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Japanische Holzblockdrucke. 40. Aufl. Hardcover - 11. Februar 2022 NEU-

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Japanese Woodblock Prints. 40th Ed. Hardcover – February 11, 2022 NEW
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ISBN
9783836587532

Über dieses Produkt

Product Identifiers

Publisher
Taschen
ISBN-10
383658753X
ISBN-13
9783836587532
eBay Product ID (ePID)
15050411302

Product Key Features

Edition
40
Book Title
Japanese Woodblock Prints. 45th Ed
Number of Pages
512 Pages
Language
English
Topic
Asian / Japanese, Techniques / Printmaking, Prints
Publication Year
2021
Illustrator
Yes
Genre
Art
Author
Andreas Marks
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
40 oz
Item Length
8.9 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
A quarter-millennium's worth of prints reveal the evolving tastes of Japanese artists over the ages, and the impact of this art form on global culture., A contemplative and dreamlike stroll through the most beautiful landscapes of this fantasized Japan., I envy the Japanese for the enormous clarity that pervades their work... they draw a figure with a few well-chosen lines as if it were as effortless as buttoning up one's waistcoat.
Dewey Decimal
769.952
Synopsis
From Edouard Manet 's portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh 's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence , the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe-but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity. The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent . Some of the most disruptive ideas in modern art -including, as Karl Marx put it, that "all that is solid melts into air"- were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. This volume, derived from the original XXL monograph, lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan . From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print- beauties, actors, landscapes, and bird-and-flower compositions -alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans -rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living -stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship. As part of our 40th anniversary series , this edition compiles the finest extant impressions from museums and private collections across the globe in a lightweight, accessible format, offering extensive descriptions to guide us through this frantic period in Japanese art history., From Edouard Manet's portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe--but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity. The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art--including, as Karl Marx put it, that "all that is solid melts into air"--were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century. This volume, derived from the original XXL monograph, lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e , or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan. From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print--beauties, actors, landscapes, and bird-and-flower compositions--alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans--rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living--stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship. As part of our 40th anniversary series, this edition compiles the finest extant impressions from museums and private collections across the globe in a lightweight, accessible format, offering extensive descriptions to guide us through this frantic period in Japanese art history., The Japanese woodblock print showcased breathtaking landscapes, blush-inducing erotica, ghosts and demons that torment the living, and made sumo wrestlers and kabuki actors into rock stars. This condensed edition reveals the most exceptional prints from 1680-1938, drawing from the finest impressions of museums and private collections worldwide.
LC Classification Number
NE1310.M3 2021

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Kollector33

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    Wonderful communications with this Seller - quick & timely eMails, rapid mailing of this GREAT PENCIL. Matter of fact - the Seller was a bit 'unsure' that mailing this item to the Mid-West would be as quick as had actually occurred: about ten days, or less. Do recommend this Seller to any eBay Buyer. ... I didn't mention the 'packing' - but this pencil arrived very-well-packaged for overseas shipment. Again, THANKS, SELLER.
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