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The Tyranny of Taste: The Politics of Architecture &... - Lubbock, Jules

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Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Book Title
Politics
Genre
Theory of architecture
Topic
Architecture
ISBN
9780300058895
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300058896
ISBN-13
9780300058895
eBay Product ID (ePID)
102869

Product Key Features

Number of Pages
430 Pages
Language
English
Publication Name
Tyranny of Taste : the Politics of Architecture and Design in Britain, 1550-1960
Subject
Urban & Land Use Planning, History & Criticism, Aesthetics, Regional, History / General
Publication Year
1995
Type
Textbook
Subject Area
Design, Art, Philosophy, Architecture
Author
Jules Lubbock
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
52.3 Oz
Item Length
1 in
Item Width
0.8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
94-026853
TitleLeading
The
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
720/.1/030942
Synopsis
How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions--domestic as well as official--becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a Good Society. He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future., How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions--domestic as well as official--becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a "Good Society." He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future., How do countries acquire their distinctive features and appearance, their look or style? In this stimulating book, Jules Lubbock answers this question by focusing on Britain, with its characteristic terraced houses, Georgian squares, postwar slab blocks, and Victorian floral ornamentation. Lubbock traces the fierce debates over consumerism, good design, and town planning that have raged in Britain since the Elizabethan period, investigating how the design of buildings and possessions-domestic as well as official-becomes an issue of public policy and controversy. Lubbock discusses the ideas, policies, and motivations of designers and commentators from 1550 to the present, including such figures as Charles I, Inigo Jones, Joseph Addison, Pope, Hogarth, Pugin, Dickens, Ruskin, and Le Corbusier. He describes the growing public awareness that taste and beauty are related to economic growth, that there is what he calls a political economy of design. He shows, for example, that London was shaped by a desire to control its expansion in order to maintain social stability in the face of the developing industrial and commercial revolution; that Puritans believed that the high consumption of luxury goods essential to prosperity could be made morally acceptable through good design; and that the court of James I consciously adopted classicism as the appropriate style for the newly joined kingdoms of England and Scotland. Lubbock shows the different ways in which architecture, design, planning, and style were believed to contribute to a "Good Society." He suggests that the political economy of design was not only viable in the past but can also provide an essential framework for the future.
LC Classification Number
NK1443.A1L8 1995

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