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Product Identifiers
PublisherUniversity of Illinois Press
ISBN-100252065514
ISBN-139780252065514
eBay Product ID (ePID)799578
Product Key Features
Number of Pages344 Pages
Publication Name'Twas Only an Irishman's Dream : The Image of Ireland and the Irish in American Popular Song Lyrics, 1800-1920
LanguageEnglish
SubjectHistory & Criticism, United States / 19th Century, Ethnic, Genres & Styles / Pop Vocal
Publication Year1996
TypeTextbook
Subject AreaMusic, History
AuthorWilliam H. Williams
SeriesMusic in American Life Ser.
FormatTrade Paperback
Dimensions
Item Height1.3 in
Item Weight16.8 Oz
Item Length8.9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
LCCN96-004491
ReviewsWinner of the ASCAP Deems Taylor Award in the Pop Books category, 1997. "Thoroughly researched, well-organized, and gracefully and clearly written."--Lawrence McCaffrey, author of Textures of Irish America, ''This engaging social history underlines the role of popular music in the cultural negotiations of immigrant identity... Through its pages pass John McCormack, Ned Harrigan, George M. Cohan -- some of the greatest names in American popular music before the 1920s.'' Choice, "Thoroughly researched, well-organized, and gracefully and clearly written."--Lawrence McCaffrey, author of Textures of Irish America, "This engaging social history underlines the role of popular music in the cultural negotiations of immigrant identity. . . . Through its pages pass John McCormack, Ned Harrigan, George M. Cohan -- some of the greatest names in American popular music before the 1920s." -- Choice
Dewey Edition20
Dewey Decimal782.42/089/9162073
SynopsisThe image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture., Over time, the image of the Irish in the United States changed from that of hard-drinking Paddies to genial working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than seven hundred pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish swung from one extreme to the other. As Williams shows, sheet music's place as a commercial item meant it had to be acceptable to the broadest possible song-buying public. Negotiations about the image of the Irish and Irish Americans involved Irish songwriters, performers, and pressured groups on one side, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, revealing how societies create ethnic stereotypes and how such stereotypes evolve, and even disappear, from mainstream popular culture., The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music - popular songs from the stage and for the ......, The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music - popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. ''Negotiations'' about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.
LC Classification NumberML3554.W77 1996
