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PHOTOGRAPHY DEGREE ZERO: REFLECTIONS ON ROLAND BARTHES'S By Geoffrey Batchen VG+
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“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
0262013258
Book Title
Photography Degree Zero: Reflections on Roland Barthes's Camera
ISBN
9780262013253
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
MIT Press
ISBN-10
0262013258
ISBN-13
9780262013253
eBay Product ID (ePID)
73161521

Product Key Features

Number of Pages
298 Pages
Publication Name
Photography Degree Zero : Reflections on Roland Barthes's Camera Lucida
Language
English
Subject
Individual Photographers / General, General, Criticism, History
Publication Year
2009
Type
Textbook
Subject Area
Photography
Author
G. Batchen
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
24.9 Oz
Item Length
9.3 in
Item Width
7.7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2009-005902
Dewey Edition
22
Reviews
"Photography Degree Zerobrings together much of the best writing on Barthes' Camera Lucidaand adds several stimulating new essays. It is a great boon for anyone deeply interested in photography, and I will be consulting my copy frequently for years to come." -Robin Kelsey, Professor of History of Art and Architecture, Harvard University, "It will no doubt become a portable authority on Barthes and visual-arts scholarship." Erik Morse Modern Painters
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
770.1
Synopsis
Roland Barthes's 1980 book Camera Lucidais perhaps the most influential book ever published on photography. The terms studiumand punctum,coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero,the first anthology of writings on Camera Lucida,goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero(the title links Barthes's first book, Writing Degree Zero,to his last, Camera Lucida)includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucidaand its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero,and the focus on Camera Lucidain the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. Contributors: Geoffrey Batchen, Victor Burgin, Eduardo Cadava, Paolo Cortes-Rocca, James Elkins, Michael Fried, Jane Gallop, Gordon Hughes, Margaret Iverson, Rosalind E. Krauss, Carol Mavor, Margaret Olin, Jay Prosser, Shawn Michelle Smith, An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text.Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book.Photography Degree Zero (the title links Barthes's first book, Writing Degree Zero, to his last, Camera Lucida) includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical (in an essay drawing on the work of Lacan) to Buddhist (in an essay that compares the photographic flash to the mystic's light of revelation); they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work., An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text.
LC Classification Number
TR642.B3736 2009

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