involved national debt, public credit, and paper money. Brantlinger traces the emergence of modern, imperial Great Britain from those foundations. He analyzes the process whereby nationalism, both the cause and the result of wars and imperial expansion, multiplied national debt and produced crises of public credit resolved only through more nationalism and war. During the first half of the eighteenth century, conservatives attacked public credit as fetishistic and characterized national debt as alchemical. From the 1850s, the stabilizing theories of public credit authored by David Hume, Adam Smith, Henry Thornton, and others, helped initiate the first "social science" economics. In the nineteenth century, literary criticism both paralleled and questioned early capitalist discourse on public credit and nationalism, while the Victorian novel refigured debt as the individual, private credit and debt. During the era of high modernism and Keynesian economics, the notion of high culture as genuine value recast the debate over money and national indebtedness. Brantlinger relates this cultural-historical trajectory to Marxist, poststructuralist, and postcolonial theories about the decline of the European empires after World War II, the global debt crisis, and the weakening of western nation-states in the postmodern era.
LC Classification Number
PR830.E37B73 1996
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