Hellenistic Tragedy by Agnieszka Kotlinska-Toma 2015 HC Like New

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Book Title
Hellenistic Tragedy: Texts, Translations And A Critical Surv...
Personalized
No
Features
1st Edition, Illustrated
Country of Origin
United Kingdom
ISBN
9781472524218
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Bloomsbury Academic & Professional
ISBN-10
1472524217
ISBN-13
9781472524218
eBay Product ID (ePID)
201671970

Product Key Features

Number of Pages
344 Pages
Language
English
Publication Name
Hellenistic Tragedy : Texts, Translations and a Critical Survey
Subject
Drama, Ancient & Classical
Publication Year
2015
Type
Textbook
Subject Area
Literary Criticism
Author
Agnieszka Kotlinska-Toma
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
23.2 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
2014-023585
Dewey Edition
23
Reviews
This is the first comprehensive survey of Greek tragedy and satyr play of the Alexandrian period, written by a scholar of formidable accomplishments. It should be of considerable interest both to Classicists and historians of the theater.
Dewey Decimal
882/.0109
Table Of Content
Chapter I: Tragedy in the Hellenistic Age - General Observations Chapter II: Tragedians and the tragedies Chapter III: Hellenistic Tragedy with Biblical Themes Chapter IV: The Staging of Hellenistic Tragedies Appendix: Hellenistic Theatres Bibliography
Synopsis
Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging. Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos -masks, the theatre building and the closed stage on the logeion . Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre., Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging.Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos -masks, the theatre building and the closed stage on the logeion . Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre., Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for another four centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). . Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging..Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos -masks, the theatre building and the closed stage on the logeion . Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre.
LC Classification Number
PA3131.K59813 2014

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