Reviews"A synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both." - Newsday "[Johnson] consistently generates images of ferocious intensity_ . No American novelist since William Burroughs has so flagrantly risked ,insensitivity' in an effort to depict the pathology of addiction." - The New York Times Book Review , "A synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both." - Newsday "[Johnson] consistently generates images of ferocious intensity... . No American novelist since William Burroughs has so flagrantly risked ,insensitivity' in an effort to depict the pathology of addiction." - The New York Times Book Review , "Reading these stories is like reading ticker tape from the subconscious."--The Nation "A synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both."--Newsday "Johnson consistently generates images of ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction."--The New York Times Book Review, "Reading these stories is like reading ticker tape from the subconscious." -- The Nation "A work of spare beauty and almost religious intensity." -- Entertainment Weekly "Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer." -- Mary Gaitskill "[Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both." -- Newsday "Ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction." -- The New York Times Book Review, Ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction., [Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both., "Reading these stories is like reading ticker tape from the subconscious."-- The Nation "A work of spare beauty and almost religious intensity."-- Entertainment Weekly "Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer."--Mary Gaitskill "[Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both."-- Newsday "Ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction."-- The New York Times Book Review, "Reading these stories is like reading ticker tape from the subconscious."--The Nation "A work of spare beauty and almost religious intensity."--Entertainment Weekly "Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer."--Mary Gaitskill "[Dennis Johnson is] a synthesizer of profoundly American voices: we can hear Twain in his biting irony, Whitman in his erotic excess, not a little of Dashiell Hammett too in the hard sentences he throws back at his gouged, wounded world. And behind all these you sense something else: a visionary angel, a Kerouac, or, better yet, a Blake, who has seen his demon and yearned for God and forged a language to contain them both."--Newsday "Ferocious intensity. . . . No American novelist since William Burroughs has so flagrantly risked 'insensitivity' in an effort to depict the pathology of addiction."--The New York Times Book Review, Intense, vicious, and beautiful, these stories are fraught with a cutting wit purposefully juxtaposed against the too-big sentimentality of a drunk. Denis Johnson is an exquisite writer.
Series Volume Number3
Dewey Decimal813/.54
SynopsisTen stories narrated by a recovering alcoholic and heroin addict whose dependencies have led him to petty crime, cruelty, betrayal, and loss., American master Denis Johnson's nationally bestselling collection of blistering and indelible tales about America's outcasts and wanderers. Denis Johnson's now classic story collection Jesus' Son chronicles a wild netherworld of addicts and lost souls, a violent and disordered landscape that encompasses every extreme of American culture. These are stories of transcendence and spiraling grief, of hallucinations and glories, of getting lost and found and lost again. The insights and careening energy in Jesus' Son have earned the book a place of its own among the classics of twentieth-century American literature. It was adapted into a critically-praised film in 1999., Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The raw beauty and careening energy of Denis Johnson's prose has earned this book a place among the classics of twentieth-century American literature.