Bild 1 von 5





Galerie
Bild 1 von 5





Regie, Fünfte Auflage: Filmtechniken und Ästhetik, Hurbis-Cherrier, Mick,-
US $30,00
Ca.EUR 25,57
Artikelzustand:
Gut
Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Versand:
US $4,00 (ca. EUR 3,41) USPS Media MailTM.
Standort: Biloxi, Mississippi, USA
Lieferung:
Lieferung zwischen Sa, 4. Okt und Fr, 10. Okt nach 94104 bei heutigem Zahlungseingang
Rücknahme:
Keine Rücknahme.
Zahlungen:
Sicher einkaufen
- Gratis Rückversand im Inland
- Punkte für jeden Kauf und Verkauf
- Exklusive Plus-Deals
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:325040554816
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780240818450
Über dieses Produkt
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0240818458
ISBN-13
9780240818450
eBay Product ID (ePID)
113004669
Product Key Features
Edition
5
Book Title
Directing : Film Techniques and Aesthetics
Number of Pages
532 Pages
Language
English
Publication Year
2013
Topic
Film / General, Film / Direction & Production
Illustrator
Yes
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
41.1 Oz
Item Length
9.2 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2012-027180
Reviews
"This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." - Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square. "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining." - DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "In its fourth edition, Directing remains as fresh and relevant as ever. Rabiger has devised a clear and eminently practical method for film directing which also promotes individual creative expression. By meticulously exploring drama, craft, process and artistic perspective, he demonstrates how to plunge into the heart of a screenplay and emerge with a film that reflects the heart of the director." -Mick Hurbis-Cherrier, Film Professor at Hunter College of the City University of New York, Filmmaker, and author of, "Voice & Vision: A Creative Approach to Narrative Film and DV Production" "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, "This terrific new edition, updating the classic, is one of the most complete manuals for directing you'll find. It gives both a broad overview and a detailed investigation of the craft; an explanation of the technology as well as an exploration of cinematic language and aesthetics. So take this guide, add your own passion for filmmaking, and you'll have a solid foundation for any movie you make." - Nancy Savoca, director, Dogfight, Household Saints, 24 Hour Woman, and Union Square. "While the basics of film aesthetics are well addressed, the value of this volume lies in its practical approach. Rabiger and Hurbis- Cherrier's firsthand experience allows them to describe the day- to- day of directing in simple, uncomplicated terms, appealing to both the novice and seasoned pro. . . The learning- by- doing method makes this across- the- board introduction accessible, practical and surprisingly entertaining." - DGA Quarterly, http://www.dga.org/Craft/ Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft….For those about to embark on their debut short or feature, Directing offers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner…The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute, Praise for the fourth edition "Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge "As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College "A comprehensive introduction to directing that focuses heavily on the interpersonal and organizational aspects of the craft....For those about to embark on their debut short or feature, Directingoffers a thorough manual that keeps one from having to learn everything the hard way." - American Cinematographer Praise for the 3rd Edition: "This is the single most valuable guide for both novice and seasoned practitioner...The new edition continues to be the comprehensive text for learning directing, integrating the rapid changes in technology with what was already a superbly detailed step-by-step text." - Jameson Goldner, professor of cinema at San Francisco State University "This is the only comprehensive book on filmmaking that I recommend to my students", Jeremy Kagan, USC Graduate Film School; Artistic Director Sundance Institute
Dewey Edition
23
Dewey Decimal
791.430233
Edition Description
Revised edition,New Edition
Table Of Content
The world of the film director Developing your path as a director Essential elements of drama Shaping the story into drama Plot, time, and structure Screenplay ground rules Recognizing the superior screenplay Script analysis and development Cinematic point of view Form and style Tone: naturalistic and stylized approaches Film language The frame and the shot The moving camera Language of the edit The human vantage of cinemativ language Exploring the script Casting Acting fundamentals Directing actors Rehearsals Acting exercises Planning the visual design Coverage and the shooting script Line producing and logistics Developing a production crew The director and production crew On set: production begins Directing on the set Monitoring continuity and progress Postproduction overview Editing begins: getting to know the footage The rough cuts Getting to fine cut and picture lock Working with music The sound mix The finishing touches
Synopsis
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital. Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget. Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style. The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs. New to the fifth edition * Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach. * Expanded sections on the basics of drama, including thorough analyses of recent films * Discussions of the director's approach to script analysis and development * New discussion exploring the elements of naturalistic and stylistic aesthetic approaches. * New discussion on the narrative power of lighting and the lens - including many recent film examples for shot size, perspective, focus and exposure * Greater emphasis on the implications of composition, mise-en-sc ne, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling * Expanded discussion of collaboration between the director and principle creative crew * Updated coverage of workflow and comparative advantages to digital or film acquisition * New section on film production safety, set protocol and etiquette, This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career. Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating process of making a film. The core of the book is the human, psychological, and technical knowledge that every director needs, the enduring elements of the craft that remain vital. Directing also provides an unusually clear view of the artistic process, particularly in working with actors and principle crew to achieve personally expressive storytelling and professionalism on any budget. Directing explores in detailed and applicable terms how to engage with the conceptual and authorial sides of filmmaking. Its eminently practical tools and exercises show how to: discover your artistic identity; develop credible and compelling stories with your cast and crew; and become a storyteller with a distinctive voice and style. The companion website includes teaching notes, dozens of practical hands-on projects and film study activities to help you master technical and conceptual skills, film analysis questionnaires, and all the essential production forms and logs. New to the fifth edition * Virtually every chapter has been revised, updated, and re-organized for a streamlined and integrated approach. * Expanded sections on the basics of drama, including thorough analyses of recent films * Discussions of the director's approach to script analysis and development * New discussion exploring the elements of naturalistic and stylistic aesthetic approaches. * New discussion on the narrative power of lighting and the lens - including many recent film examples for shot size, perspective, focus and exposure * Greater emphasis on the implications of composition, mise-en-scène, continuity shooting and editing, long take shooting, point-of-view sequences, and camera handling * Expanded discussion of collaboration between the director and principle creative crew * Updated coverage of workflow and comparative advantages to digital or film acquisition * New section on film production safety, set protocol and etiquette
LC Classification Number
PN1995.9.P7R26 2013
Artikelbeschreibung des Verkäufers
Info zu diesem Verkäufer
Magnolia Route Goods
99,6% positive Bewertungen•6.692 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (2.231)
- e***e (16)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufSuch a sweet seller they communicated the whole time giving updates on my package. They first sent it out right away and when the ups ended up misplacing it they went back and checked on my package. We ended figuring out it was misplaced and now it’s on its way. The shoes were 100% as described and packaged nicely. I would also say I definitely got a deal on these for what they are worth, and besides the shipping mishap they ended up coming perfectly in time and was definitely worth the wait!FRYE Womens Carmen Harness Leather Short Boot 77376 Sz 6 B (Nr. 226617812237)
- l***t (1036)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufItem as described, great communication, fast shipping, great Value, good packaging, Highly recommended seller, Thank you.
- d***5 (387)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufEXCELLENT SELLER! FAST SHIPPING, WELL PACKAGED AND EXACTLY AS DESCRIBED. AAA++++++++±SELLERVintage Gott Tote 6 Cooler Console Arm Rest Brown Cup Holder Lunch Box Holder (Nr. 326603532375)
Produktbewertungen & Rezensionen
Relevanteste Rezensionen
- 05. Jun. 2019
Excellent book
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: dutchtrader
Dies ist ein Angebot mit nicht öffentlicher Bieter-/Käuferliste. Nur der Verkäufer kann Ihren Nutzernamen sehen.