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Regie Dokumentarfilm Michael Rabiger Film Filmemachen Buch-
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Please read complete description and examine all scans. Thanks!”
- Topic
- Film
- ISBN
- 9780240806082
Über dieses Produkt
Product Information
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films. The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0240806085
ISBN-13
9780240806082
eBay Product ID (ePID)
30212676
Product Key Features
Number of Pages
648 Pages
Publication Name
Directing the Documentary
Language
Eng,Portuguese
Subject
Film / General, Film / Genres / Documentary
Publication Year
2004
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Weight
38.4 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Edition Number
4
LCCN
2004-043282
Reviews
'What makes this book so valuable is that the author consistently searches for the philosophical underpinnings of his art and never gets lost in the technical processes of filmmaking.' - Jonathan Luskin, Flying Moose Pictures, San Francisco 'The book's greatest strength is the emphasis on documentary filmmaking as a creative, storytelling process....It supplies more in the way of an ethical foundation for the young filmmaker than any other title on the market.' - Phil Hopper, Director, Theatre and Media Arts Program, Marymount College of Fordham University 'Intelligent and artfully written, Directing the Documentary should enjoy a place of prominence in the library of every documentary videomaker.' - Videomaker magazine "Great directing is equally a matter of heart and soul as much as technical knowledge. This idea is prevalent throughout Rabiger's book." -- Ray Zone, International Documentary Magazine, 'What makes this book so valuable is that the author consistently searches for the philosophical underpinnings of his art and never gets lost in the technical processes of filmmaking.' - Jonathan Luskin, Flying Moose Pictures, San Francisco 'The book's greatest strength is the emphasis on documentary filmmaking as a creative, storytelling process....It supplies more in the way of an ethical foundation for the young filmmaker than any other title on the market.' - Phil Hopper, Director, Theatre and Media Arts Program, Marymount College of Fordham University 'Intelligent and artfully written, Directing the Documentary should enjoy a place of prominence in the library of every documentary videomaker.' - Videomaker magazine "...what really makes this book so valuable is that the author is just so inspiring. Rabiger writes with such enthusiasm that even the most nervous would-be documentary maker is encouraged. But this is not the extent of his audience as this text is also highly relevant and impassioning to the seasoned pro...This text is inspirational, accessible, filled with useful filmic references and snippets of advice...This updated 4th edition really is a must for anyone with an interest in documentary filmmaking." - POV2 Journal "While there are many books about the technical basics of documentary film production, none of them integrate so thoroughly the artistic intention at the heart of great direction with the means of realization in pre-production, the field and the editing room...Great directing is equally a matter of heart and soul as much as technical knowledge. This idea is prevalent throughout Rabiger's book." -- Ray Zone, International Documentary Magazine
Dewey Edition
23
Target Audience
College Audience
Illustrated
Yes
Dewey Decimal
070.18
Edition Description
Revised Edition,New Edition
Lc Classification Number
Pn1995.9.D6r33 2004
Table of Content
Part 1: Introduction, History and Future Ch. 1: The Director's Role Ch. 2: A Brief and Functional History of the Documentary Part 2: Aesthetics and Authorship Ch. 3: Elements of the Documentary Ch. 4: Evidence of Point of View in the Documentary Ch. 5: Time, Development, and Structure Ch. 6: Authorship Challenges and Opportunities Ch. 7: Re-enactment, Reconstruction, and Docudrama Ch. 8: Documentary Theory and the Issue of Representation Ch. 9: Projects: Critical Writing Part 3: Identity and Authorship Ch. 10: Projects: Recognizing Your Artisitic Identity Ch. 11: Developing Your Story Ideas Part 4: Screencraft Ch. 12: Screen Grammar Ch. 13: Projects: Screencraft Analysis Ch. 14: Projects Basic Production Part 5: Preproduction Ch. 15: Initial Research and the Draft Proposal Ch. 16: Research Leading Up to the Shoot Ch. 17: Missions and Permissions Ch. 18: Developing a Crew Ch. 19: The Preproduction Meeting Part 6: Production Ch. 20: Camera Equipment and Shooting Procedure Ch. 21: Lighting Ch. 22: Location Sound Ch. 23: Avoiding Problems Ch. 24: Interviewing Ch. 25: Directing Participants Ch. 26: Directing the Crew Ch. 27: Authorship Ch. 28: Projects: Advanced Production Part 7: Postproduction Ch. 29: Postproduction Begins Ch. 30: The Paper Edit: Designing a Structure Ch. 31: Editing: The First Assembly Ch. 32: Editing: The Process of Refinement Ch. 33: Narration Ch. 34: Editing: The End Game Ch. 35: Using Music and Working with a Composer Ch. 36: Editing: From Fine Cut to Sound Mix Ch. 37: Titles and Acknowledgments Ch. 38: Projects: Postproduction Part 8: Career Track Ch. 39: Education Ch. 40: Getting Work Part 9: Other Information Appendix 1: Projects: Outcomes Assessment Criteria Appendix 2: Useful Forms Filmography of Director Michael Rabiger Glossary Film Sources Bibliography Periodicals Useful Websites Index
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