Goodbye to London: Radical Art and Politics in the Seventies
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Goodbye to London: Radical Art and Politics in the Seventies
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Standort: Los Angeles, California, USA
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eBay-Artikelnr.:336132765490
Artikelmerkmale
- Artikelzustand
- Binding
- Hardcover
- Product Group
- Book
- Weight
- 1 lbs
- IsTextBook
- No
- ISBN
- 9783775727396
Über dieses Produkt
Product Identifiers
Publisher
Hatje Cantz Verlag Gmbh & Co KG
ISBN-10
3775727396
ISBN-13
9783775727396
eBay Product ID (ePID)
99540606
Product Key Features
Publication Year
2011
Topic
Collections, Catalogs, Exhibitions / Group Shows, Sociology / General, Art & Politics, Modern / 20th Century, Europe / Great Britain / 20th Century, Collections, Catalogs, Exhibitions / General, Political Process / Political Advocacy, Europe / Great Britain
Book Title
Goodbye to London : Radical Art and Politics in the Seventies
Number of Pages
208 Pages
Language
Ger,Eng
Illustrator
Yes
Genre
Travel, Art, Political Science, Social Science, History
Format
Hardcover
Dimensions
Item Weight
25.4 Oz
Additional Product Features
Dewey Edition
22
Dewey Decimal
704.9493061
Synopsis
A decidedly edgy tenor permeated London's counterculture in the 1970s. Pitched against the backdrop of massive unemployment, racism and IRA bombing campaigns, the city took on a bleak look that informed the aesthetics of Derek Jarman's first Super-8 films, Homer Sykes' photographs of the Grunwick strikes, the confrontational eroticism of Margaret Harrison's drawings and Peter Kennard's photomontages for Workers Press. These artists and others are examined in Goodbye to London , a collage of text and image that revisits the radical politics of that decade and the arts informed by them. It approaches the salient themes of the 1970s through chapters on "Squatters," "Gays," "Workers" and "Art," with archival photographs, and examines the work of the above artists as well as the performances of Stuart Brisley, the photographs of Jo Spence and the films of Marc Karlin. Andrew Wilson contributes an illuminating appraisal of radical art practices in the Seventies., In London of the seventies, a dynamic counterculture blossomed against a backdrop of unemployment, racism, and IRA bombings. This volume, a collage of texts and images, provides an overview of the radical political and cultural developments of the decade. Photographs by Homer Sykes and others document the Grunwick strike, when Asian immigrants stood up to their bosses; the squatters' scene, with its approximately thirty thousand active members; and the new gay liberation movement. Derek Jarman shot his first Super-8 films and Peter Kennard created trenchant collages, while Stuart Brisley's performances and Jo Spence's photographs on the body and women caused a sensation. An essay by the well-known journalist Jon Savage sheds light on the meaning of the protest movement and counterculture of the period.
LC Classification Number
N8236
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