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Performing Arts and Gender in Postcolonial Western Uganda, Hardcover by Cimar...
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eBay-Artikelnr.:356845427866
Artikelmerkmale
- Artikelzustand
- Book Title
- Performing Arts and Gender in Postcolonial Western Uganda
- ISBN
- 9781648250323
Über dieses Produkt
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1648250327
ISBN-13
9781648250323
eBay Product ID (ePID)
19059036624
Product Key Features
Number of Pages
302 Pages
Language
English
Publication Name
Performing Arts and Gender in Postcolonial Western Uganda
Subject
Ethnomusicology, Gender Studies
Publication Year
2023
Type
Textbook
Subject Area
Music, Social Science
Series
Issn Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
19 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-008414
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.89
Table Of Content
List of Illustrations Foreword by Samuel Kahunde Acknowledgments Note on Language Note on the Musical Examples Note on Online Audio and Video Material Prelude: Encountering Local Culture in Western Uganda Introduction: Approaching Gender and Performing Arts in Bunyoro and Tooro 1 "Traditional Dance Preserves Culture and Shows People How to Behave": Runyege, MDD, and Gender 2 Singing Marriage, Runyege, and Labor 3 "Women Aren't Supposed to": Instrument Playing in the Past and Today 4 Shaking the Hips, Stamping the Feet: The Runyege Dance 5 Narrating and Representing Local Culture: Theater in Songs and Dances 6 Trans-Performing and Morality in Cultural Groups Postlude: Gendering Culture Appendix I. Glossary of Terms in Runyoro-Rutooro Appendix II. Historical Recordings from Bunyoro and Tooro Author's Interviews References Index
Synopsis
Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda., Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender binary that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Moving between analysis of historical recordings, oral accounts, and present-day fieldwork data and experiences, the book engages in a comprehensive analysis of the postcolonial entanglement of arts and gender. Audio and video recordings presented in the book can be accessed on the book's companion website, http://hdl.handle.net/1802/37373., Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. Drawing on archival research and extensive fieldwork in the regions of Bunyoro and Tooro, Linda Cimardi examines the connection between traditional performing arts and gender in western Uganda. The book focuses on runyege, the main genre of the Banyoro and Batooro people, exploring its different components of singing, instrument playing, dancing, and acting and identifying their complex relationships to gender models and expressions. Today mainly performed at Ugandan school festivals and by semiprofessional ensembles, repertoires like runyege adhere to stage conventions that have developed over several decades. Some of these conventions are powerful devices allowing the actors involved (performers, teachers, students, adjudicators, and audiences) to collectively shape an image of local culture grounded in a gender binary that is perceived as traditional. At the same time, stage conventions are exploited by some performers to negotiate their gender identities and expressions in unconventional ways, thus challenging hegemonic gender models. Moving between analysis of historical recordings, oral accounts, and present-day fieldwork data and experiences, the book engages in a comprehensive analysis of the postcolonial entanglement of arts and gender. Audio and video recordings presented in the book can be accessed on the book's companion website, http: //hdl.handle.net/1802/37373.
LC Classification Number
ML3797.2.U4C56 2023
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96,8% positive Bewertungen•1,4 Mio. Artikel verkauft
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Verkäuferbewertungen (385.706)
- c***m (417)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii using free shipping USPS Ground Mail, Received 06/18; Paperback book in Great Condition as Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!
- l***1 (1490)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufGreat seller; book exactly as described in mint condition sold at a reasonable price; seller shipped item FAST, FREE and with tracking information, a must nowadays; seller shipped in tight, cardboard mailing envelope, which tightly fit over the book, preventing damage in shipment; good communication too; rate seller 10+++++Cuentos de La Habana Elegante, Brand New, Free shipping in the US (Nr. 364594098367)
- c***t (921)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe book I bought was reasonably priced and when it arrived it was in the 'Like New' condition specified in the listing. However, when I saw that the seller had not shipped the book after more than 15 days had passed since my order I felt I must write to say that I had actually placed an order with the seller and inquire when it planned to send the book. The brusque reply was that a tracking number was available, but no number HAD been created until I pointed out that I had placed the order.Catland by Hughes, Kathryn, Like New Used, Free shipping in the US (Nr. 356798982438)