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Undressing Cinema: Clothing and identity in the m... by Bruzzi, Stella Paperback
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- Sofort-KaufenUndressing Cinema: Clothing and identity in the m... by Bruzzi, Stella Paperback
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US $5,22 (ca. EUR 4,51) USPS Media MailTM.
Standort: North Chelmsford, Massachusetts, USA
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eBay-Artikelnr.:335736366516
Artikelmerkmale
- Artikelzustand
- Artist
- Bruzzi, Stella
- Brand
- N/A
- Date of Publication
- 1997-11-06
- EAN
- 9780415139571
- ISBN
- 0415139570
- Release Title
- Undressing Cinema: Clothing and identity in the movies
- Book Title
- Undressing Cinema: Clothing and identity in the movies
- Colour
- N/A
Über dieses Produkt
Product Identifiers
Publisher
Routledge
ISBN-10
0415139570
ISBN-13
9780415139571
eBay Product ID (ePID)
1107218
Product Key Features
Number of Pages
248 Pages
Publication Name
Undressing Cinema : Clothing and Identity in the Movies
Language
English
Subject
Media Studies, Fashion & Accessories
Publication Year
1997
Type
Textbook
Subject Area
Design, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
15.2 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
College Audience
LCCN
97-007260
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43/655
Synopsis
From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema , Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female , Disclosure and The Last Seduction * generic male chic in Goodfellas , Reservoir Dogs , and Leon * pride, costume and masculinity in Blaxploitation' films, Boyz N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando ., From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction * generic male chic in Goodfellas, Reservoir Dogs, and Leon * pride, costume and masculinity in 'Blaxploitation' films, Boyz 'N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.
LC Classification Number
PN1995.9.C56B78 1997
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