MOMENTAN AUSVERKAUFT
Über dieses Produkt
Product Identifiers
PublisherROCKY Nook
ISBN-101681982188
ISBN-139781681982182
eBay Product ID (ePID)228465911
Product Key Features
Number of Pages328 Pages
LanguageEnglish
Publication NameLandscape Photographer's Guide to Photoshop : a Visualization-Driven Workflow
SubjectTechniques / Equipment, Techniques / Digital (See Also Computers / Digital Media / Photography), Digital Media / Photography (See Also Photography / Techniques / Digital), General
Publication Year2017
TypeTextbook
AuthorGuy Tal
Subject AreaComputers, Photography
FormatTrade Paperback
Dimensions
Item Length10 in
Item Width8 in
Additional Product Features
LCCN2016-952034
TitleLeadingThe
IllustratedYes
Table Of ContentThe Landscape Photographer's Guide to PhotoshopBy Guy TalTable Of Contents* Foreword (author TBD)* Introduction1. How We Got to Now 2. Why Expressive Photography 3. The Digital Studioa. The Creative Workspace b. Building Blocks 4. Speaking Digital a. Understanding Bitsb. The RAW Filec. Image File Formatsd. Pixels vs. Dotse. Digital Color f. Master Files 5. Histograms 6. Dynamic Visualizationa. Understanding Visualization b. Defining and Visualizing Your Expressive Goalsc. Visualization Techniques d. Useful Exercises to improve Visualization Skills 7. Image Analysis 8. Workflow Overview 9. RAW Conversiona. Why Start with RAW?b. RAW Conversion vs. Image Editing c. Using ACR d. Detailed Conversion Example10. Introduction to Photoshopa. The User Interface b. Useful Settings in Photoshop Preferences c. Introduction to Layersd. Useful Keyboard Shortcutse. The Tools Panelf. The Control Panelg. The History Panelh. The Histogram Paneli. The Info Panelj. The Properties Panel11. Working With Toolsa. Healing Brush and Cloning Toolb. Basic Selection Toolsc. Croppingd. Working with Brushes12. Working with Layersa. Visibilityb. Naming and Groupingc. Opacity and Filld. Blending Modese. Layer Masks13. Image Editing Techniquesa. Working With Adjustment Layersi. Levelsii. Curvesiii. Color Balanceiv. Vibrance and Hue/Saturationb. Working With Image Layersi. Image Blending ii. Selective Noise Reductionc. Using Actionsd. DoEAing and Burning14. Advanced Selections and Masksa. Making Precise Selections b. Switching between Masks and Selectionsc. The Quick Mask Tool15. Creating and Managing The Master File16. Processing Black and White Imagesa. Effective B&W Visualization b. From Color to Tone c. The Black and White Adjustment Layerd. Conversion using Multiple Filter Effectse. Toning Images 17. Output a. Sizingb. Sharpeningc. Color Management18. Preparing Images for Web19. Printinga. What Makes a Fine Printb. Why Make Your Own Printsc. Digital Print Typesd. Under the Hood e. Understanding Resolutionf. Color Management for Printing g. Papers and other Substratesh. Printing Workflow Overviewi. Print Visualization and Simulationj. Special Considerations for B&Wk. Making The Print20. Putting It All Together ConclusionGlossary Index
SynopsisYou are not offering testimony to the existence of something, you are bringing something into existence--something that did not exist before, and that would not exist if it were not for you. Guy Tal The first step to creating an expressive photograph happens before you even click the shutter: it is the act of visualizing an image in your mind's eye. Once composed and captured, the data recorded by the camera is then transformed in processing to match the visualized image. To become a better expressive photographer means, among other things, to become a better visualizer. This requires more than just technical skill, but also an understanding of what art is, what it means to be an artist, and how to translate your thoughts, feelings, and experiences into visual creations. In The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow, Guy Tal provides a broad theoretical foundation for digital landscape photography as an expressive visual art, and for understanding how art and technology come together to serve your creative purpose. He then offers a roadmap for a visualization-driven approach to processing images in Photoshop. Topics include: -An overview of the history of art and of photography as art -A deeper understanding of creativity and visualization, and of the technical underpinnings of digital imaging -Techniques to effectively apply visualization in creating and processing your images -How to perform "gap analysis" to identify the gaps between the image at any point in time and the desired outcome -How to convert your RAW files using Adobe Camera Raw prior to editing in Photoshop -How best to employ many of Photoshop's tools and features -How to leverage Layers and Masks to accomplish your visualized results -How to control and adjust contrast, color, and tone -Image blending techniques to extend dynamic range and for focus stacking -Processing strategies for black-and-white conversions, including toning your images -Printing and other output techniques including sizing, sharpening, noise reduction, and color management Bringing all of these techniques together, Guy presents a detailed case study, beginning with his initial visualization for the final image and working through his processing steps from RAW conversion to the final print., "You are not offering testimony to the existence of something, you are bringing something into existence--something that did not exist before, and that would not exist if it were not for you." - Guy Tal The first step to creating an expressive photograph happens before you even click the shutter: it is the act of visualizing an image in your mind's eye. Once composed and captured, the data recorded by the camera is then transformed in processing to match the visualized image. To become a better expressive photographer means, among other things, to become a better visualizer. This requires more than just technical skill, but also an understanding of what art is, what it means to be an artist, and how to translate your thoughts, feelings, and experiences into visual creations. In The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow , Guy Tal provides a broad theoretical foundation for digital landscape photography as an expressive visual art, and for understanding how art and technology come together to serve your creative purpose. He then offers a roadmap for a visualization-driven approach to processing images in Photoshop. Topics include: An overview of the history of art and of photography as art A deeper understanding of creativity and visualization, and of the technical underpinnings of digital imaging Techniques to effectively apply visualization in creating and processing your images How to perform "gap analysis" to identify the gaps between the image at any point in time and the desired outcome How to convert your RAW files using Adobe Camera Raw prior to editing in Photoshop How best to employ many of Photoshop's tools and features How to leverage Layers and Masks to accomplish your visualized results How to control and adjust contrast, color, and tone Image blending techniques to extend dynamic range and for focus stacking Processing strategies for black-and-white conversions, including toning your images Printing and other output techniques including sizing, sharpening, noise reduction, and color management Bringing all of these techniques together, Guy presents a detailed case study, beginning with his initial visualization for the final image and working through his processing steps from RAW conversion to the final print., The first step to creating an expressive photograph happens before you even click the shutter: it is the act of visualizing an image in your mind's eye. Once composed and captured, the data recorded by the camera is then transformed in processing to match the visualized image.To become a better expressive photographer means, among other things, to become a better visualizer. This requires more than just technical skill, but also an understanding of what art is, what it means to be an artist, and how to translate your thoughts, feelings, and experiences into visual creations. In The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow , Guy Tal provides a broad theoretical foundation for digital landscape photography as an expressive visual art, and for understanding how art and technology come together to serve your creative purpose. He then offers a roadmap for a visualization-driven approach to processing images in Photoshop., "You are not offering testimony to the existence of something, you are bringing something into existence--something that did not exist before, and that would not exist if it were not for you." - Guy Tal The first step to creating an expressive photograph happens before you even click the shutter: it is the act of visualizing an image in your mind's eye. Once composed and captured, the data recorded by the camera is then transformed in processing to match the visualized image. To become a better expressive photographer means, among other things, to become a better visualizer. This requires more than just technical skill, but also an understanding of what art is, what it means to be an artist, and how to translate your thoughts, feelings, and experiences into visual creations. In The Landscape Photographer's Guide to Photoshop: A Visualization-Driven Workflow, Guy Tal provides a broad theoretical foundation for digital landscape photography as an expressive visual art, and for understanding how art and technology come together to serve your creative purpose. He then offers a roadmap for a visualization-driven approach to processing images in Photoshop. Topics include: An overview of the history of art and of photography as art A deeper understanding of creativity and visualization, and of the technical underpinnings of digital imaging Techniques to effectively apply visualization in creating and processing your images How to perform "gap analysis" to identify the gaps between the image at any point in time and the desired outcome How to convert your RAW files using Adobe Camera Raw prior to editing in Photoshop How best to employ many of Photoshop's tools and features How to leverage Layers and Masks to accomplish your visualized results How to control and adjust contrast, color, and tone Image blending techniques to extend dynamic range and for focus stacking Processing strategies for black-and-white conversions, including toning your images Printing and other output techniques including sizing, sharpening, noise reduction, and color management Bringing all of these techniques together, Guy presents a detailed case study, beginning with his initial visualization for the final image and working through his processing steps from RAW conversion to the final print.
LC Classification NumberTR267.5.A3T35 2017
Bewertungen und Rezensionen
Relevanteste Rezensionen
- 11. Apr. 2018
Great teaching book
Fantastic book written by a superb photographer. Great photos and terrific advice on how to see better and improve your own photos.Bestätigter Kauf: JaArtikelzustand: Neu
