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PARIS IN VERZWEIFLUNG: KUNST UND ALLTAG UNTER BELAGERUNG von Hollis Clayson TOP-
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eBay-Artikelnr.:336179492216
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- ISBN-10
- 0226109577
- Book Title
- Paris in Despair: Art and Everyday Life under Siege (1870-1871)
- Genre
- ART
- ISBN
- 9780226109572
Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226109577
ISBN-13
9780226109572
eBay Product ID (ePID)
43832672
Product Key Features
Number of Pages
472 Pages
Language
English
Publication Name
Paris in Despair : Art and Everyday Life under Siege
Subject
Military / Wars & Conflicts (Other), European, Sociology / Urban
Publication Year
2005
Type
Textbook
Subject Area
Art, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.1 in
Item Weight
50.7 Oz
Item Length
0.9 in
Item Width
0.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
709/.44361/09034
Table Of Content
List of Illustrations Acknowledgments I. Paris Under Siege 1. The War, the Artists, and the History of Art 2. The Binant Series and the Wartime Everyday II. Trapped: The City Transformed 3. Claustrophobia: La Ville Lumière Goes Dark 4. Everyone's a Soldier? 5. Gender and Allegory in Flux 6. The Food Crisis III. The Artists' War Introduction: The Horizon of Response 7. Gustave Courbet Saves the Louvre 8. Edouard Manet: Restless Modernism 9. Henri Regnault: Wartime Orientalism 10. Jean-Alexandre-Joseph Falguère: Sculpting Resistance 11. Rose Bonheur: A Manly Animalier Soldiering On 12. Edgar Degas: Portraiture and Empathy IV. Commemorating the Siege in the Aftermath of the Paris Commune 13. La Place de la Concorde in War and Peace 14. Two Retrospective Concours V. Conclusion 15. Summing Up Notes Index
Synopsis
The siege of Paris by Prussians in the fall and winter of 1870 and 1871 turned the city upside down, radically altering its appearance, social structure, and mood. As Hollis Clayson demonstrates in Paris in Despair , the siege took an especially heavy toll on the city's artists, forcing them out of the spaces and routines of their insular prewar lives and thrusting them onto the ramparts (as many became soldiers). But the crisis did not halt artistic production, as some have suggested. In fact, Clayson argues that the siege actually encouraged innovation, fostering changed attitudes and new approaches to representation among a wide variety of artists as they made art out of their individual experiences of adversity and change--art that has not previously been considered within the context of the siege. Clayson focuses especially on Rosa Bonheur, Edgar Degas, Jean-Alexandre-Joseph Falguière, Edouard Manet, and Henri Regnault, but she also covers a host of other artists, including Ernest Barrias, Gustave Courbet, Edouard Detaille, Pierre Puvis de Chavannes, Albert Robida, and James Tissot. Paris in Despair includes more than two hundred color and black-and-white images of works by these artists and others, many never before published. Using the visual arts as an interpretive lens, Clayson illuminates the wide range of issues at play during the siege and thereafter, including questions of political and cultural identity, artistic masculinity and femininity, public versus private space, everyday life and modernity, and gender and class roles in military and civilian society. For anyone concerned with these issues, or with nineteenth-century French art in general, Paris in Despair will be a landmark work.
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