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Product Identifiers
PublisherWesleyan University Press
ISBN-100819568155
ISBN-139780819568151
eBay Product ID (ePID)53567537
Product Key Features
Book TitleBlack Rhythms of Peru : Reviving African Musical Heritage in the Black Pacific
Number of Pages328 Pages
LanguageEnglish
Publication Year2007
TopicGenres & Styles / Folk & Traditional, Dance / History & Criticism, General, Ethnic, Latin America / General, Ethnic Studies / African American Studies
IllustratorYes
GenreMusic, Performing Arts, Social Science, History
AuthorHeidi Feldman
Book SeriesMusic / Culture Ser.
FormatTrade Paperback
Dimensions
Item Height1 in
Item Weight17.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceTrade
LCCN2006-010984
Reviews"Feldman's clear and lively text benefits from her formidable research and extensive interviews."ÑWholenote magazine, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-- Dirty Linen magazine "After reading this book, one understands perfectly how vanishing cultural traditions can be rescued, reinvented, or reconstructed by a community and its cultural leaders. Brilliantly written, this book is valuable to everyone interested in how traditions are constantly reinvented and resignified."--Raúl Romero, author of Debating the Past: Music, Memory and Identity in the Andes "Heidi Feldman has written a complete, well-researched, and captivating book on Afro-Peruvian music--a heritage I am happy to see introduced to the world."--Alex Acuña, drummer, percussionist, and producer "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."--Sydney Hutchinson, Dance Research Journal "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-- Dirty Linen magazine "Feldman's clear and lively text benefits from her formidable research and extensive interviews."-- Wholenote magazine, "Feldman's clear and lively text benefits from her formidable research and extensive interviews."-Wholenote magazine, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-- Dirty Linen magazine "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."--Sydney Hutchinson, Dance Research Journal "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-- Dirty Linen magazine "Feldman's clear and lively text benefits from her formidable research and extensive interviews."-- Wholenote magazine, "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."--Sydney Hutchinson, Dance Research Journal, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-- Dirty Linen magazine "Feldman's clear and lively text benefits from her formidable research and extensive interviews."-- Wholenote magazine "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."--Sydney Hutchinson, Dance Research Journal, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."--Dirty Linen magazine, "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."ÑSydney Hutchinson, Dance Research Journal, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."- Dirty Linen magazine, "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."-Dirty Linen magazine, "After reading this book, one understands perfectly how vanishing cultural traditions can be rescued, reinvented, or reconstructed by a community and its cultural leaders. Brilliantly written, this book is valuable to everyone interested in how traditions are constantly reinvented and resignified."--Raúl Romero, author of Debating the Past: Music, Memory and Identity in the Andes "Heidi Feldman has written a complete, well-researched, and captivating book on Afro-Peruvian music--a heritage I am happy to see introduced to the world.""--Alex Acuña, drummer, percussionist, and producer, Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival., "Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion."ÑDirty Linen magazine, Feldman... examines the recent history of Afro-Peruvian music and dance... Feldman doesn't shy away from tough questions on race and authenticity and on the effects of modernity and tourism on Peru's folklife. She looks closely at the double-edged sword of racial identity... The book is well-researched and written in a clear, lively voice, avoiding unnecessary jargon. Terms unfamiliar to lay readers are defined in a short glossary at the end. Like any good researcher, Feldman leaves the door open for further exploration and much discussion., "Feldman's clear and lively text benefits from her formidable research and extensive interviews."- Wholenote magazine, "Feldman's book engagingly combines reflexive writing, fieldwork anecdotes, repertoire analysis, and the multiple voices that make up the history of the Afro-Peruvian music revival."-Sydney Hutchinson, Dance Research Journal
Dewey Edition22
Dewey Decimal781.62/96085
Table Of ContentList of Illustrations Acknowledgments Introduction: Staging Cultural Memory in the Black Pacific The Criollo Nostalgia of José Durand Cumanana and the Ancestral Memories of Victoria Santa Cruz The Peruvian Negritud of Nicomedes Santa Cruz Peru Negro and the Canonization of Black Folklore The Legend of Chincha Susana Baca, Immigrant Nostalgia, and the Cosmopolitan Soul of Black Peru Conclusion: Beginnings Glossary Notes References Discography Index
SynopsisWinner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate--and to some extent recreate--Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including Jos Durand, Nicomedes and Victoria Santa Cruz, and Per Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru.", How Afro-Peruvian music was forgotten and recreated in Peru. Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate?and to some extent recreate?Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru.", How Afro-Peruvian music was forgotten and recreated in Peru. Winner of the IASPM's Woody Guthrie Award (2007) In the late 1950s to 1970s, an Afro-Peruvian revival brought the forgotten music and dances of Peru's African musical heritage to Lima's theatrical stages. The revival conjured newly imagined links to the past in order to celebrate--and to some extent recreate--Black culture in Peru. In this groundbreaking study of the Afro-Peruvian revival and its aftermath, Heidi Carolyn Feldman reveals how Afro-Peruvian artists remapped blackness from the perspective of the "Black Pacific," a marginalized group of African diasporic communities along Latin America's Pacific coast. Feldman's "ethnography of remembering" traces the memory projects of charismatic Afro-Peruvian revival artists and companies, including José Durand, Nicomedes and Victoria Santa Cruz, and Perú Negro, culminating with Susana Baca's entry onto the global world music stage in the 1990s. Readers will learn how Afro-Peruvian music and dance genres, although recreated in the revival to symbolize the ancient and forgotten past, express competing modern beliefs regarding what constitutes "Black Rhythms of Peru."
LC Classification NumberML3575.P4F45 2006
