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Baltimore Lives: The Portraits of John Clark Mayden by John Clark Mayden: New
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eBay-Artikelnr.:362777127584
Artikelmerkmale
- Artikelzustand
- Publication Date
- 2019-10-08
- Pages
- 128
- ISBN
- 1421432846
Über dieses Produkt
Product Identifiers
Publisher
Johns Hopkins University Press
ISBN-10
1421432846
ISBN-13
9781421432847
eBay Product ID (ePID)
4038576127
Product Key Features
Book Title
Baltimore Lives : the Portraits of John Clark Mayden
Number of Pages
128 Pages
Language
English
Topic
Subjects & Themes / Portraits & Selfies, United States / State & Local / Middle Atlantic (DC, De, Md, NJ, NY, Pa), Subjects & Themes / Historical, United States / South / South Atlantic (DC, De, Fl, Ga, Md, Nc, SC, VA, WV), Subjects & Themes / Street Photography, African American
Publication Year
2019
Illustrator
Yes
Genre
Travel, Photography, History
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
27.3 Oz
Item Length
9.8 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-002036
Reviews
From portraits to street photography, the connecting line is the richness of the city and its people, and Mayden presents an urban landscape in stunning black and white that any painter might themselves be tempted to capture.
Dewey Edition
23
Dewey Decimal
779.09752/71
Table Of Content
Foreword, by Winston Tabb1. John Clark Mayden, by Ruth Mayden 2. Mayden Voyage: Baltimore through the Eyes of John Clark Mayden, by Michael Harris3. PortraitsA Curator's View, by Gabrielle DeanIndex of Portraits
Synopsis
by local artist John Clark Mayden. Bronze Winner of the Foreword INDIES Award for Photography by FOREWORD Reviews Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip Baltimore of pretense and illusion and show the city's veins. Baltimore Lives gathers 101 of Mayden's best photographs in print for the first time. Taken between 1970 and 2012, these photos illuminate the experiences of life throughout the predominantly African American city, capturing the relaxed intimacy of community, family, and the comfort of home in contrast to the harsh sting of social injustice, poverty, and crime. In Mayden's work, we meet people who are not expecting us. We bear witness to their lives--their emotions, gestures, and faces that often reveal more than they conceal. But regardless of the camera's presence, people go on waiting for the bus, catching a breeze on their front steps, slogging through the snow to work and school, and, every so often, returning the photographer's gaze with a sly grin, a backward glance, a curious frown. Including a brief biography of John Clark Mayden written by his sister, Ruth W. Mayden, and an essay by art historian Michael Harris on how Mayden's work fits into larger trends of black photography, Baltimore Lives is a stunning visual history of the spatial and human elements that together make Baltimore's inner city., Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip Baltimore of pretense and illusion and show the city's veins. Baltimore Lives gathers 101 of Mayden's best photographs in print for the first time. Taken between 1970 and 2012, these photos illuminate the experiences of life throughout the predominantly African American city, capturing the relaxed intimacy of community, family, and the comfort of home in contrast to the harsh sting of social injustice, poverty, and crime. In Mayden's work, we meet people who are not expecting us. We bear witness to their lives'their emotions, gestures, and faces that often reveal more than they conceal. Mayden takes us places that we might never visit otherwise'places that no longer exist. But, in all these places, regardless of the camera's presence, people go on waiting for the bus, catching a breeze on their front steps, slogging through the snow to work and school, and, every so often, returning the photographer's gaze with a sly grin, a backward glance, a curious frown. Including a brief biography of John Clark Mayden written by his sister, Ruth W. Mayden, and an essay by art historian Michael Harris on how Mayden's work fits into larger trends of black photography, Baltimore Lives is a stunning visual history of the spatial and human elements that together make Baltimore's inner city., Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip ......, Baltimore native John Clark Mayden's photographs are distinctive to the city and specific to black life there, lingering on the front stoops and in the postage-stamp backyards of Charm City row houses. But these pictures are far from nostalgic. Informed by the photographer's deep commitment to both social justice and storytelling, they strip Baltimore of pretense and illusion and show the city's veins. Baltimore Lives gathers 101 of Mayden's best photographs in print for the first time. Taken between 1970 and 2012, these photos illuminate the experiences of life throughout the predominantly African American city, capturing the relaxed intimacy of community, family, and the comfort of home in contrast to the harsh sting of social injustice, poverty, and crime. In Mayden's work, we meet people who are not expecting us. We bear witness to their lives--their emotions, gestures, and faces that often reveal more than they conceal. But regardless of the camera's presence, people go on waiting for the bus, catching a breeze on their front steps, slogging through the snow to work and school, and, every so often, returning the photographer's gaze with a sly grin, a backward glance, a curious frown. Including a brief biography of John Clark Mayden written by his sister, Ruth W. Mayden, and an essay by art historian Michael Harris on how Mayden's work fits into larger trends of black photography, Baltimore Lives is a stunning visual history of the spatial and human elements that together make Baltimore's inner city.
LC Classification Number
TR659.8.P67 2019
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