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Baudelaire und Karikatur: Vom Comic zur Kunst der Moderne-
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eBay-Artikelnr.:336132293785
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780271008042
Über dieses Produkt
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271008040
ISBN-13
9780271008042
eBay Product ID (ePID)
77824
Product Key Features
Number of Pages
360 Pages
Publication Name
Baudelaire and Caricature : from the Comic to an Art of Modernity
Language
English
Subject
Conceptual, European / French, Criticism & Theory, Poetry, History / General
Publication Year
1992
Type
Textbook
Subject Area
Literary Criticism, Art
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
0 Oz
Item Length
1 in
Item Width
1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-016467
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
741.5/09
Synopsis
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the fl'neur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the fl'neur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the fl'neur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts., Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flaneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flaneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flaneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts., Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the fl neur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the fl neur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the fl neur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
LC Classification Number
NC1325.H36 1992
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- 4***a (135)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent value! Lovely denim blazer, arrived quickly and in excellent condition. Packaged to protect in transit. Top was as described in listing and in photos. I'm very pleased with my purchase and would recommend this seller.
- p***r (955)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufLovely vintage clip-on glass bird ornament as pictured and described. Since I purchased two items, the seller quickly combined both in one box and issued a credit for second shipping charge. Box was very well packed to protect this fragile item and arrived quickly. I am very happy with this ornament and would purchase from this seller again in the future.Vintage Glass Clip-on Bird Christmas Tree Ornament Silver/Pink/Blue/Polka Dots (Nr. 335885389609)
- v***h (9154)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis seller is a dream seller!! She has great items in great conditions and willing to work with her buyers. She had accurate descriptions, great pictures to show the conditions of her items. All of these things plus good pricing or value.And still there is more.....fast shipping and very careful packing that insured my items would arrive safe. I couldn't have asked for more. Thank you so much! I will be back to buy from you again.Antique Vintage Belsnickel Santa Spun Cotton, Clay Face 1930s Made in Japan (Nr. 335828069791)
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Estates Eclectic
100% positive Bewertungen•2.781 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (1.229)
- 4***a (135)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent value! Lovely denim blazer, arrived quickly and in excellent condition. Packaged to protect in transit. Top was as described in listing and in photos. I'm very pleased with my purchase and would recommend this seller.
- p***r (955)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufLovely vintage clip-on glass bird ornament as pictured and described. Since I purchased two items, the seller quickly combined both in one box and issued a credit for second shipping charge. Box was very well packed to protect this fragile item and arrived quickly. I am very happy with this ornament and would purchase from this seller again in the future.Vintage Glass Clip-on Bird Christmas Tree Ornament Silver/Pink/Blue/Polka Dots (Nr. 335885389609)
- v***h (9154)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis seller is a dream seller!! She has great items in great conditions and willing to work with her buyers. She had accurate descriptions, great pictures to show the conditions of her items. All of these things plus good pricing or value.And still there is more.....fast shipping and very careful packing that insured my items would arrive safe. I couldn't have asked for more. Thank you so much! I will be back to buy from you again.Antique Vintage Belsnickel Santa Spun Cotton, Clay Face 1930s Made in Japan (Nr. 335828069791)