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Oxford History of Art Imperial Rome and Christian Triumph Roman Empire 1998
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- Sofort-KaufenOxford History of Art Imperial Rome and Christian Triumph Roman Empire 1998
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eBay-Artikelnr.:335454378240
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780192842657
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
019284265X
ISBN-13
9780192842657
eBay Product ID (ePID)
12038242507
Product Key Features
Book Title
Imperial Rome and Christian Triumph : the Art of the Roman Empire Ad 100-450
Number of Pages
316 Pages
Language
English
Topic
General, History / Ancient & Classical, History / General
Publication Year
1999
Illustrator
Yes
Genre
Art
Book Series
Oxford History of Art Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
33.2 Oz
Item Length
9.5 in
Item Width
6.7 in
Additional Product Features
Intended Audience
Trade
LCCN
99-189358
Dewey Edition
21
Dewey Decimal
709.3/7/09015
Table Of Content
PrefaceChapter 1. IntroductionPart 1: Images and PowerChapter 2. A Visual CultureChapter 3. Art and Imperial PowerPart II: Images and SocietyChapter 4. Art and Social Life;Chapter 5. Centre and PeripheryChapter 6. Art and DeathPart III: Images and TransformationChapter 7. Art and the Past: Antiquarian EclecticismChapter 8. Art and ReligionEpilogue; Chapter 9. Art and Culture: Cost, Value, and the Discourse of ArtAfterword: Some Futures of Christian ArtNotes, List of Illustrations, Bibliographic Essay, Timeline, Index
Synopsis
This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and the pilgrimage arts, this book explores the art of the Roman Empire by tackling two inter-related periods of internal transformation: the 'Second Sophistic' (c. ad 100-300), and the era of late antiquity (c. ad 250-450). For the first time, these two themes are treated together, throwing a more penetrating light on the radical change undergone by the empire in becoming a Christian imperium. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Elsner presents a fresh and challenging account of a rich cultural crucible in which many developments of later European art had their origins., Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periods of internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron, Keble College, Oxford, "Elsner's contribution to the Oxford History of Art series provides an informative and culturally historic study of the visual arts in the Second Sophistic and late antiquity."--Religious Studies Review, This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and the pilgrimage arts, this book explores the art of the Roman Empire by tackling two inter-related periods of internal transformation: the 'Second Sophist' (c. ad 100-300), and the era of late antiquity (c. ad 250-450). For the first time, these two themes are treated together, throwing a more penetrating light on the radical change undergone by the empire in becoming a Christian imperium. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Elsner presents a fresh and challenging account of a rich cultural crucible in which many developments of later European art had their origins., This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and the pilgrimage arts, this book explores the art of the Roman Empire by tackling two inter-related periods of internal transformation: the 'Second Sophist' ( c. ad 100-300), and the era of late antiquity ( c. ad 250-450). For the first time, these two themes are treated together, throwing a more penetrating light on the radical change undergone by the empire in becoming a Christian imperium. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Elsner presents a fresh and challenging account of a rich cultural crucible in which many developments of later European art had their origins.
LC Classification Number
N5760.E484 1998
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98,9% positive Bewertungen•500 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (158)
- e***r (1104)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis new (in original package) pastry cloth and rolling pin stocking arrived quickly in a sturdy box. It’s in wonderful mint condition, exactly as described and pictured. The seller accepted my offer and I got this vintage baking tool for a great price. A+++ seller!
- r***d (3357)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWow! Excellent transaction and great seller! Super fast delivery and secure packaging done with care! Excellent condition paperback! Exactly as described!Thanks for your superb service and product! A++++++++++++++
- q***a (709)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWell done - the lens was exactly as described, works well and takes great photos. Shipping was quick and the lens was packed exceptionally well -- fantastic buy ... well worth the asking price.Tamron Aspherical AF 28-200mm f/3.8-5.6 IF Zoom Lens 271D Canon EF (#17018) (Nr. 336093766072)