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James Surls: Splendora Years 1977-1997 von Terrie Sultan (2005, Hardcover) sehr guter Zustand-
US $13,95
Ca.EUR 12,06
Artikelzustand:
“In nice used condition. Binding is tight. Pages are clean and unmarked. Some minor overall wear.”
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Versand:
US $6,72 (ca. EUR 5,81) USPS Media MailTM.
Standort: Fredericksburg, Texas, USA
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eBay-Artikelnr.:326681658260
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “In nice used condition. Binding is tight. Pages are clean and unmarked. Some minor overall wear.”
- ISBN
- 9780292709928
Über dieses Produkt
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292709927
ISBN-13
9780292709928
eBay Product ID (ePID)
45314115
Product Key Features
Book Title
James Surls: the Splendora Years, 1977-1997
Number of Pages
152 Pages
Language
English
Publication Year
2005
Topic
Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
42.1 Oz
Item Length
11.3 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-003970
Dewey Edition
22
Dewey Decimal
709/.2
Table Of Content
Prologue: The Road to Splendora (James Surls) Introduction and Acknowledgments (Terrie Sultan) Splendora: A Love Story (Eleanor Heartney) Plates Interviews with Terrie Sultan John Alexander Hiram Butler Joseph Havel Jim Harithas The Art Guys Sharon and Gus Kopriva Peter Zweig Afterword (Charmaine Locke) Exhibition Chronology, Selected Bibliography, and Commissions (Rachel Freer) Notes on Contributors Photography Credits
Synopsis
A beautifully illustrated exhibition catalog that documents the astonishingly creative work of American sculptor James Surls and the artists' colony he founded at Splendora, Texas, A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes--male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning. This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career--the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora. Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect Peter Zweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create. This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality., A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes-- male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning.This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career-- the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora.Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect PeterZweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create.This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality., Shortlisted, Fred Whitehead Award for Best Design of a Trade Book, 2006 A prolific artist with a prodigious gift for stimulating the creativity of others, James Surls is one of the most important sculptors working in America today. His art blends natural forms created of wood, steel, and bronze with sophisticated, sometimes edgy imagery and content to explore fundamental dualities and paradoxes--male and female, joyous optimism and anxious foreboding, conscious rationality and unconscious intuition. Fusing personalized folk idioms with the aesthetics of high modernism, Surls's sculptures are clearly self-expressive, yet freighted with universal meaning. This beautifully illustrated book, which accompanies an exhibition of the same name at the Blaffer Gallery, the Art Museum of the University of Houston, captures an extraordinarily creative period in Surls's career--the two decades he lived and worked in Splendora, Texas. During this time, Surls established a home and artists' colony in the East Texas pineywoods, where he produced an astonishing body of work while encouraging the creativity of other visual and performing artists. Magnificent color and black-and-white images illustrate the key sculptures and works on paper that Surls created in Splendora. Accompanying the images are essays and interviews that offer fascinating insights into Surls's artistic breakthrough in Splendora. Terrie Sultan introduces Surls's work and provides a concise biography of the artist. Eleanor Heartney places Surls's Splendora works within the larger contexts of American and international art. Artists and gallery owners John Alexander, Joseph Havel, The Art Guys, Hiram Butler, and Sharon and Gus Kopriva, as well as curator Jim Harithas and architect Peter Zweig, share lively memories of Splendora as an artist colony and of Surls's pivotal role as artistic mentor and arts impresario for the whole Houston-area arts community. James Surls and his wife Charmaine Locke add a personal signature to the book by describing how their love and their work blossomed in an atmosphere of total freedom to experiment and create. This publication of James Surls's Splendora works clearly establishes that no other artist of Surls's generation has had a greater impact upon the development of Texas as a center of vibrant creativity. At the same time, it confirms Surls's standing within the contemporary international art world as a revolutionary who has expanded the boundaries of traditional sculpture while maintaining a high degree of aesthetic and intellectual quality.
LC Classification Number
N6537.S93A4 2005
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