Bild 1 von 4
Galerie
Bild 1 von 4
The Rhetoric of Perspective : Realism and Illusionism in Seventeenth-Ce
US $34,99
Ca.EUR 30,33
oder Preisvorschlag
Artikelzustand:
- Sofort-KaufenThe Rhetoric of Perspective : Realism and Illusionism in Seventeenth-Century...
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Versand:
US $5,97 (ca. EUR 5,17) USPS Media MailTM.
Standort: Troy, Ohio, USA
Lieferung:
Lieferung zwischen Fr, 7. Nov und Fr, 14. Nov nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Käufer zahlt Rückversand. Wenn Sie ein eBay-Versandetikett verwenden, werden die Kosten dafür von Ihrer Rückerstattung abgezogen.
Zahlungen:
Sicher einkaufen
- Gratis Rückversand im Inland
- Punkte für jeden Kauf und Verkauf
- Exklusive Plus-Deals
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:334782108760
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780226309682
- EAN
- 9780226309682
Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226309681
ISBN-13
9780226309682
eBay Product ID (ePID)
43824799
Product Key Features
Number of Pages
246 Pages
Language
English
Publication Name
Rhetoric of Perspective : Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting
Publication Year
2005
Subject
Criticism & Theory, General, Cognitive Psychology & Cognition, History / General
Type
Textbook
Subject Area
Art, Psychology
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
18.1 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-020661
TitleLeading
The
Reviews
The book represents an elegant and honourable synthesis of some difficult writers. It is clear where they are often aggressively theoretical, and reasonable where they are declamatory. It has, in short, the same sort of patient intellectual integrity that Grootenboer attributes to the still-life painters themselves., A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint--about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail., "The book represents an elegant and honourable synthesis of some difficult writers. It is clear where they are often aggressively theoretical, and reasonable where they are declamatory. It has, in short, the same sort of patient intellectual integrity that Grootenboer attributes to the still-life painters themselves."-Keith Miller, Times Literary Supplement, The book represents an elegant and honourable synthesis of some difficult writers. It is clear where they are often aggressively theoretical, and reasonable where they are declamatory. It has, in short, the same sort of patient intellectual integrity that Grootenboer attributes to the still-life painters themselves., A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint-about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail., "A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint-about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail."-John Hagood, Art Libraries Society of North America, "A remarkable book.The Rhetoric of Perspectiveis one of the soundest pieces of post-structuralist writing that the discipline has produced. The prose is lucid and crisp and, at times, poetic. Grootenboer's reading of these paintings generates a striking argument about perspective with implications far beyond the seventeenth-century Dutch field, indeed beyond disciplines of art history."-Christopher S. Wood, Yale University, This is a lucid, sustained meditation on one of the most difficult ideas that the twentieth century produced about painting: that an image is somehow a form of thinking or a model of thought. Grootenboer follows her theme through its tangled genealogy in Heidegger, Merleau-Ponty, Lacan, and Damisch, weaving in examples of Dutch still-life painting. This book should be required reading for those interested in the conceptualization of painting., "This is a lucid, sustained meditation on one of the most difficult ideas that the twentieth century produced about painting: that an image is somehow a form of thinking or a model of thought. Grootenboer follows her theme through its tangled genealogy in Heidegger, Merleau-Ponty, Lacan, and Damisch, weaving in examples of Dutch still-life painting. This book should be required reading for those interested in the conceptualization of painting."-James Elkins, School of the Art Institute of Chicago, "A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant,The Rhetoric of Perspectiverepresents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint -- about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail."-John Hagood,Art Libraries Society ofNorth America, "The book represents an elegant and honourable synthesis of some difficult writers. It is clear where they are often aggressively theoretical, and reasonable where they are declamatory. It has, in short, the same sort of patient intellectual integrity that Grootenboer attributes to the still-life painters themselves."-Keith Miller,Times Literary Supplement, A remarkable book. The Rhetoric of Perspective is one of the soundest pieces of post-structuralist writing that the discipline has produced. The prose is lucid and crisp and, at times, poetic. Grootenboer's reading of these paintings generates a striking argument about perspective with implications far beyond the seventeenth-century Dutch field, indeed beyond disciplines of art history., "One always wonders how a classical subject, so often recounted, analyzed, recast that it becomes boring, can be vitalized and made all exciting again. Grootenboer manages this for Dutch still-life painting with amazing brilliance. This is a profoundly innovative book, bringing both still life painting and the scholarship about it an entirely new second life. A must-read book for all interested in painting."-Mieke Bal, University of Amsterdam, One always wonders how a classical subject, so often recounted, analyzed, recast that it becomes boring, can be vitalized and made all exciting again. Grootenboer manages this for Dutch still-life painting with amazing brilliance. This is a profoundly innovative book, bringing both still life painting and the scholarship about it an entirely new second life. A must-read book for all interested in painting., "A remarkable book. The Rhetoric of Perspective is one of the soundest pieces of post-structuralist writing that the discipline has produced. The prose is lucid and crisp and, at times, poetic. Grootenboer''s reading of these paintings generates a striking argument about perspective with implications far beyond the seventeenth-century Dutch field, indeed beyond disciplines of art history."-Christopher S. Wood, Yale University
Dewey Edition
0
Illustrated
Yes
Dewey Decimal
758.40949209032
Table Of Content
List of Illustrations Acknowledgments Introduction: The Thought of Painting 1. The Invisibility of Depth Merleau-Ponty, Lacan, and the Lure of Painting 2. Truth in Breakfast Painting Horror Vacui versus the Void and Pascal's Geometrical Rhetoric 3. The Rhetoric of Perspective Panofsky, Damisch, and Anamorphosis 4. Perspective as Allegorical Form Vanitas Painting and Benjamin's Allegory of Truth Conclusion: The Look of Painting Notes Bibliography Index
Synopsis
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil , and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. "An elegant and honourable synthesis."--Keith Miller, Times Literary Supplement, Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil , and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. "An elegant and honourable synthesis."-Keith Miller, Times Literary Supplement
LC Classification Number
ND1393.N43G76 2005
Artikelbeschreibung des Verkäufers
Info zu diesem Verkäufer
Ewenique Boutique
99,4% positive Bewertungen•10.063 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Beliebte Kategorien in diesem Shop
Verkäuferbewertungen
Fehler beim Anzeigen der Bewertung. Bitte aktualisieren Sie die Seite.
Noch mehr entdecken:
- Masters of the Universe Jugendliche Hörbücher und Hörspiele,
- Erwachsene Masters of the Universe Hörbücher und Hörspiele,
- Masters of the Universe Jugendliche Hörbücher und Hörspiele,
- Masters-of-the-Universe - Europa-Editions Hörbücher und Hörspiele,
- Erwachsene Masters of the Universe Hörbücher und Hörspiele,
- Ungekürzte Masters of the Universe Buchreihe Hörbücher und Hörspiele,
- Masters of the Universe Buchreihe Hörbücher und Hörspiele mit Kinder- & Jugendliteratur,
- Masters-of-the-Universe - Europa-Editions-Erwachsene Hörbücher und Hörspiele,
- Hörbücher und Hörspiele Masters of the Universe Buchreihe Deutsche Kassette,
- Frederick-the-Great-Belletristik - Bücher
Ewenique Boutique
99,4% positive Bewertungen•10.063 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Beliebte Kategorien in diesem Shop
Verkäuferbewertungen
Fehler beim Anzeigen der Bewertung. Bitte aktualisieren Sie die Seite.