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Moderne und Nation Building: Türkische Architekturkultur in -

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Modernism and Nation Building: Turkish Architectural Culture in
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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Title
Modernism and Nation Building: Turkish Architectural Culture in
ISBN
9780295981109
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Washington Press
ISBN-10
0295981105
ISBN-13
9780295981109
eBay Product ID (ePID)
1883131

Product Key Features

Book Title
Modernism and Nation-Building : Turkish Architectural Culture in the Early Republic
Number of Pages
380 Pages
Language
English
Topic
Middle East / Turkey & Ottoman Empire, Regional, Middle East / General, History / General, Political Ideologies / Nationalism & Patriotism
Publication Year
2001
Illustrator
Yes
Genre
Political Science, Architecture, History
Author
Sibel Bozdogan
Book Series
Studies in Modernity and National Identity
Format
Hardcover

Dimensions

Item Weight
51.3 Oz
Item Length
1 in
Item Width
1 in

Additional Product Features

LCCN
00-069048
Dewey Edition
21
Reviews
The time-worn tale of the modern movement in architecture has gained a vital new chapter and fresh meanings in this exceptional study of Turkish modernism.... Bozdogan's study of the particular cultural and political circumstances for modernism in Turkey effectively destroys the notion that modern architecture in so-called non-Western cultures was merely an extension of Western developments and opens the door to much-needed parallel studies of modernism worldwide. This is postcolonial writing at its best.
Dewey Decimal
720/.9561/09041
Table Of Content
Preface Introduction: Modernism on the Margins of Europe1. First Moderns: The Legacy of Ottoman Revivalism2. Inkilap Mimarisi: Architecture of Revolution3. Aesthetics of Progress: Imagining an Industrial Nation4. Yeni Mimari: The Making of a Modernist Profession5. Living Modern: Cubic Houses and Apartments6. Milli Mimari: Nationalizing the ModernConclusion NotesBibliographyFigure SourcesIndex
Synopsis
Winner of the Alice Davis Hitchcock Award sponsored by the Society of Architectural Historians Winner of the M. Fuat Koprulu Book Prize in Turkish Studies sponsored by the Turkish Studies Association With the proclamation of the Turkish republic by Mustafa Kemal Ataturk in 1923, Turkey's political and intellectual elites attempted to forge from the ruins of the Ottoman Empire a thoroughly modern, secular, European nation-state. Among many other public expressions of this bold social experiment, they imported modern architecture as both a visible symbol and an effective instrument of their modernizing agenda. They abandoned the prevailing Ottoman revivalist style and transformed the entire profession of architecture in Turkey according to the aesthetic canons and rationalist doctrines of European modernism. In this book, the architectural historian Sibel Bozdogan offers a cultural history of modern Turkish architecture and its impact on European modernism from the Young Turk revolution of 1908 to the end of the Kemalist single-party regime in 1950. Drawing on official propaganda publications, professional architectural journals, and popular magazines of the day, Bozdogan looks at Turkish architectural culture in its broad political, historical, and ideological context. She shows how modern architecture came to be the primary visual expression of the so-called republican revolution--especially in the case of representative public buildings and in the idealized form of the modern house. She also illustrates Turkish architects? efforts to legitimize modern forms on rational, scientific grounds and to ?nationalize? them by showing their compatibility with Turkish building traditions. After Ataturk's death in 1938, the initial revolutionary spirit in Turkish architectural culture gave way to nationalist trends in German and Italian architecture and to the inspiration of Central Asian and pre-Islamic Turkish monuments. The resulting departure from the distinct modernist aesthetic of the early 1930s toward a more classicized and monumental architecture representative of state power brought this heroic era of modern Turkish history to a close. Today, when Turkey's project of modernity is being critically reevaluated from many perspectives, this comprehensive survey of Kemalism's architectural legacy is timely and provocative., Winner of the Alice Davis Hitchcock Award sponsored by the Society of Architectural Historians Winner of the M. Fuat Koprulu Book Prize in Turkish Studies sponsored by the Turkish Studies Association With the proclamation of the Turkish republic by Mustafa Kemal Ataturk in 1923, Turkey's political and intellectual elites attempted to forge from the ruins of the Ottoman Empire a thoroughly modern, secular, European nation-state. Among many other public expressions of this bold social experiment, they imported modern architecture as both a visible symbol and an effective instrument of their modernizing agenda. They abandoned the prevailing Ottoman revivalist style and transformed the entire profession of architecture in Turkey according to the aesthetic canons and rationalist doctrines of European modernism. In this book, the architectural historian Sibel Bozdogan offers a cultural history of modern Turkish architecture and its impact on European modernism from the Young Turk revolution of 1908 to the end of the Kemalist single-party regime in 1950. Drawing on official propaganda publications, professional architectural journals, and popular magazines of the day, Bozdogan looks at Turkish architectural culture in its broad political, historical, and ideological context. She shows how modern architecture came to be the primary visual expression of the so-called republican revolution--especially in the case of representative public buildings and in the idealized form of the modern house. She also illustrates Turkish architects' efforts to legitimize modern forms on rational, scientific grounds and to "nationalize" them by showing their compatibility with Turkish building traditions. After Ataturk's death in 1938, the initial revolutionary spirit in Turkish architectural culture gave way to nationalist trends in German and Italian architecture and to the inspiration of Central Asian and pre-Islamic Turkish monuments. The resulting departure from the distinct modernist aesthetic of the early 1930s toward a more classicized and monumental architecture representative of state power brought this heroic era of modern Turkish history to a close. Today, when Turkey's project of modernity is being critically reevaluated from many perspectives, this comprehensive survey of Kemalism's architectural legacy is timely and provocative.
LC Classification Number
NA1368.B69 2001

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CRN: 03800600

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