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Chinesische Theorien der Belletristik: Ein nicht-westliches Erzählsystem (chinesische Philosophie -
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eBay-Artikelnr.:336105744729
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780791468159
Über dieses Produkt
Product Identifiers
Publisher
STATE University of New York Press
ISBN-10
0791468151
ISBN-13
9780791468159
eBay Product ID (ePID)
48646245
Product Key Features
Number of Pages
302 Pages
Publication Name
Chinese Theory of Fiction : a Non-Western Narrative System
Language
English
Publication Year
2006
Subject
Asian / Chinese, Asian / General, General
Type
Textbook
Subject Area
Literary Criticism, Literary Collections
Series
Suny Series in Chinese Philosophy and Culture Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
18.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-025463
Dewey Edition
22
TitleLeading
A
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
895.1/3009
Table Of Content
Abstract Introduction: Theory of Fiction: A Chinese Perspective Internationalization of Chinese Fiction A Critique of Realism A Critique of History A Critique of the Poetry-Fiction Divide Objectives of Inquiry Scope of Inquiry Assumptions and Methodology 1. Chinese Notions of Fiction Chinese Xiaoshuo and Western "Fiction" From " Xiaoshuo " to Xiaoshuo The Continuity of Fictionality in Xiaoshuo The Intrinsic Nature of Xiaoshuo The Problem of Self-Conscious Fictionalization 2. The Nature of (Chinese) Fiction A Definition of Fiction Fictionality: the Conceptual Core of Xiaoshuo A Definition of Pure Fiction Intrinsic Reasons for the Rise of Fiction Historical and Narrative Inertia From Storytelling to Fictional Art 3. The Aesthetic Turn in Chinese Fiction The Initial Turn to Fictionality in Early Xiaoshuo The Turn to Realism and Inwardness The Turn to Multiplicity in the Full-length Novel The Drive toward Pure Fiction A Change in Model for Fiction Writing The Linguistic Turn to Fiction as Verbal Art 4. The Poetic Nature of Chinese Fiction The Lyric Unconscious of Chinese Fiction Poeticization of Prose Fiction The Rise of Poetic Fiction Intrinsic Poetic Qualities in Fiction A Definition of Poetic Fiction Lyrical Realism and Mythical Realism Aesthetic Suggestiveness: Hallmark of Fictional Art 5. The Art of the Jin Ping Mei : Poetics of Pure Fiction A Self-Conscious Turn to Pure Fiction A Novelistic Conception of Weaving Creative Impulse and Motivation for Fiction-Making The Invention of Characters and Plot A Disseminative Paradigm of Reading/Writing The Poetics of Fabrication A Novel of Multiple Dimensions 6. The Art of the Honloumeng : Poetic Fiction and Open Fiction The Ontology of Representation The Epistemology of Representation Creative Vision: Openness of Fiction Dreams and the Making of Poetic Fiction The Poetic Unconscious and Poetics of Openness A Writing Model of Open Fiction 7. Theory of Fiction: A Chinese System A Synthetic Overview Genesis: Lyrical and Psychological Rise Ontology: Being in Nonbeing or Real in Unreal Epistemology: Make-believe or Taking the Unreal as Real Creative Conception: Many-in-One Totality Model of Writing: Linguistic Dissemination A Definition of Open Fiction Modes of Representation: Kaleidoscopic Narration Theory of Reading: Open Hermeneutics Conclusion: Toward a Transcultural Theory of Fiction Conceptual Roots of Sameness and Difference Mimetic Dogma and Chinese Dissent Conceptual Basis for a Transcultural Fiction Theory Fiction as a Linguistic Representation of the One Notes Selected Bibliography Index
Synopsis
An ambitious, innovative work that proposes a distinctly Chinese theory of fiction. In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory., In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
LC Classification Number
PL2415.G84 2006
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