Dewey Decimal394.1/2/09409024
Table Of ContentIntroduction Part I - Pleasure and the norm 1. Humanism on holiday The feast of the gods The al fresco meal Conviviality The head and the stomach 2. Ceremonies and manners Civility Manners and Mannerism The pomp of princes Officers of the mouth 3. Rules for the appetite An archaeology of the table Diet Medicine v. cookery Part II - When the fable comes to table 4. Table talk Convivial speech A mouth full of words Philologists or logophiles? 5. Eating the text Storytelling while eating 'Our after-dinner entertainers' 'My salad and my Muse' The marrow bone Metaphors of bibliophagy 6. Classical banquets Philosophy at meal time Satire and its cooking Greedy grammarians 7. Something for every taste The copious and the varied Erasmus: feasting on words Guillaume Bouchet: stuffings Giordano Bruno: the failed banquet 8. Dog Latin and macronic poetry Dog Latin, cooks' talk and gibberish Folengo and the ars macaronica Muses with greasy hands 'My country is a pumpkin' 9. 'The centre of all books' 'Monarch of ecumenical symposia' 'You only talk about sex' 'Edible syllables and letters' 'I've never seen people talk so much' Conclusion Imitatio/Mimesis Writing and nature Paradoxical metaphors Naturalizing the narrative? Writing in action Bibliography Index
SynopsisThe banquet gives rise to a special moment when thought and the senses--words and food--enhance each other. Throughout history, the ideal of the symposium has reconciled the angel and the beast in the human, renewing the interdependence between the mouth that speaks and the mouth that eats. Michel Jeanneret's lively book explores the paradigm of the banquet as a guide to significant tendencies in Renaissance Humanist culture and shows how this culture in turn illuminates the tensions between physical and mental pleasures. Ranging widely over French, Italian, German, and Latin texts, Jeanneret not only investigates the meal as a narrative artefact but enquires as well into aspects of sixteenth-century anthropology and aesthetics., The banquet gives rise to a special moment when thought and the senses words and food enhance each other. Throughout history, the ideal of the symposium has reconciled the angel and the beast in the human, renewing the interdependence between the mouth that speaks and the mouth that eats. Michel Jeanneret's lively book explores the paradigm of the banquet as a guide to significant tendencies in Renaissance Humanist culture and shows how this culture in turn illuminates the tensions between physical and mental pleasures. Ranging widely over French, Italian, German, and Latin texts, Jeanneret not only investigates the meal as a narrative artefact but enquires as well into aspects of sixteenth-century anthropology and aesthetics. "
LC Classification NumberGT2850.J4313 1991