Die Hieroglyphen von Horapollo (Bollingen Serie (Allgemein)), Niliacus, Boas +=-

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The Hieroglyphics of Horapollo (Bollingen Series (General)), Niliacus, Boas+=
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PublishedOn
1993-11-15
Title
The Hieroglyphics of Horapollo (Bollingen Series (General))
Artist
Not Specified
ISBN
9780691000923
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691000921
ISBN-13
9780691000923
eBay Product ID (ePID)
413386

Product Key Features

Number of Pages
152 Pages
Publication Name
Hieroglyphics of Horapollo
Language
English
Publication Year
1993
Subject
Archaeology, Middle East / Egypt (See Also Ancient / Egypt)
Features
Revised
Type
Not Available
Subject Area
Social Science, History
Author
Horapollo Niliacus
Series
Bollingen Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
8.4 Oz
Item Length
9.5 in
Item Width
7.2 in

Additional Product Features

LCCN
93-008657
TitleLeading
The
Reviews
"Lucid language [and] stimulating and provoking thinking . . . are among the merits of this small book that will certainly become an invaluable source for students interested in Renaissance symbolism." --George Mylonas
Series Volume Number
132
Illustrated
Yes
Dewey Decimal
811/.5/2
Edition Description
Revised edition
Intended Audience
College Audience
Synopsis
Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht Dürer on the verso pages of his copy of a Latin translation., Written reputedly by an Egyptian magus, Horapollo Niliacus, in the 4th century BC, "The Hieroglyphics of Horapollo" is an anthology of nearly 200 hieroglyphics or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505 AD, it informed much of Western iconography from the 16th through the 19th centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass., An anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. This work tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized., Written reputedly by an Egyptian magus, Horapollo Niliacus, in the fourth century C.E., The Hieroglyphics of Horapollo is an anthology of nearly two hundred "hieroglyphics," or allegorical emblems, said to have been used by the Pharaonic scribes in describing natural and moral aspects of the world. Translated into Greek in 1505, it informed much of Western iconography from the sixteenth through the nineteenth centuries. This work not only tells how various types of natural phenomena, emotions, virtues, philosophical concepts, and human character-types were symbolized, but also explains why, for example, the universe is represented by a serpent swallowing its tail, filial affection by a stork, education by the heavens dropping dew, and a horoscopist by a person eating an hourglass. In his introduction Boas explores the influence of The Hieroglyphics and the causes behind the rebirth of interest in symbolism in the sixteenth century. The illustrations to this edition were drawn by Albrecht D rer on the verso pages of his copy of a Latin translation.

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