JACK KEROUAC AND THE LITERARY IMAGINATION By N. Grace *Excellent Condition*

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ISBN-10
023062362X
Book Title
Jack Kerouac and the Literary Imagination
ISBN
9780230623620
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Palgrave Macmillan
ISBN-10
023062362X
ISBN-13
9780230623620
eBay Product ID (ePID)
27038257753

Product Key Features

Number of Pages
X, 263 Pages
Language
English
Publication Name
Jack Kerouac and the Literary Imagination
Publication Year
2010
Subject
General, American / General, Literary, Semiotics & Theory
Type
Textbook
Subject Area
Literary Criticism, Social Science, Biography & Autobiography
Author
Nancy M. Grace
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
12.5 Oz
Item Length
7.8 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
"Grace's extensively researched and crisp, lucid prose makes Kerouac come alive as an interdisciplinary artist whose work implores America to reclaim its spiritual folk heritage."--Tony Trigilio, Columbia College Chicago and author of Allen Ginsberg's Buddhist Poetics "Grace's scholarship illuminates Kerouac's achievement and explains how his writing reflects the diverse cultural traditions that nourished his genius. A most helpful book."--Ann Charters, Professor of English, University of Connecticut "Grace has given us the most powerful and comprehensive account to date of why Kerouac was right to claim that 'Beat' is at root 'beatitude.' Through her rich interrogation of Kerouac's sustained dialogue with his Catholicism, Buddhism, and his faith in American possibility past and present, we are privileged to see not simply Kerouac the seeker after kicks but Kerouac the religious seeker and Kerouac the religious thinker."Timothy Hunt, Professor of English, Illinois State University and author of Kerouac's Crooked Road: Development of a Fiction, "Grace's extensively researched and crisp, lucid prose makes Kerouac come alive as an interdisciplinary artist whose work implores America to reclaim its spiritual folk heritage."--Tony Trigilio, Columbia College Chicago and author of Allen Ginsberg's Buddhist Poetics "Grace's scholarship illuminates Kerouac's achievement and explains how his writing reflects the diverse cultural traditions that nourished his genius. A most helpful book."--Ann Charters, Professor of English, University of Connecticut "Grace has given us the most powerful and comprehensive account to date of why Kerouac was right to claim that 'Beat' is at root 'beatitude.' Through her rich interrogation of Kerouac's sustained dialogue with his Catholicism, Buddhism, and his faith in American possibility past and present, we are privileged to see not simply Kerouac the seeker after kicks but Kerouac the religious seeker and Kerouac the religious thinker."-Timothy Hunt, Professor of English, Illinois State University and author of Kerouac's Crooked Road: Development of a Fiction, "Grace's extensively researched and crisp, lucid prose makes Kerouac come alive as an interdisciplinary artist whose work implores America to reclaim its spiritual folk heritage."--Tony Trigilio, Columbia College Chicago and author ofAllen Ginsberg's Buddhist Poetics"Grace's scholarship illuminates Kerouac's achievement and explains how his writing reflects the diverse cultural traditions that nourished his genius. A most helpful book."--Ann Charters, Professor of English, University of Connecticut"Grace has given us the most powerful and comprehensive account to date of why Kerouac was right to claim that 'Beat' is at root 'beatitude.' Through her rich interrogation of Kerouac's sustained dialogue with his Catholicism, Buddhism, and his faith in American possibility past and present, we are privileged to see not simply Kerouac the seeker after kicks but Kerouac the religious seeker and Kerouac the religious thinker."-Timothy Hunt, Professor of English, Illinois State University and author ofKerouac's Crooked Road: Development of a Fiction, 'Grace's extensively researched and crisp, lucid prose makes Kerouac come alive as an interdisciplinary artist whose work implores American to reclaim its spiritual folk heritage. Grace's careful attention to language, craft, and context deepens our understanding of Kerouac the prophet-quester and Kerouac the experimental writer.  An invaluable study of the syncretic American Christian Buddhist literature Kerouac produced, this book clarifies Kerouac's fusion of the Cross and the Bodhi Tree - and makes us better readers of the eclectic wisdom texts from which this fusion emerged.' - Tony Trigilio, Columbia College Chicago, USA; Author of Allen Ginsberg's Buddhist Poetics (2007)   'How did a first-generation New Englander of working class Canuck parentage turn himself into a great American writer? Grace's scholarship illuminates Kerouac's achievement and explains how his writing reflects the diverse cultural traditions that nourished his genius. A most helpful book.' - Ann Charters, Professor of English, University of Connecticut, USA   'By drawing on the newly published Some of the Dharma and through her fresh readings of Kerouac's central novels, Nancy Grace has given us the most powerful and comprehensive account to date of why Kerouac was right to claim that 'Beat' is at root 'beatitude.' Through her rich interrogation of Kerouac's sustained dialogue with his Catholocism, Buddhism, and his faith in American possibility past and present, we are privileged to see not simply Kerouac the seeker after kicks but Kerouac the religious seeker and Kerouac the religious thinker.' - Timothy Hunt, Professor of English, Illinois State University, USA; Author of Kerouac's Crooked Road: Development of a Fiction, 'Grace's extensively researched and crisp, lucid prose makes Kerouac come alive as an interdisciplinary artist whose work implores American to reclaim its spiritual folk heritage. Grace's careful attention to language, craft, and context deepens our understanding of Kerouac the prophet-quester and Kerouac the experimental writer. An invaluable study of the syncretic American Christian Buddhist literature Kerouac produced, this book clarifies Kerouac's fusion of the Cross and the Bodhi Tree - and makes us better readers of the eclectic wisdom texts from which this fusion emerged.' - Tony Trigilio, Columbia College Chicago, USA; Author of Allen Ginsberg's Buddhist Poetics (2007) 'How did a first-generation New Englander of working class Canuck parentage turn himself into a great American writer? Grace's scholarship illuminates Kerouac's achievement and explains how his writing reflects the diverse cultural traditions that nourished his genius. A most helpful book.' - Ann Charters, Professor of English, University of Connecticut, USA 'By drawing on the newly published Some of the Dharma and through her fresh readings of Kerouac's central novels, Nancy Grace has given us the most powerful and comprehensive account to date of why Kerouac was right to claim that 'Beat' is at root 'beatitude.' Through her rich interrogation of Kerouac's sustained dialogue with his Catholocism, Buddhism, and his faith in American possibility past and present, we are privileged to see not simply Kerouac the seeker after kicks but Kerouac the religious seeker and Kerouac the religious thinker.' - Timothy Hunt, Professor of English, Illinois State University, USA; Author of Kerouac's Crooked Road: Development of a Fiction
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
813.54
Synopsis
An exploration of Kerouac's fiction, poetry, religious writing, journals, and correspondence. It encompasses his fictional rewriting of his personal life, his life-long quest for spiritual enlightenment, and his resolute belief in the blending of popular and academic cultural artifacts to create voices and forms to speak of and to a new age., This text explores Kerouac's fiction, poetry, religious writing, private journals, and correspondence as literary texts revealing his aesthetic vision for the American canon. It offers an analysis of Kerouac's prose and poetry in addition to an investigation of the significance of his use of popular culture motifs.
LC Classification Number
PN843-846

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