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Chinese Modern: The Heroic and the Quotidian
Crunruh Books
(28919)
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Standort: Evanston, Illinois, USA
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eBay-Artikelnr.:360892255235
Artikelmerkmale
- Artikelzustand
- Country of Origin
- United States
- Subject
- Literary Criticism
- Country of Manufacture
- China
- ISBN
- 9780822324126
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822324121
ISBN-13
9780822324126
eBay Product ID (ePID)
1779299
Product Key Features
Book Title
Chinese Modern : the Heroic and the Quotidian
Number of Pages
402 Pages
Language
English
Publication Year
2000
Topic
Asian / Chinese, Popular Culture, Anthropology / Cultural & Social, History & Surveys / Modern, Asia / China
Illustrator
Yes
Genre
Literary Criticism, Philosophy, Social Science, History
Book Series
Post-Contemporary Interventions Ser.
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
36.4 Oz
Item Length
9.5 in
Item Width
6.4 in
Additional Product Features
LCCN
99-036866
Reviews
"Containing a series of penetrating analyses of landmark cultural works from the entire course of the twentieth century, Chinese Modern represents the most comprehensive account of modern Chinese literature that has ever been published in English. Tang also illuminates--like no one has before--the various ways in which the looming imperative of modernity has left its image on the imagination of modern China."--Theodore Huters, University of California at Los Angeles, "Read Chinese Modern for a journey through China's 'long twentieth century.' Xiaobing Tang as guide shows how imaginative sympathy for one's subject nourishes critical acuity."--Norma Field, University of Chicago Associate Professor in Modern Chinese Literature, University of Chicago., "Read Chinese Modern for a journey through China's 'long twentieth century.' Xiaobing Tang as guide shows how imaginative sympathy for one's subject nourishes critical acuity."-Norma Field, University of Chicago, "Read Chinese Modern for a journey through China's 'long twentieth century.' Xiaobing Tang as guide shows how imaginative sympathy for one's subject nourishes critical acuity."--Norma Field, University of Chicago
Table Of Content
List of Illustrations ix Acknowledgments xi Introduction 1 Part I 11 Part II 163 Afterword 341 Glossary 349 Selected Bibliography 357 Index 369
Synopsis
An analysis of the Chinese experience of modernity through the literary works, films and other cultural artifacts that represent it., Chinese Modern examines crucial episodes in the creation of Chinese modernity during the turbulent twentieth century. Analyzing a rich array of literary, visual, theatrical, and cinematic texts, Xiaobing Tang portrays the cultural transformation of China from the early 1900s through the founding of the People's Republic, the installation of the socialist realist aesthetic, the collapse of the idea of utopia in the aftermath of the Cultural Revolution, and the gradual cannibalization of the socialist past by consumer culture at the century's end. Throughout, he highlights the dynamic tension between everyday life and the heroic ideal. Tang uncovers crucial clues to modern Chinese literary and cultural practices through readings of Wu Jianren's 1906 novel The Sea of Regret and works by canonical writers Lu Xun, Ding Ling, and Ba Jin. For the midcentury, he broadens his investigation by considering theatrical, cinematic, and visual materials in addition to literary texts. His reading of the 1963 play The Young Generation reveals the anxiety and terror underlying the exhilarating new socialist life portrayed on the stage. This play, enormously influential when it first appeared, illustrates the utopian vision of China's lyrical age and its underlying discontents--both of which are critical for understanding late-twentieth-century China. Tang closes with an examination of post-Cultural Revolution nostalgia for the passion of the lyrical age. Throughout Chinese Modern Tang suggests a historical and imaginative affinity between apparently separate literatures and cultures. He thus illuminates not only Chinese modernity but also the condition of modernity as a whole, particularly in light of the postmodern recognition that the market and commodity culture are both angel and devil. This elegantly written volume will be invaluable to students of China, Asian studies, literary criticism, and cultural studies, as well as to readers who study modernity.
LC Classification Number
HM101.T33 2000
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