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Choreographing Difference: The Body..., Albright, Ann C
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Book Title
Choreographing Difference: The Body and Identity in Contempora...
ISBN
0819563218
EAN
9780819563217
Release Title
Choreographing Difference: The Body and Identity in Contempora...
Artist
Albright, Ann Cooper
Brand
N/A
Colour
N/A

Über dieses Produkt

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819563218
ISBN-13
9780819563217
eBay Product ID (ePID)
827895

Product Key Features

Number of Pages
244 Pages
Publication Name
Choreographing Difference : the Body and Identity in Contemporary Dance
Language
English
Subject
Dance / Modern, General, Anthropology / Cultural & Social, Personality, Women's Studies, Dance / General
Publication Year
1997
Type
Textbook
Subject Area
Performing Arts, Social Science, Psychology
Author
Ann Cooper Albright
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
13.6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
9717-000034
Dewey Edition
21
Reviews
"Albright brings the insights of contemporary critical theory, particularly feminist theory, to bear on dance studies with great theoretical clarity, scholarly rigor, and writerly panache."--Susan Manning "A clear, cogent, sophisticated in-depth analysis of recent dances concerned with issues of gender, ethnic, and racial identity, by a theorist whose own dance experience gives her special insight into the choreographic process of making meaning.--"--Sally Banes, "Albright brings the insights of contemporary critical theory, particularly feminist theory, to bear on dance studies with great theoretical clarity, scholarly rigor, and writerly panache."--Susan Manning
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
792.8
Table Of Content
List of Illustrations Acknowledgments Introduction: Witnessing Dance Mining the Dancefield: Feminist Theory and Contemporary Dance Techno Bodies: Muscling with Gender in Contemporary Dance Moving Across Difference: Dance and Disability Incalculable Choreographies Dancing Bodies and the Stories They Tell Embodying History: Epic Narrative and the Cultural Identity in African-American Dance Appendix Notes Selected Bibliography Index
Synopsis
Feminist theory illuminates the radical cultural work of contemporary dance. The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity ? a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time., Feminist theory illuminates the radical cultural work of contemporary dance. The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity -- a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time., The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity -- a physical presence that moves with and through its gendered, racial, and social meanings. Through her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabit them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cultural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time.
LC Classification Number
GV1588.6.A43 1997

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