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Mark Ryden Pinxit Taschen Hardcover Couchtisch Buch Übergröße-
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Standort: Danvers, Massachusetts, USA
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eBay-Artikelnr.:335950084626
Artikelmerkmale
- Artikelzustand
- Personalize
- No
- Type
- Coffee Table Book
- Signed
- No
- Book Series
- N/A
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Intended Audience
- Young Adults, Adults
- Inscribed
- No
- Country/Region of Manufacture
- Unknown
- Vintage
- No
- ISBN
- 9783836541602
Über dieses Produkt
Product Identifiers
Publisher
Taschen
ISBN-10
3836541602
ISBN-13
9783836541602
eBay Product ID (ePID)
144041826
Product Key Features
Book Title
Mark Ryden. Pinxit
Number of Pages
360 Pages
Language
English
Topic
Individual Artists / General, Criticism & Theory, Individual Artists / Monographs, American / General
Publication Year
2013
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
124.5 Oz
Item Length
15.2 in
Item Width
11.3 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
759.2
Synopsis
Enter a world of fairytale landscapes, fluffy creatures, sugar-sweet pastel shades, and something not quite right. In this major retrospective, we survey two decades of Mark Ryden's uniquely unheimlich Pop Surrealism through The Meat Show, Bunnies & Bees, The Tree Show, and beyond., Mark Ryden has us on edge. His vocabulary, at once cryptic and cute, refined and clich blurs the boundaries between high and low art as much as it does between childish innocence and profound unease. Ryden first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," trumping the initial surrealist strategies by choosing subject matter loaded with cultural connotation.This cultural kitsch is rendered in infinitely detailed and meticulously glazed surfaces, the precision itself evoking a subtle disquiet as much as the constant suspicion of something slightly awry in all the sugar-sweet pastel shades, fairytale landscapes, fluffy creatures, and wide-eyed girl-childs. In the major retrospective Pinxit, whose title refers to the Latin term "painted by," we survey almost two decades of this strange, beautiful, unheimlich world. Through the themes of the artist's major exhibitions, including The Meat Show, Bunnies & Bees, The Tree Show, we present his most compelling canvases as well as expert essays by Yoshitomo Nara, Carlo McCormick, and Kristine McKenna., Mark Ryden has us on edge. His vocabulary, at once cryptic and cute, refined and cliché blurs the boundaries between high and low art as much as it does between childish innocence and profound unease. Ryden first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism," trumping the initial surrealist strategies by choosing subject matter loaded with cultural connotation.This cultural kitsch is rendered in infinitely detailed and meticulously glazed surfaces, the precision itself evoking a subtle disquiet as much as the constant suspicion of something slightly awry in all the sugar-sweet pastel shades, fairytale landscapes, fluffy creatures, and wide-eyed girl-childs. In the major retrospective Pinxit, whose title refers to the Latin term "painted by," we survey almost two decades of this strange, beautiful, unheimlich world. Through the themes of the artist's major exhibitions, including The Meat Show, Bunnies & Bees, The Tree Show, we present his most compelling canvases as well as expert essays by Yoshitomo Nara, Carlo McCormick, and Kristine McKenna.
LC Classification Number
ND497
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