RED RIVER BLUES: THE BLUES TRADITION IN THE SOUTHEAST By Bruce Bastin PAPERBACK

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Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Type
Paperback
Publication Name
University of Illinois Press
ISBN-10
0252065212
ISBN
9780252065217
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Illinois Press
ISBN-10
0252065212
ISBN-13
9780252065217
eBay Product ID (ePID)
78521

Product Key Features

Book Title
Red River Blues : the Blues Tradition in the Southeast
Number of Pages
432 Pages
Language
English
Publication Year
1995
Topic
History & Criticism, Genres & Styles / Folk & Traditional, Genres & Styles / Blues
Genre
Music
Author
Bruce Bastin
Book Series
Music in American Life Ser.
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
21.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Reviews
''The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information-packed work, and should be in every serious blues enthusiast's library.'' -- Paul Oliver, Juke Blues, "A brilliant and exhaustive study of Afro-American secular music in the Southeast in this century. And it is a broader tradition, and not the blues per se, that is being examined here. . . . Bastin illuminates the importance of black string band traditions, balladry, music derived from minstrel and medicine show traditions as well as sacred forms not just as blues antecedents, but as significant parallel strains to blues in the repertories of many musicians up to the present."--Art Rosenbaum, Georgia Historical Quarterly, "The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. But more than that, it is a major contribution to the study of popular culture."--Paul Oliver, Juke Blues, ASCAP Deems Taylor Award, 1987. "The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. But more than that, it is a major contribution to the study of popular culture."--Paul Oliver, Juke Blues
Dewey Edition
19
Dewey Decimal
784.5/3/00975
Synopsis
The complete story of the origins and evolution of the black American blues tradition, drawing extensively on oral history interviews., The complete story of the origins and evolution of the black American blues tradition, drawing extensively on oral history interviews. ''The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. But more than that, it is a major contribution to the study of popular culture.'' -- Paul Oliver, Juke Blues ''A brilliant and exhaustive study of Afro-American secular music in the Southeast in this century. And it is a broader tradition, and not the blues per se, that is being examined here. . . . Bastin illuminates the importance of black string band traditions, balladry, music derived from minstrel and medicine show traditions as well as sacred forms not just as blues antecedents, but as significant parallel strains to blues in the repertories of many musicians up to the present.'' -- Art Rosenbaum, Georgia Historical Quarterly, The complete story of the origins and evolution of the black American blues tradition, drawing extensively on oral history interviews. ''The opening chapters are among the best things ever published on the blues. It's a thoughtful, substantial, solidly constructed, information packed work, and should be in every serious blues enthusiast's library. ......, A Classic of Blues Literature inductee into the Blues Foundation's Blues Hall of Fame Drawing on archives and interviews with musicians, Red River Blues remains an acclaimed work of blues scholarship. Bruce Bastin traces the origins of the music to the turn of the twentieth century, when African Americans rejected slave songs, worksongs, and minstrel music in favor of a potent new vehicle for secular musical expression. Bastin looks at the blues' early emerging popularity and its spread via the Great Migration, delves into a wealth of field recordings, and looks at the careers of Brownie McGhee, Blind Boy Fuller, Curly Weaver, Sonny Terry, and many other foundational artists., This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.

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